T'ang Haywen, Consécration de l'artiste chinois

"The Chinese artist, who is the third most important figure of the Paris School after Zao Wou-ki (1920–2013) and Chu Teh Chun (1920–2014), had previously received little attention because, as Diana Durlanescu of the Cazeau Gallery explains:
‘He was not interested in the market or galleries. As a true Taoist, what mattered to him was creating his work and living his art.’"