Pablo Picasso - Works | Galerie Jean-François Cazeau

Pablo Picasso
L'Ecuyère et les Clowns, 1961
Lithograph on Arches paper, ﬁnal state
56.1 x 76.5 cm (22 1/8 x 30 1/8 in.)
Framed: 69 x 90 cm (27 1/8 x 35 ½ in.)
Numbered 30/50 in crayon at the bottom left, Printed by Mourlot
Signed by the artist’s hand in blue crayon « Picasso » on the bottom right
Pablo Picasso
Spectacle: L’Amour s’aventurant chez les femmes,, 1970
Etching
63 x 50.5 cm (24 ¾ x 20 in.)
Numbered on the lower left « 8/50 »
Artist’s stamp at the bottom right « Picasso »
Pablo Picasso
Peintre et son modèle au collier, 1966
Aquatint
37.5 x 27 cm (14 ¾ x 10 5/8 in.)
Numbered on the lower left « 35/50 »
Signed by the hand of the artist at the bottom right « Picasso »
Pablo Picasso
Le Papillon, 1936-1942
Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper

37 × 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)
Pablo Picasso
La Biche, 1936-1942
Sugar-lift Aquatint, scraper and drypoint on Montval paper
41.5 x 31.3 cm (16 3/8 x 12 3/8 in.)
Framed: 52 x 43 cm (20 ½ x 17 in.)
Limited edition of 47
Printed by Roger Lacourière, Paris
Edited by Fabiani

Signed "Picasso" on the lower right
Pablo Picasso
Le Béilier, 1936- 1942
Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper

37 x 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)
Pablo Picasso
L' Aveille, 1936-42
Sugar-lift Aquatint, scraper and dry point on Montval paper
41.5 × 31.3 cm (16 3/8 x 12 3/8 in.)
Framed: 52 x 43 cm (20 ½ x 17 in.)
Edition of 47 + 1AP
Hand signed on the bottom right
Pablo Picasso
La Puce, 1936 - 1942
Etching and aquatint on Chinese paper
37 x 27 cm (14 ½ x 10 5/8 in.)
2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
Martin Fabiani, editor. Proof printed by Lacourière.
Pablo Picasso
Jacqueline de profil à droite, 1958
Lithograph on Arches wove paper
Image: 55.7 x 44 cm (22 x 17 3/8 in.)
Sheet: 65.5 x 50.2 cm (25 7/8 x 19 ¾ in.)
Framed: 93 x 92 cm (36 5/8 x 36 ¼ in.)
Numbered 48/50 (there were also six proofs for the artist and printer).
Signed in pencil
Pablo Picasso
Tête de femme n° 2 (Portrait of Dora Maar), 1939
Aquatint, scraper and drypoint in four colors
Plate size: 29.9 x 23.7 cm (11 7/8 x 9 3/8 in.)
Framed: 66 x 55 cm (26 x 21 5/8 in.)
Aquatint, scraper and drypoint in four colors on four copper plates 104 prints on Montval paper. These proofs are neither numbered nor signed.
Dated upper right: 20/4/39
Pablo Picasso
Portrait de Jacqueline de Face. I, 1963
Linocut, printed in color on Arches paper
64 x 52.6 cm (25 ¼ x 20 5/8 in.)
Framed: 108 x 93 cm (42 ½ x 36 5/8 in.)

Edition 48/50 (IIIe état B)
Printed by Arnèra (Vallauris)
Signed lower right. Numbered in pencil lower left.
Pablo Picasso
Jeune Homme couronné de feuillage, 1963
Linoleum cut printed in colors on arches wove paper.
Image: 35 x 27 cm (13 ¾ x 10 5/8 in.)
Sheet: 63 x 44.5 cm (24 ¾ x 17 ½ in.)
Framed: 88 x 70 cm (34 5/8 x 27 5/8 in.)
A proof aside from the edition of 50 printed by Arnera, Vallauris, published by Galerie Louise Leiris, Paris.
Signed in pencil
Pablo Picasso
Chouette (A.R. 543), 1968
Vase - Terre de faïence
29 x 22 X 14 cm (11 ½ x 8 5/8 x 5 ½ in.)
Stamped: « Madoura Plein Feu » and « Edition Picasso »
Pablo Picasso
Tête de Chèvre de Profil, 1950
White earthware, terre de faïence
Dia 25.5 cm (10 in.)
Stamped: « Madoura Plein Feu » and « Empreinte originale de Picasso».
Inscribed on the underside: « Edition Picasso Madoura »
Pablo Picasso
Corrida, 1953
Faïence ceramic plate
Dia 42 cm (16 ½ in.)
Edition outside of an edition of 200. Only a handful of plates of this exact motif.
Sign carved on the back side “Madoura Plein Feu” and “Picasso's original seal”