In his manifesto for the group, the great art critic and theorist Pierre Restany uses a single expression to characterize the diversity of artistic practices of the artists of the Nouvéau Réalisme : "a poetic recycling of the urban, industrial, publicitary reality". That is to say, an art of reappropriation of the surrounding reality that is direct, and that is the uniting line amongst works as diverse as Yves Klein's proto-Conceptual art or César's Dada-like assemblages. As such, the group of the Nouveaux réalistes is, in a way, the French response to American Pop Art, and they too will mark the decade of the 1960s - the group is founded precisely in 1960.
In the French Post-War scene marked by the triumph of Lyrical abstraction and Abstract expressionism, the Nouveaux Réalistes represent a very singular avant-garde : not a return to figurative painting per se, but a direct citation of reality. Their members count famously Yves Klein, but also Martial Raysse, Niki de Saint Phalle - the only female artist of the group, Jean Tinguely and César, to name but a few. We hope that, through a selection of several works from these artists, the viewer can be able to better aporeciate the singularity aand diversity of their art.
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Martial RaysseGreen on Green, 1964Spray paint, xerography, collage, oil and carboard monted on canvas33 x 22 x 7 cmsigned Martial Raysse, dated 64 and titled "Green on green" (on the reverse)
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Niki de Saint PhalleChat Lampe (pièce unique), 1997Casted resin, painted and lacquered63 × 33 × 18 cmHand-signed by artist, Signed by the artist on the lower part, on the cat's tail "Niki de Saint Phalle"
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Niki de Saint PhalleOiseau Amoureux, 2000Painted resin60 × 48 × 23 cmEdition of 150Signed and numbered on the reverse, with the stamp of Haligon Plastiques d'art
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Jean TinguelyLettre-dessin à Mme. Pompidou, 1980Collage, ink and coloured crayons on paper21 × 29.5 cmSigned on the lower right by the artist
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César Baldaccini, dit CésarConstruction (Plaque), 1955Welded iron38.7 x 20 x 10.5 cm (15 1/4 x 7 7/8 x 4 1/8 in.)Signed « Cesar » on the top of the base
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Yves KleinL'Esclave mourant d'après Michel-Ange, 1962IKB Pigment and synthetic resin on plaster59 × 18 × 13 cmEdition of 300, Numbered 127/300Numbered 127/300 on the label posed on the underside, and signed R. Klein-Moquay
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Yves KleinLa Victoire de Samothrace , 1962-2011lost wax cast
Crystal glass and pure IKB pigment49.5 cm39/83Signed and dated on the wing. -
Yves KleinTable IKB® , 1961Glass, plexiglass, chrome base and IKB blue pigments.37 x 100 x 125 cmEdition de la Fondation Yves KleinSignée par Rotraut Klein-Moquay et référencée sur son cartel d'identification sous le plateau
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Yves KleinTable Monogold ™, Créée en 19613000 feuilles d’or, plexiglas, verre et pieds en acier chromé37 x 100 x 125 cm
Cette pièce fait partie d’une édition commencée en 1963, sous la supervision de Rotraut Klein-Moquay et basée sur un modèle de Yves Klein.Signée par Rotraut Klein-Moquay et référencée sur son cartel d'identification sous le plateau -
Yves KleinTable Monopink™ , Créée en 1961Pigment rose, Plexiglas, verre et pieds en acier chromé
37 x 100 x 125 cm (49 5/8 x 15 3/8 x 39 3/8 in.)
Cette pièce fait partie d’une édition commencée en 1963, sous la supervision de Rotraut Klein-Moquay et basée sur un modèle de Yves Klein.Signée par Rotraut Klein-Moquay et référencée sur son cartel d'identification sous le plateau