Dominique Fury b. 1956

Works
  • Satyricon
    Dominique Fury
    Satyricon, 2007
    Manual silk screen on fake fur, plexiglass
    33 9/10 × 26 4/5 in / 86 × 68 cm
  • GRASS
    Dominique Fury
    GRASS, 2009
    Manual silk screen on fake fur, plexiglass
    15 7/10 × 15 7/10 × 3 9/10 in / 40 × 40 × 10 cm
    Signed on the reverse
  • CAT
    Dominique Fury
    CAT, 2012
    Manual silk screen on fake fur
    15 7/10 × 15 7/10 × 3 9/10 in / 40 × 40 × 10 cm
  • Chimère
    Dominique Fury
    Chimère, 2012
    Sewn synthetic fur, plexiglass and mixed media
    15 7/10 × 15 7/10 × 4 3/10 in / 40 × 40 × 11 cm
    Hand-signed by artist
  • Crazy Dear
    Dominique Fury
    Crazy Dear, 2012
    Sewn synthetic fur, plexiglass and mixed media
    15 7/10 × 15 7/10 × 4 3/10 in / 40 × 40 × 11 cm
    Hand-signed by artist
  • Marianne
    Dominique Fury
    Marianne, 2012
    Manual Silk Screen on fake fur, tissue, plexiglass
    15 7/10 × 15 7/10 × 3 9/10 in / 40 × 40 × 10 cm
    Signed on the reverse
  • We Love Mao
    Dominique Fury
    We Love Mao, 2012
    Synthetic fur, recuperation materials, ink painting, plexiglass
    19 7/10 × 35 4/5 × 4 7/10 in / 50 × 91 × 12 cm
    Signed on the reverse
  • iel
    Dominique Fury
    iel, 2025
    Manual silk screen on fake fur, plexiglass
    28 × 16 3/10 in / 71 × 41.5 cm
  • Sainte-Nitouche (Hommage à Lacan)
    Dominique Fury
    Sainte-Nitouche (Hommage à Lacan), 2025
    Manual silk screen on fake fur, plexiglass
    21 7/10 × 15 7/10 in / 55 × 40 cm
  • Caresser l'interdit
    Dominique Fury
    Caresser l'interdit, 2026
    Sewn synthetic fur and plexiglass
    15 7/10 × 15 7/10 × 4 3/10 in / 40 × 40 × 11 cm
    Signed on the reverse
  • Fauve
    Dominique Fury
    Fauve, 2026
    Manual silk screen on fake fur, plexiglass
    30 3/10 × 21 7/10 in / 77 × 55 cm
    Signed on the reverse
Biography

Born in 1956 in Paris, Dominique Fury is a French artist and a prominent figure in the underground scene of the late 1970s. After studying at the Légion d’honneur and Sciences Po Paris, she became involved in the Parisian punk and art scenes, rubbing shoulders with figures such as Gualtieri, William Burroughs, Thunders, the Factory, and Andy Warhol. She then developed an artistic practice blending punk and pop. In 1979, she joined the Bazooka collective, where she trained in screen printing and participated in a discussion on the image and its circulation.

Beginning in the late 1970s, silkscreen printing became one of Dominique Fury’s primary mediums. Using images drawn from the press, advertising, and popular culture, she developed a body of work based on collage, appropriation, and recomposition. Her work thus maintains a relationship with consumer society and media representations—particularly those associated with femininity—that is both critical and playful. In the early 1980s, she met Agnès b., with whom she collaborated regularly, and also began to take an interest in street art.

 

Associated with Pop Art and Neo-Pop, Dominique Fury creates a rich and varied world using a wide range of materials, from synthetic fur to Plexiglas, including fabrics and industrial canvases. Images, materials, and patterns overlap, blurring the boundaries between painting, photography, and the object. Female figures, animals, and vivid colors form the language of a whimsical and subversive world. In her works, accumulation becomes a means of questioning our relationship to images and representations, while affirming their power to transform.