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Pablo PicassoL'Ecuyère et les Clowns, 1961Lithograph on Arches paper, final state56.1 x 76.5 cmNumbered 30/50 in crayon at the bottom left, Printed by MourlotSigned by the artist’s hand in blue crayon « Picasso » on the bottom right -
Pablo PicassoSpectacle: L’Amour s’aventurant chez les femmes,, 1970Etching63 x 50.5 cmNumbered on the lower left « 8/50 »Artist’s stamp at the bottom right « Picasso »
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Pablo PicassoPeintre et son modèle au collier, 1966Aquatint37.5 x 27 cmNumbered on the lower left « 35/50 »Signed by the hand of the artist at the bottom right « Picasso »
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Pablo PicassoLe Vieux Roi, 1963Mixed media
Linocut, enhanced with colour pastels75 x 62 cmBy entirely enhancing this linocut with colour pastels, Picasso deliberately wanted to render
this print « unique ».Inscription « Pour mon ami Tabaraud » signed bottom right. -
Pablo PicassoLe Vieux Bouffon, 1963Linocut on Arches paper75.2 x 62.2 cmArtist proofVery rare hand-signed artist proof
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Pablo PicassoHomme au Bâton/Le Vieux Bouffon, 1963Linocut, printed in color on Arches paperImage: 64 x 53.6 cm
Sheet: 75.2 x 62.5 cmOne of a rare few artist proofs
Printed by Arnèra (Vallauris)Signed « Picasso » on the lower right in pencil
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Pablo PicassoLe Papillon, 1936-1942Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper
37 × 27 cm -
Pablo PicassoLe Béilier, 1936- 1942Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper
37 x 27 cm -
Pablo PicassoL'aveille, 1936-42Sugar-lift Aquatint, scraper and dry point on Montval paper41.5 × 31.3 cmEdition of 47 + 1APHand signed on the bottom right
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Pablo PicassoLa Puce, 1936 - 1942Etching and aquatint on Chinese paper37 x 27 cm
2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
Martin Fabiani, editor. Proof printed by Lacourière. -
Pablo PicassoJacqueline de profil à droite, 1958Lithograph on Arches wove paperImage 557 x 440 mm.
Sheet 655 x 502 mm.Numbered 48/50 (there were also six proofs for the artist and printer).Signed in pencil -
Pablo PicassoTête de femme n° 2 (Portrait of Dora Maar), 1939Aquatint, scraper and drypoint in four colorsPlate size: 29,9 x 23,7 / 11,8 x 9,3 in.Aquatint, scraper and drypoint in four colors on four copper plates 104 prints on Montval paper. These proofs are neither numbered nor signed.Dated upper right: 20/4/39
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Pablo PicassoPortrait de Jacqueline de Face. I, 1963Linocut, printed in color on Arches paperUnframed 64 x 52,6 cm (25 1/4 x 20 5/8 inches)
Framed 108 x 93 cm (42 ½ x 36 5/8 inches)
Edition 48/50 (IIIe état B)
Printed by Arnèra (Vallauris)Signed lower right. Numbered in pencil lower left. -
Pablo PicassoLe Faune, 1962-63Linocut printed on Arches paperImage 64 x 53.6 cm
Sheet: 75.2 x 62.5 cmN° 28/50
Printed by Arnèra (Vallauris)Numbered « 28/50 » on the bottom right. Signed « Picasso » on the lower right in pencil. -
Pablo PicassoJeune Homme couronné de feuillage, 1963Linoleum cut printed in colors on arches wove paper.Image : 35 x 27 cm
Sheet : 63 x 44,5 cmA proof aside from the edition of 50 printed by Arnera, Vallauris, published by Galerie Louise Leiris, Paris.Signed in pencil
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Pablo PicassoChouette (A.R. 543), 1968Vase - Terre de faïence29 x 22 X 14 cm / 11 1/2 x 8 5/8 x 5 1/2 in.Stamped: « Madoura Plein Feu » and « Edition Picasso »
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Pablo PicassoCruchon Hibou, 1957Pitcher turned in white earthenware, colored and partially glazed.27.5 x 13 cm / 10 7/8 x 5 1/8 in.Stamped: « Madoura Plein Feu » and « Edition Picasso »
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Pablo PicassoDancing, 1957White stoneware, colored and partially glazed.31.5 x 39 x 4.5 cm / 12 3/8 x 15 3/8 x 1 3/4 in.Stamped: « Madoura Plein Feu » and « Edition Picasso ».Inscribed on the underside: « Edition Picasso Madoura ».
