Galerie Jean-François Cazeau
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Portraits from 1928 to Nowadays

Past viewing_room
2 February - 7 March 2022
    • Gaston Chaissac Self Portrait, 1938 Signed chaissac on lower left Oil on board 27 x 21 cm (10 5/8 x 8 1/4 in.) Framed: 53 x 48 cm (21 x 19 in.)
      Gaston Chaissac
      Self Portrait, 1938
      Signed chaissac on lower left
      Oil on board
      27 x 21 cm (10 5/8 x 8 1/4 in.)
      Framed: 53 x 48 cm (21 x 19 in.)
    • André Masson Portrait de Peter Matisse, 1943 Signed on the lower left Pastel on paper 49 x 39 cm (9 3/8 x 15 3/8 in.) Framed: 65 x 55 cm
      André Masson
      Portrait de Peter Matisse, 1943
      Signed on the lower left
      Pastel on paper
      49 x 39 cm (9 3/8 x 15 3/8 in.)
      Framed: 65 x 55 cm
    • Gen Paul Portrait d'Ernest Lajeunesse, 1928 Signed on lower right Oil on canvas 100 x 65 cm (39 ½ x 25 ½ in.)
      Gen Paul
      Portrait d'Ernest Lajeunesse, 1928
      Signed on lower right
      Oil on canvas
      100 x 65 cm (39 ½ x 25 ½ in.)
    • André Masson Martiniquaise, 1941 Monogramed and signed lower right : a.m. 41 Ink on paper 30 x 22.6 cm (11 7/8 x 9 in.)
      André Masson
      Martiniquaise, 1941
      Monogramed and signed lower right : a.m. 41
      Ink on paper
      30 x 22.6 cm (11 7/8 x 9 in.)
    • Pablo Picasso Tête de femme n° 5 (Portrait of Dora Maar), 1939-42 Aquatint and drypoint in color, on Montval paper watermarked "Vollard". Image: 30 x 23.8 cm (11 3/4 x 9 3/8 in.) Sheet: 44.5 x 34 cm (17 1/2 x 13 3/8 in.) Framed: 65 x 55 cm (25 5/8 x 21 5/8 in.) One of six impressions pulled without allowing the colors to dry between each run, from the total unsigned edition of 105. The edition was 80 plus 25 artist's proofs. Printed by Lacourière and published by Vollard, Paris.
      Pablo Picasso
      Tête de femme n° 5 (Portrait of Dora Maar), 1939-42
      Aquatint and drypoint in color, on Montval paper watermarked "Vollard".
      Image: 30 x 23.8 cm (11 3/4 x 9 3/8 in.)
      Sheet: 44.5 x 34 cm (17 1/2 x 13 3/8 in.)
      Framed: 65 x 55 cm (25 5/8 x 21 5/8 in.)
      One of six impressions pulled without allowing the colors to dry between each run, from the total unsigned edition of 105. The edition was 80 plus 25 artist's proofs. Printed by Lacourière and published by Vollard, Paris.
    • Pablo Picasso Tête de femme de profil, 1959 Signed "Picasso" on the bottom right, noted "epreuve d'artiste" on the lower left Linocut on Arches paper 75.2 x 62.2 cm (29 5/8 x 24 1/2 in.) Artist's Proof
      Pablo Picasso
      Tête de femme de profil, 1959
      Signed "Picasso" on the bottom right, noted "epreuve d'artiste" on the lower left
      Linocut on Arches paper
      75.2 x 62.2 cm (29 5/8 x 24 1/2 in.)
      Artist's Proof
    • Pablo Picasso Femme assise en tailleur: Geneviève Laporte, 1951 Signed on the lower right in pencil, "Picasso" Etching and drypoint on Japon nacre paper Image: 14.4 x 10 cm (5 3/4 x 3 7/8 in.) Sheet: 30.8 x 23.2 cm (12 1/8 X 9 1/8 in.) Numbered in pencil, " 156/180 ", on the lower left. There were 12 artist's proofs. Published by B. Gili, Barcelona.
      Pablo Picasso
      Femme assise en tailleur: Geneviève Laporte, 1951
      Signed on the lower right in pencil, "Picasso"
      Etching and drypoint on Japon nacre paper
      Image: 14.4 x 10 cm (5 3/4 x 3 7/8 in.)
      Sheet: 30.8 x 23.2 cm (12 1/8 X 9 1/8 in.)
      Numbered in pencil, " 156/180 ", on the lower left.
      There were 12 artist's proofs.
      Published by B. Gili, Barcelona.
    • Pablo Picasso La Puce, 1936 - 1942 Etching and aquatint on Chinese paper 37 x 27 cm (14 ½ x 10 5/8 in.) 2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942. Martin Fabiani, editor. Proof printed by Lacourière.
      Pablo Picasso
      La Puce, 1936 - 1942
      Etching and aquatint on Chinese paper
      37 x 27 cm (14 ½ x 10 5/8 in.)
      2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
      Martin Fabiani, editor. Proof printed by Lacourière.
    • Falcone (Giammarco Falcone) Hans Memling's Bedroom #2, 2016 Signed on reverse Digital print mounted on wood 35 x 30 cm (13 ¾ x 11 7/8 in.)
      Falcone (Giammarco Falcone)
      Hans Memling's Bedroom #2, 2016
      Signed on reverse
      Digital print mounted on wood
      35 x 30 cm (13 ¾ x 11 7/8 in.)
    • Pablo Picasso Le Faune, 1962 Signed « Picasso » on the lower right in pencil and numbered «43/50 » on the bottom right. Linocut printed on Arches paper Image : 64 x 52.8 cm (25 3/8 x 20 3/4 in.) Sheet : 75.2 x 62 cm (29 3/8 x 24 3/8 in.) N° 43/50 Printed by Arnèra (Vallauris)
      Pablo Picasso
      Le Faune, 1962
      Signed « Picasso » on the lower right in pencil and numbered «43/50 » on the bottom right.
      Linocut printed on Arches paper
      Image : 64 x 52.8 cm (25 3/8 x 20 3/4 in.)
      Sheet : 75.2 x 62 cm (29 3/8 x 24 3/8 in.)
      N° 43/50
      Printed by Arnèra (Vallauris)
    • Michel Sima, Portrait d'Alberto Giacometti dans son atelier rue des Archives, Paris, 1953, 2003
      Michel Sima, Portrait d'Alberto Giacometti dans son atelier rue des Archives, Paris, 1953, 2003

8, rue Sainte-Anastase 75003 Paris

+33 (0)1 48 04 06 92

+33 (0)6 03 79 76 26

jfc@galeriejfcazeau.com

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