Modern

One of only 7 or 8 proofs of the second state.
Edition of 50, Edited by Galerie Louise Leiris, Paris.
Printed by Fernand Mourlot, Paris.

Edité par Crommelynck, Paris.
Une des rares épreuves d’artistes signées, réservées à Picasso, à l’imprimeur et à l’éditeur, à part de l’édition à 300 exemplaires numérotés et signés.

Edition of 50, Artist's proof outside the edition, one of eight Picasso kept for himself.
Printed by Arnera, Vallauris and published by Galerie Louise Leiris.

N° 18/50
From an edition of 50.
Printed by the Atelier Crommelynck, Paris
Edited by Galerie Louise Leiris, Paris

Rare and beautiful artist’s proof signed, dated '53 and dedicated by the artist to Maurice Operiol.
One of only two known impressions of the final state before the letter, hand-signed by the artist. The lithographic poster with the letter and some other rare prints without the letter bear only the date and the artist's signature printed in stone. The other proof signed at the lower left had been offered to Fernand Mourlot.

These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.

These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.

These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.

This work is registered in the Comité Masson archives

Numbered in pencil, " 156/180 ", on the lower left.
There were 12 artist's proofs.
Published by B. Gili, Barcelona.

Edition by the Crommelynck Brothers, engravers in Paris
Edition of the Picasso Museum of Barcelona

Aquatint, scraper and drypoint in four colors on four copper plates 104 prints on Montval paper. These proofs are neither numbered nor signed.

Numbered in pencil “50/80”. Printed by Lacourière.

Numbered 48/50 (there were also six proofs for the artist and printer).

2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
Martin Fabiani, editor. Proof printed by Lacourière.

Numbered on the lower left « 35/50 »

Edition 48/50 (IIIe état B)
Printed by Arnèra (Vallauris)

One of the rare titled 35 prints on Imperial Japanese paper.
Print Roger Lacourière workshop, Paris.

One of the rare titled 35 prints on Imperial Japanese paper.
Print Roger Lacourière workshop, Paris.

One of a rare few artist proofs
Printed by Arnèra (Vallauris)

N° 43/50
Printed by Arnèra (Vallauris)

No. 44/100. Numbered under the base

Edition outside of an edition of 200. Only a handful of plates of this exact motif.

This work will be included in the catalog raisonné T'ANG Haywen in preparation by T'ang Haywen Archives and Mr. Philippe Koutouzis under the number: XLMI - KW - 11.