Pablo Picasso Spanish, 1881-1973

Pablo Picasso
Tête de femme n° 4 (Portrait of Dora Maar), 1939
Aquatint, scraper and drypoint on Montval paper with Vollard watermark
Image: 29.9 x 23.7 cm (11.8 x 9.3 in.)
Sheet: 45 x 34 cm (17 3/4 x 13 3/8 in.)
Framed: 65.5 x 56 cm (25 3/4 X 22 in.)
Numbered in pencil “50/80”. Printed by Lacourière.

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Pablo Picasso
Tête de femme n° 2 (Portrait of Dora Maar), 1939
Aquatint, scraper and drypoint in four colors
Plate size: 29.9 x 23.7 cm (11 7/8 x 9 3/8 in.)
Framed: 66 x 55 cm (26 x 21 5/8 in.)
Aquatint, scraper and drypoint in four colors on four copper plates 104 prints on Montval paper. These proofs are neither numbered nor signed.
Dated upper right: 20/4/39

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Pablo Picasso
Tête de femme n° 5 (Portrait of Dora Maar), 1939-42
Aquatint and drypoint in color, on Montval paper watermarked "Vollard".
Image: 30 x 23.8 cm (11 3/4 x 9 3/8 in.)
Sheet: 44.5 x 34 cm (17 1/2 x 13 3/8 in.)
Framed: 65 x 55 cm (25 5/8 x 21 5/8 in.)
One of six impressions pulled without allowing the colors to dry between each run, from the total unsigned edition of 105. The edition was 80 plus 25 artist's proofs. Printed by Lacourière and published by Vollard, Paris.

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Pablo Picasso
Jacqueline de profil à droite, 1958
Lithograph on Arches wove paper
Image: 55.7 x 44 cm (22 x 17 3/8 in.)
Sheet: 65.5 x 50.2 cm (25 7/8 x 19 ¾ in.)
Framed: 93 x 92 cm (36 5/8 x 36 ¼ in.)
Numbered 48/50 (there were also six proofs for the artist and printer).
Signed in pencil lower right, "Picasso".

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Pablo Picasso
Portrait de Jacqueline de Face. I, 1963
Linocut, printed in color on Arches paper
64 x 52.6 cm (25 ¼ x 20 5/8 in.)
Framed: 108 x 93 cm (42 ½ x 36 5/8 in.)

Edition 48/50 (IIIe état B)
Printed by Arnèra (Vallauris)
Signed lower right, "Picasso". Numbered in pencil lower left.

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Pablo Picasso
Femme assise en tailleur: Geneviève Laporte, 1951
Etching and drypoint on Japon nacre paper
Image: 14.4 x 10 cm (5 3/4 x 3 7/8 in.)
Sheet: 30.8 x 23.2 cm (12 1/8 X 9 1/8 in.)
Numbered in pencil, " 156/180 ", on the lower left.
There were 12 artist's proofs.
Published by B. Gili, Barcelona.
Signed on the lower right in pencil, "Picasso"

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Pablo Picasso
Femme (A.R. 300), 1955
Pitcher in terre de faïence
H: 31 cm (12 1/4 in.)
No. 44/100. Numbered under the base.
Stamped: « Madoura Plein Feu » and « Edition Picasso »

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Pablo Picasso
Corrida, 1953
Faïence ceramic plate
Dia 42 cm (16 ½ in.)
Edition outside of an edition of 200. Only a handful of plates of this exact motif.
Sign carved on the back side “Madoura Plein Feu” and “Picasso's original seal”

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Pablo Picasso
Chouette (A.R. 543), 1968
Vase - Terre de faïence
29 x 22 X 14 cm (11 ½ x 8 5/8 x 5 ½ in.)
Stamped: « Madoura Plein Feu » and « Edition Picasso »

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Pablo Picasso
Peintre et son modèle au collier, 1966
Aquatint, etching, scraper and drypoint

Image: 27.2 x 37.6 cm (10 3/4 x 14 7/8 in.)
Sheet: 41 x 50 cm (16 1/8 x 19 3/4 in.)

Numbered on the lower left « 35/50 »
Signed by the hand of the artist at the bottom right « Picasso »

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Pablo Picasso
La Puce, 1936 - 1942
Etching and aquatint on Chinese paper
37 x 27 cm (14 ½ x 10 5/8 in.)
2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
Martin Fabiani, editor. Proof printed by Lacourière.

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Pablo Picasso
Spectacle: L’Amour s’aventurant chez les femmes, 1970
Etching
63 x 50.5 cm (24 ¾ x 20 in.)
Numbered on the lower left, « 8/50 »
Artist’s stamp at the bottom right, « Picasso »

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Pablo Picasso
Le Papillon, 1936-1942
Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.

37 × 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)
One of the rare titled 35 prints on Imperial Japanese paper.
Print Roger Lacourière workshop, Paris.

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%3Cdiv%20class%3D%22artist_simplified%22%3EPablo%20Picasso%3C/div%3E%3Cdiv%20class%3D%22title_and_year_simplified%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ELe%20Papillon%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1936-1942%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium_simplified%22%3ESugar-lift%20Aquatint%2C%20scraper%20and%20dry%20point%20on%20Imperial%20Japanese%20paper.%3Cbr/%3E%0A%3C/div%3E%3Cdiv%20class%3D%22dimensions_simplified%22%3E37%20%C3%97%2027%20cm%20%20%2814%20%C2%BD%20x%2010%205/8%20in.%29%3Cbr/%3E%0AFramed%3A%2062%20x%2053%20cm%20%20%2824%20%C2%BD%20%20x%2021%20in.%29%3C/div%3E%3Cdiv%20class%3D%22edition_details_simplified%22%3EOne%20of%20the%20rare%20titled%2035%20prints%20on%20Imperial%20Japanese%20paper.%3Cbr/%3E%0APrint%20Roger%20Lacouri%C3%A8re%20workshop%2C%20Paris.%3C/div%3E
Pablo Picasso
Le Bélier, 1936- 1942
Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.

37 x 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)
One of the rare titled 35 prints on Imperial Japanese paper.

Print Roger Lacourière workshop, Paris.

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Pablo Picasso
Petit déjeuner sur l’herbe, d’après Manet, 1962
Linoleum cut printed in colors on arches wove paper
Image : 35 x 27 cm (13 3/4 x 10 5/8 in.)
Sheet : 62 x 44 cm (24 1/2 x 17 3/8 in.)
Framed: 88.2 x 69.5 cm (34 3/4 x 27 3/8 in.)
Printed by Arnera, Vallauris,
Published by Galerie Louise Leiris, Paris.
Signed by the artist in pencil: “Pablo Picasso” and numbered “35/50”

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Pablo Picasso
Tête de Chèvre de Profil, 1950
White earthware, terre de faïence
Dia 25.5 cm (10 in.)
Stamped: « Madoura Plein Feu » and « Empreinte originale de Picasso».
Inscribed on the underside: « Edition Picasso Madoura »

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Pablo Picasso
L'Ecuyère et les Clowns, 1961
Lithograph on Arches paper, ﬁnal state
56.1 x 76.5 cm (22 1/8 x 30 1/8 in.)
Framed: 69 x 90 cm (27 1/8 x 35 ½ in.)
Numbered 30/50 in crayon at the bottom left. Printed by Mourlot.
Signed by the artist’s hand in blue crayon « Picasso » on the bottom right

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Pablo Picasso
Jeune Homme couronné de feuillage, 1963
Linoleum cut printed in colors on arches wove paper.
Image: 35 x 27 cm (13 ¾ x 10 5/8 in.)
Sheet: 63 x 44.5 cm (24 ¾ x 17 ½ in.)
Framed: 88 x 70 cm (34 5/8 x 27 5/8 in.)
A proof aside from the edition of 50 printed by Arnera, Vallauris, published by Galerie Louise Leiris, Paris.
Signed in pencil lower right, "Picasso"

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Pablo Picasso
Le Vieux Bouffon, 1963
Linocut on Arches paper
75.2 x 62.2 cm (29 7/8 x 24 ½ in.)
Framed: 100 x 91 cm (39 3/8 x 35 7/8 in.)
Artist proof
Very rare hand-signed artist proof. Signed "Picasso" on the lower right.

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Pablo Picasso
Homme au Bâton/Le Vieux Bouffon, 1963
Linocut, printed in color on Arches paper
Image: 64 x 53.6 cm (25 ¼ x 21 1/8 in.)
Sheet: 75.2 x 62.5 cm (29 5/8 x 24 5/8 in.)
Framed: 100 x 91 cm (39 3/8 x 35 7/8 in.)
One of a rare few artist proofs
Printed by Arnèra (Vallauris)
Signed « Picasso » on the lower right in pencil

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Pablo Picasso
Mère et enfant au fichu, 1966
Lithography, outside of an edition of 60 copies
75.6 x 54.9 cm (29.7 x 21.6 in.)
Edition by the Crommelynck Brothers, engravers in Paris
Edition of the Picasso Museum of Barcelona
Signed "Picasso" and dedicated to Marie Cutoli and dated 13.10.66, lower right

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