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Modern

  • Pablo Picasso, Bacchanale, 1955
    Pablo Picasso
    Bacchanale, 1955
    Eau-forte et aquatinte en couleurs sur vélin de Rives
    Image: 47, 4 x 56,3 cm
    Feuille: 56 x 76,5 cm
    Edité par Crommelynck, Paris.
    Une des rares épreuves d’artistes signées, réservées à Picasso, à l’imprimeur et à l’éditeur, à part de l’édition à 300 exemplaires numérotés et signés.
    Signé au crayon en bas à droite
  • Pablo Picasso, Les Ménines, 1959
    Pablo Picasso
    Les Ménines, 1959
    Dessin aux crayons de couleur
    32 x 24 cm
    Signé au crayon "Picasso", daté "le 28.1.59"
  • Pablo Picasso, Bethsabée, 1966
    Pablo Picasso
    Bethsabée, 1966
    Eau-forte et aquatinte sur BFK (vélin) de Rives
    Image: 37,5 x 26, 5 cm
    Feuille: 56 x 45 cm
    Edité par Crommelynck, Paris.
    Une des rares épreuves d’artiste signées, réservées à Picasso, à l’imprimeur et à l’éditeur, à part de l’édition à 300 exemplaires numérotés et signés.
    Signée au crayon par l'artiste en bas à droite
  • Henri Matisse, Composition for the Centenary of the Mourlot printing studio, 1952
    Henri Matisse
    Composition for the Centenary of the Mourlot printing studio, 1952
    65 x 50 cm
    Rare and beautiful artist’s proof signed, dated '53 and dedicated by the artist to Maurice Operiol.
    One of only two known impressions of the final state before the letter, hand-signed by the artist. The lithographic poster with the letter and some other rare prints without the letter bear only the date and the artist's signature printed in stone. The other proof signed at the lower left had been offered to Fernand Mourlot.
    Signed, dated and dedicated by the artist "à Maurice Operiol/H. Matisse 53" on the lower left corner.
  • Afro (Afro Basaldella), Le Jardin de l'Espoir, 1958
    Afro (Afro Basaldella)
    Le Jardin de l'Espoir, 1958
    Mixed Media on paper mounted on canvas
    66 x 102 cm (26 x 40 1/4 in.)
    Signed and dated on the bottom right
  • César Baldaccini, dit César, Moteur, 1954-59
    César Baldaccini, dit César
    Moteur, 1954-59
    Welded iron
    25 x 39 x 16 cm (10 x 15 7/8 x 6 1/4 in.)
    Signed " César / 54 " on the base
  • César Baldaccini, dit César, Construction (Plaque), 1955
    César Baldaccini, dit César
    Construction (Plaque), 1955
    Welded iron
    38.7 x 20 x 10.5 cm (15 1/4 x 7 7/8 x 4 1/8 in.)
    Signed « Cesar » on the top of the base
  • Gaston Chaissac, Self Portrait, 1938
    Gaston Chaissac
    Self Portrait, 1938
    Oil on board
    27 x 21 cm (10 5/8 x 8 1/4 in.)
    Framed: 53 x 48 cm (21 x 19 in.)
    Signed chaissac on lower left
  • Olivier Debré, Signe, Musicien, 1948
    Olivier Debré
    Signe, Musicien, 1948
    Oil on canvas
    147 x 89 cm (57 7/8 x 35 in.)
    Signed on the lower right, « DEBRE 1948 »
  • Oscar Dominguez, Nu sur la plage, 1950-55
    Oscar Dominguez
    Nu sur la plage, 1950-55
    Oil on canvas
    22 x 16 cm ( 8 5/8 x 6 1/4 in.)
    Signed on the lower right
  • André Dunoyer de Segonzac , Saint-Tropez vue de la Chapelle Saint-Anne, c. 1930
    André Dunoyer de Segonzac
    Saint-Tropez vue de la Chapelle Saint-Anne, c. 1930
    Wash and ink on paper
    37.5 x 56.5 cm (14 ¾ x 22 in.)
    Signed on the lower right. Titled and situated at the back.
  • Max Ernst, Untitled Collage, 1933
    Max Ernst
    Untitled Collage, 1933
    Collage on paper
    12 x 12 cm (4 ¾ x 4 ¾ in.)
  • Alberto Giacometti, Tête de Gorgone or Tête de Méduse
    Alberto Giacometti
    Tête de Gorgone or Tête de Méduse
    Bronze
    H 24.5 x L 25 x D 17 cm (H 9 5/8 x 9 3/4 x 6 3/4 in.)
    Model conceived in 1934
    Inscribed in the interior on the upper left, "AG02"
  • Juan Gris, Verre et citron, 1911-18
    Juan Gris
    Verre et citron, 1911-18
    Charcoal on paper
    22.5 x 17 cm (9 x 6 ¾ in.)
    Signed and dedicated, upper right: Juan Gris « A Louis en toute sympathie »
  • Hans Hartung, T1981-K20, 1981
    Hans Hartung
    T1981-K20, 1981
    Acrylic on canvas
    100 x 162 cm (39 3/8 x 63 3/4 in.)
    Framed : 120 x 182 cm (47 1/4 x 71 5/8 in.)
    This work is registered in the archives of the Hans Hartung and Annna Eva Bergman Foundation and will be included in the catalog raisonné of Hans Hartung's work currently in preparation.
    Not signed, the date and inventory number given by Hartung are comprised in the title.
  • Ladislas Kijno, Monogramme, 1960
    Ladislas Kijno
    Monogramme, 1960
    Oil on canvas
    130 x 97 cm (51 1/8 x 38 1/8 in.)
    Signed and dated lower left, signed and titled on the back
  • Yves Klein , Blue Table, 1963
    Yves Klein
    Blue Table, 1963
    Glass, plexiglass, chrome base and IKB blue pigments.
    126 x 39 x 100 cm (49 5/8 x 15 3/8 x 39 3/8 in.)
    These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.
  • Yves Klein , Gold Table, 1963
    Yves Klein
    Gold Table, 1963
    Glass, plexiglass, chrome base and gold leaf.
    126 x 37 x 100 cm (49 5/8 x 14 1/4 x 39 3/8 in.)
    These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.
  • Yves Klein , Pink Table, 1963
    Yves Klein
    Pink Table, 1963
    Glass, plexiglass, chrome base and pink pigments.
    126 x 39 x 100 cm (49 5/8 x 15 3/8 x 39 3/8 in.)
    These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.
  • Young-Hoon Ko, A Strange Book, 1988
    Young-Hoon Ko
    A Strange Book, 1988
    Acrylic and collage on paper, mounted on canvas
    112 x 160 cm (44 1/8 x 23 5/8 in.)
    Signed and dated bottom right
  • Fernand Léger, Still Life, Yellow and Blue, 1938
    Fernand Léger
    Still Life, Yellow and Blue, 1938
    Gouache and ink
    21.2 x 28.5 cm (8 3/8 x 11 1/4 in.)
    Sheet: 23 x 31 cm (9 x 12 1/4 in.)
    Framed: 58 x 65 cm (22 7/8 x 25 5/8 in.)
    Signed, with an inscription to Madame Morancé, cordial hommage/FLéger. Monogrammed and dated 38
  • André Masson, La ville abandonnée, 1923-24
    André Masson
    La ville abandonnée, 1923-24
    Pastel
    62.2 x 47 cm (24 1/2 x 18 1/2 in.)
    Framed: 98.5 x 83.3 cm ( 38 3/4 x 32 3/4 in.)
    Signed on the lower left, "André Masson"
  • André Masson, Martiniquaise, 1941
    André Masson
    Martiniquaise, 1941
    Ink on paper
    30 x 22.6 cm (11 7/8 x 9 in.)
    Monogramed and signed lower right : a.m. 41
  • André Masson, Amoroso, 1939
    André Masson
    Amoroso, 1939
    Bronze
    Cast in 1986-87
    43.5 x 63.3 x 31.8 cm (17 1/8 x 25 x 12 ½ in.)
    Signed with initials « A M » on the right, with foundry mark "E.Brustolin, Verona”
  • André Masson, Jeux d'oiseaux, c. 1965
    André Masson
    Jeux d'oiseaux, c. 1965
    Felt pen on tracing paper
    35 x 35.5 cm (13 ¾ x 14 in.)
    Signed on the lower left, "André Masson"
  • André Masson, Rouget et Chrysanthèmes, 1952
    André Masson
    Rouget et Chrysanthèmes, 1952
    Oil on canvas
    60 x 20 cm (23 ½ x 8 in.)
    This work is registered in the Comité Masson archives
    Signed at the lower left: « André Masson ». Titled and dated on the reverse : « Rouget et chrysanthèmes », 1952
  • André Masson, Serruriers (Locksmiths), 1946
    André Masson
    Serruriers (Locksmiths), 1946
    Pastel, charcoal and ink on kraft paper.
    60.8 x 46.3 cm (24 x 18 ¼ in.)
    Stamp of the artist on the lower left. 1946.
  • André Masson , Portrait de Peter Matisse, 1943
    André Masson
    Portrait de Peter Matisse, 1943
    Pastel on paper
    49 x 39 cm (9 3/8 x 15 3/8 in.)
    Framed: 65 x 55 cm
    Signed on the lower left
  • André Masson, Tête de tortue, 1941
    André Masson
    Tête de tortue, 1941
    Ink and charcoal on paper
    28.7 x 25.5 cm (11.3 x 10 in.)
    Framed: 38.7 x 35.5 cm (15 1/4 x 14 in.)
  • André Masson, Ville crânienne, 1940
    André Masson
    Ville crânienne, 1940
    Watercolor on paper laid on canvas
    48 x 62 cm (18 7/8 x 24 ½ in.)
    Signed and dated lower left : André Masson 1940
  • Gen Paul, Montmartre sous la neige, c. 1940
    Gen Paul
    Montmartre sous la neige, c. 1940
    Gouache on paper
    49 x 64 cm (19.3 x 25.2 in.)
    Signed on the lower right
  • Gen Paul, Portrait de jeune fille, circa 1927
    Gen Paul
    Portrait de jeune fille, circa 1927
    Oil on canvas
    55 x 33 cm (21 5/8 x 13 in.)
  • Gen Paul, Portrait d'Ernest Lajeunesse, 1928
    Gen Paul
    Portrait d'Ernest Lajeunesse, 1928
    Oil on canvas
    100 x 65 cm (39 ½ x 25 ½ in.)
    Signed on lower right
  • Pablo Picasso, La Répétition, 1954
    Pablo Picasso
    La Répétition, 1954
    Lithograph on Arches paper
    50 x 65 cm (19 5/8 x 25 5/8 in.)
    61.5 x 76.7 cm, framed
    No. 38/50
    SIgned in pencil and numbered 38/50; dated in the upper right: 21.2.54
  • Pablo Picasso, Femme assise en tailleur: Geneviève Laporte, 1951
    Pablo Picasso
    Femme assise en tailleur: Geneviève Laporte, 1951
    Etching and drypoint on Japon nacre paper
    Image: 14.4 x 10 cm (5 3/4 x 3 7/8 in.)
    Sheet: 30.8 x 23.2 cm (12 1/8 X 9 1/8 in.)
    Numbered in pencil, " 156/180 ", on the lower left.
    There were 12 artist's proofs.
    Published by B. Gili, Barcelona.
    Signed on the lower right in pencil, "Picasso"
  • Pablo Picasso, Mère et enfant au fichu, 1966
    Pablo Picasso
    Mère et enfant au fichu, 1966
    Lithography, outside of an edition of 60 copies
    75.6 x 54.9 cm (29.7 x 21.6 in.)
    Edition by the Crommelynck Brothers, engravers in Paris
    Edition of the Picasso Museum of Barcelona
    Signed "Picasso" and dedicated to Marie Cutoli and dated 13.10.66, lower right
  • Pablo Picasso, Tête de femme n° 5 (Portrait of Dora Maar), 1939-42
    Pablo Picasso
    Tête de femme n° 5 (Portrait of Dora Maar), 1939-42
    Aquatint and drypoint in color, on Montval paper watermarked "Vollard".
    Image: 30 x 23.8 cm (11 3/4 x 9 3/8 in.)
    Sheet: 44.5 x 34 cm (17 1/2 x 13 3/8 in.)
    Framed: 65 x 55 cm (25 5/8 x 21 5/8 in.)
    One of six impressions pulled without allowing the colors to dry between each run, from the total unsigned edition of 105. The edition was 80 plus 25 artist's proofs. Printed by Lacourière and published by Vollard, Paris.
  • Pablo Picasso, Tête de femme n° 2 (Portrait of Dora Maar), 1939
    Pablo Picasso
    Tête de femme n° 2 (Portrait of Dora Maar), 1939
    Aquatint, scraper and drypoint in four colors
    Plate size: 29.9 x 23.7 cm (11 7/8 x 9 3/8 in.)
    Framed: 66 x 55 cm (26 x 21 5/8 in.)
    Aquatint, scraper and drypoint in four colors on four copper plates 104 prints on Montval paper. These proofs are neither numbered nor signed.
    Dated upper right: 20/4/39
  • Pablo Picasso, Tête de femme n° 4 (Portrait of Dora Maar), 1939
    Pablo Picasso
    Tête de femme n° 4 (Portrait of Dora Maar), 1939
    Aquatint, scraper and drypoint on Montval paper with Vollard watermark
    Image: 29.9 x 23.7 cm (11.8 x 9.3 in.)
    Sheet: 45 x 34 cm (17 3/4 x 13 3/8 in.)
    Framed: 65.5 x 56 cm (25 3/4 X 22 in.)
    Numbered in pencil “50/80”. Printed by Lacourière.
  • Pablo Picasso, Jacqueline de profil à droite, 1958
    Pablo Picasso
    Jacqueline de profil à droite, 1958
    Lithograph on Arches wove paper
    Image: 55.7 x 44 cm (22 x 17 3/8 in.)
    Sheet: 65.5 x 50.2 cm (25 7/8 x 19 ¾ in.)
    Framed: 93 x 92 cm (36 5/8 x 36 ¼ in.)
    Numbered 48/50 (there were also six proofs for the artist and printer).
    Signed in pencil lower right, "Picasso".
  • Pablo Picasso, La Puce, 1936 - 1942
    Pablo Picasso
    La Puce, 1936 - 1942
    Etching and aquatint on Chinese paper
    37 x 27 cm (14 ½ x 10 5/8 in.)
    2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
    Martin Fabiani, editor. Proof printed by Lacourière.
  • Pablo Picasso, Peintre et son modèle au collier, 1966
    Pablo Picasso
    Peintre et son modèle au collier, 1966
    Aquatint, etching, scraper and drypoint
    Image: 27.2 x 37.6 cm (10 3/4 x 14 7/8 in.)
    Sheet: 41 x 50 cm (16 1/8 x 19 3/4 in.)
    Numbered on the lower left « 35/50 »
    Signed by the hand of the artist at the bottom right « Picasso »
  • Pablo Picasso, Spectacle: L’Amour s’aventurant chez les femmes, 1970
    Pablo Picasso
    Spectacle: L’Amour s’aventurant chez les femmes, 1970
    Etching
    63 x 50.5 cm (24 ¾ x 20 in.)
    71 x 84 cm, framed
    Numbered on the lower left, « 8/50 »
    Artist’s stamp at the bottom right, « Picasso »
  • Pablo Picasso, Petit déjeuner sur l’herbe, d’après Manet, 1962
    Pablo Picasso
    Petit déjeuner sur l’herbe, d’après Manet, 1962
    Linoleum cut printed in colors on arches wove paper
    Image : 35 x 27 cm (13 3/4 x 10 5/8 in.)
    Sheet : 62 x 44 cm (24 1/2 x 17 3/8 in.)
    Framed: 88.2 x 69.5 cm (34 3/4 x 27 3/8 in.)
    Printed by Arnera, Vallauris,
    Published by Galerie Louise Leiris, Paris.
    Signed by the artist in pencil: “Pablo Picasso” and numbered “35/50”
  • Pablo Picasso , Portrait de Jacqueline de Face. I, 1963
    Pablo Picasso
    Portrait de Jacqueline de Face. I, 1963
    Linocut, printed in color on Arches paper
    64 x 52.6 cm (25 ¼ x 20 5/8 in.)
    Framed: 108 x 93 cm (42 ½ x 36 5/8 in.)
    Edition 48/50 (IIIe état B)
    Printed by Arnèra (Vallauris)
    Signed lower right, "Picasso". Numbered in pencil lower left.
  • Pablo Picasso, Le Papillon, 1936-1942
    Pablo Picasso
    Le Papillon, 1936-1942
    Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.
    37 × 27 cm (14 ½ x 10 5/8 in.)
    Framed: 62 x 53 cm (24 ½ x 21 in.)
    One of the rare titled 35 prints on Imperial Japanese paper.
    Print Roger Lacourière workshop, Paris.
  • Pablo Picasso, Le Bélier, 1936-1942
    Pablo Picasso
    Le Bélier, 1936-1942
    Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.
    37 x 27 cm (14 ½ x 10 5/8 in.)
    Framed: 62 x 53 cm (24 ½ x 21 in.)
    One of the rare titled 35 prints on Imperial Japanese paper.
    Print Roger Lacourière workshop, Paris.
  • Pablo Picasso, Homme au Bâton/Le Vieux Bouffon, 1963
    Pablo Picasso
    Homme au Bâton/Le Vieux Bouffon, 1963
    Linocut, printed in color on Arches paper
    Image: 64 x 53.6 cm (25 ¼ x 21 1/8 in.)
    Sheet: 75.2 x 62.5 cm (29 5/8 x 24 5/8 in.)
    Framed: 100 x 91 cm (39 3/8 x 35 7/8 in.)
    One of a rare few artist proofs
    Printed by Arnèra (Vallauris)
    Signed « Picasso » on the lower right in pencil
  • Pablo Picasso, Le Faune, 1962
    Pablo Picasso
    Le Faune, 1962
    Linocut printed on Arches paper
    Image : 64 x 52.8 cm (25 3/8 x 20 3/4 in.)
    Sheet : 75.2 x 62 cm (29 3/8 x 24 3/8 in.)
    Framed : 103.5 x 91 cm
    N° 43/50
    Printed by Arnèra (Vallauris)
    Signed « Picasso » on the lower right in pencil and numbered «43/50 » on the bottom right.
  • Pablo Picasso, Femme (A.R. 300), 1955
    Pablo Picasso
    Femme (A.R. 300), 1955
    Pitcher in terre de faïence
    H 31 (12 1/4 in.) x vers Diam 9.5 cm (3 3/4 in.)
    No. 44/100. Numbered under the base
    Stamped: « Madoura Plein Feu » and « Edition Picasso »
  • Pablo Picasso, Corrida (A.R. 182), 1953
    Pablo Picasso
    Corrida (A.R. 182), 1953
    Faïence ceramic plate
    Dia 42 cm (16 ½ in.)
    Edition outside of an edition of 200. Only a handful of plates of this exact motif.
    Sign carved on the back side “Madoura Plein Feu” and “Picasso's original seal”
  • Pablo Picasso, Tête de femme de profil, 1959
    Pablo Picasso
    Tête de femme de profil, 1959
    Linocut on Arches paper
    75.2 x 62.2 cm (29 5/8 x 24 1/2 in.)
    98 x 85 cm, framed
    Artist's Proof
    Signed "Picasso" on the bottom right, noted "epreuve d'artiste" on the lower left
  • Gérard Schneider, Composition 1983
    Gérard Schneider
    Composition 1983
    Acrylic on paper mounted on canvas
    150.5 x 145 cm (59 1/4 x 57 in.)
    Framed: 152 x 146 cm (59 3/4 x 57 1/2 in.)
    Signed lower right: Schneider83
  • Michel Sima, Portrait d'Alberto Giacometti dans son atelier rue des Archives, Paris, 1953, 2003
    Michel Sima
    Portrait d'Alberto Giacometti dans son atelier rue des Archives, Paris, 1953, 2003
    Gelatin silver print, printed from the original negative.
    Image: 28 x 26.5 cm (11 x 10 1/2 in.)
    Sheet: 40.5 x 30.3 cm (16 x 12 in.)
    Framed: 52 x 42 cm (20 1/2 x 16 1/2 in.)
    11/25, printed from the original negative.
    Embossed "S" on the image, and embossed stamp under the image.
    Numbered 11/25 in pencil and stamped on the verso.
  • T'ang Haywen, Sans titre, c. 1976
    T'ang Haywen
    Sans titre, c. 1976
    Ink on board, diptych
    70 x 100 cm (27 1/2 x 39 3/8 in.)
    94.5 x 124.3 cm, framed
    This work will be included in the catalog raisonné T'ANG Haywen in preparation by T'ang Haywen Archives and Mr. Philippe Koutouzis under the number: LDI - KY - 85.
    Inscribed on the back by T'ang, "7611PJ"
  • T'ang Haywen, Sans titre, c. 1975
    T'ang Haywen
    Sans titre, c. 1975
    Ink on paper
    75 x 105 cm (29 1/2 x 41 1/4 in.)
    This work will be included in the catalog raisonné T'ANG Haywen in preparation by T'ang Haywen Archives and Mr. Philippe Koutouzis under the number: XLMI - KW - 11.
  • T'ang Haywen, Sans titre, c. 1976
    T'ang Haywen
    Sans titre, c. 1976
    Ink on Kyro paper; dyptich
    70 x 100 cm (27 1/2 x 39 3/8 in.)
    94.5 x 124.7 cm, framed
    This work will be included in the catalog raisonné T'ANG Haywen in preparation by T'ang Haywen Archives and Mr. Philippe Koutouzis under the number: LDI - KY - 88.
    Inscribed on the back by T'ang, "7612PJ"

8, rue Sainte-Anastase 75003 Paris

+33 (0)1 48 04 06 92

+33 (0)6 03 79 76 26

jfc@galeriejfcazeau.com

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