The exhibition ‘Tous Léger’ (All Léger) opened recently in Paris at the Musée de Luxembourg, showing how the plastic innovations of one of the masters of the 20th-century avant-garde, Fernand Léger, inspired the very diverse work of artists such as Niki de Saint-Phalle, Yves Klein, and many others. Fernand Léger, one of the pioneers of Cubism, brought colour into a previously monochrome movement. Colour became a vital necessity for the artist in the 1930s, as this work demonstrates.
Fernand Léger's American exile during the Occupation brought his figurative and colourful art to the attention of a new generation of artists. In the post-war period, it had a real impact on American Pop Art, as well as on members of the French New Realism, a French response to the transatlantic movement. Artists such as Niki de Saint Phalle, César and Yves Klein would adopt the same dazzling colours, but also the figuration that characterises Léger's work.
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Fernand LégerMasque (Projet de costume pour la Création du Monde), 1923Ink, crayon and watercolour on paper27 x 21 cmSigned on the lower right
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Fernand LégerNature morte, jaune et bleue, 1938Gouache et encre
21,2 x 28,5 cm (papier: 23 x 31 cm)
58 x 65 cm (avec cadre)Signé, et dédicacée à Madame Morancé, cordial hommage / FLéger. Monogrammé et daté 38 -
Alain JacquetLa Source d'après Ingres, 1965-2004Silkscreen on canvas168 × 85.5 cmEdition of 30, all unique variantsSigned «Alain Jacquet » on the reverse Inscribed «AJ-LAS-65-04-3 »
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Jean-Charles Blais (1956-)Très Vite!, 1985Gouache and aluminium paper on paper.106 × 112.5 cmSigned on the lower left; titled on the center, and dated on the lower right.
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Eduardo ArroyoParmi les peintres, 1975Mixed media on paper laid on panel (sandpaper and canvas collage on paper)91 x 70 cmSigned and dated on the lower right
Titled, Counter-signed and counter dated on the reverse