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Artworks

Modern

  • Gen Paul, Montmartre sous la neige, c. 1940
    Gen Paul
    Montmartre sous la neige, c. 1940
    Gouache on paper
    49 x 64 cm (19.3 x 25.2 in.)
    Signed on the lower right
  • Afro (Afro Basaldella), Le Jardin de l'Espoir, 1958
    Afro (Afro Basaldella)
    Le Jardin de l'Espoir, 1958
    Mixed Media on paper mounted on canvas
    66 x 102 cm (26 x 40 1/4 in.)
    Signed and dated on the bottom right
  • Georges Braque, Les trois oiseaux, 1961
    Georges Braque
    Les trois oiseaux, 1961
    Mixed media, pencil, Indian ink and gouache laid on tracing paper
    77 x 55 cm (30.3 x 21.6 in.)
  • Bernard Buffet, L'Homme Orchestre, 1966
    Bernard Buffet
    L'Homme Orchestre, 1966
    Mixed media on paper applied to board.
    64.7 x 49.5 cm (25 1/2 x 19 1/2 in.)
    Framed: 86.5 x 72 cm (34 1/8 x 28 3/8 in.)
    Signed: "Bernard Buffet" on top right and the top left
    Dated: "1966" on the lower right
    Titled: "Homme Orchestre" on the upper left
    Numbered: "25" on the lower right; "IV" on the upper right
    Authenticity certificate by Ida Garnier and Jacques Gasbarian on March 29th 2016.
  • César Baldaccini, dit César, Moteur, 1954-59
    César Baldaccini, dit César
    Moteur, 1954-59
    Welded iron
    25 x 39 x 16 cm (10 x 15 7/8 x 6 1/4 in.)
  • César Baldaccini, dit César, Moteur n°3, 1960
    César Baldaccini, dit César
    Moteur n°3, 1960
    Welded iron
    36 x 57 x 27 cm (14 1/4 x 22 1/2 x 10 5/8 in.)
    Signed « Cesar » on the top of the base
  • César Baldaccini, dit César, Construction (Plaque), 1955
    César Baldaccini, dit César
    Construction (Plaque), 1955
    Welded iron
    38.7 x 20 x 10.5 cm (15 1/4 x 7 7/8 x 4 1/8 in.)
    Signed « Cesar » on the top of the base
  • César Baldaccini, dit César, Tiroir les jumeaux, 1959-62
    César Baldaccini, dit César
    Tiroir les jumeaux, 1959-62
    Welded iron and painted metal sheets
    57.5 x 33 x 34 cm (22.6 x 13 x 13.4 in.)
    Signed and dated on the top, "César 1959-62"
  • Gaston Chaissac, Personnage et chien rouge, 1947
    Gaston Chaissac
    Personnage et chien rouge, 1947
    Gouache on mounted paper
    27 x 20.5 cm (10 5/8 x 8 1/8 in.)
    Framed: 50.4 x 43.5 cm (19 7/8 x 17 1/8 in.)
  • Gaston Chaissac, Self Portrait, 1938
    Gaston Chaissac
    Self Portrait, 1938
    Oil on board
    27 x 21 cm (10 5/8 x 8 1/4 in.)
    Framed: 53 x 48 cm (21 x 19 in.)
    Signed chaissac on lower left
  • Robert Combas, Stylised Portrait of Daniel, 1987
    Robert Combas
    Stylised Portrait of Daniel, 1987
    Acrylic on leopard-print fabric mounted on canvas
    225 x 133 cm (88 5/8 x 52 3/8 in.)
    Number in the Combas archives: 3152
    Signed and dated : Combas 1987
  • Olivier Debré, Bleu et vert de Rosendal, 1996
    Olivier Debré
    Bleu et vert de Rosendal, 1996
    Oil on canvas
    100 x 100 cm (39 3/8 x 39 3/8 in.)
    Framed: 107.4 x 107.4 cm (42 1/4 x 42 1/4 in.)
    Signed on the back: A. Debré 96 Bleu et vert de Rosendal
  • André Dunoyer de Segonzac , Saint-Tropez vue de la Chapelle Saint-Anne, c. 1930
    André Dunoyer de Segonzac
    Saint-Tropez vue de la Chapelle Saint-Anne, c. 1930
    Wash and ink on paper
    37.5 x 56.5 cm (14 ¾ x 22 in.)
    Signed on the lower right. Titled and situated at the back.
  • Max Ernst, Untitled Collage, 1933
    Max Ernst
    Untitled Collage, 1933
    Collage on paper
    12 x 12 cm (4 ¾ x 4 ¾ in.)
  • Alberto Giacometti, Double Face, c. 1951
    Alberto Giacometti
    Double Face, c. 1951
    Double-sided pencil drawing
    Front: « Personages », circa 1951
    Back: « Portrait of a man »
    40.3 x 33.9 cm (15 7/8 x 13 3/8 in.)
    Framed: 63 x 56 cm (24 ¾ x 22 in.)
  • Alberto Giacometti, Two Standing Nudes, 1963
    Alberto Giacometti
    Two Standing Nudes, 1963
    Blue and black ball-point on a book page belonging to the Série Noire
    18 x 11.6 cm (7 x 4 ½ in.)
    Framed: 43 x 37 cm (17 x 14 ½ in.)

  • Alberto Giacometti, Nature Morte, Vue de l'Atelier rue Hippolyte Maindron, 1935-36
    Alberto Giacometti
    Nature Morte, Vue de l'Atelier rue Hippolyte Maindron, 1935-36
    Painted plaster
    Without base : 49.5 x 69 x 2.5 cm (19 x 27 ¼ x 1 in.)
    With base : 54.8 x 69 x 10 cm (21 ½ x 27 ¼ x 4 in.)
    Signed on the bottom right
  • Alberto Giacometti, Nature Morte, Vue de l'Atelier rue Hippolyte Maindron, 1935-36
    Alberto Giacometti
    Nature Morte, Vue de l'Atelier rue Hippolyte Maindron, 1935-36
    Bronze with golden brown patina
    Without base: 48.5 x 69 x 2.5 cm (19 x 27 ¼ x 1 in.)
    With base: 53.8 x 69 x 10 cm (21 ½ x 27 ¼ x 4 in.)
    Edition of 8 + 2 artist's proof + 2 bronzes numbered 0/8 and 00/8 (confirmed by Annette Giacometti in 1987)
    Signed on the bottom right corner. « Épreuve d’artiste », Artist’s Proof
  • Juan Gris, Verre et citron, 1911-18
    Juan Gris
    Verre et citron, 1911-18
    Charcoal on paper
    22.5 x 17 cm (9 x 6 ¾ in.)
    Signed and dedicated, upper right: Juan Gris « A Louis en toute sympathie »
  • Philip Guston, Accord II, 1963
    Philip Guston
    Accord II, 1963
    Gouache on paper
    76.8 x 101.6 cm / 30.25 x 40 in.
    Signed
  • Auguste Herbin, Le Chemin du Bon Ange à Vaison-la-Romaine, 1924
    Auguste Herbin
    Le Chemin du Bon Ange à Vaison-la-Romaine, 1924
    Oil on canvas
    81 x 100 cm / 32 x 39 3/8 in.
    Signed on the lower left
  • Yves Klein , Blue Table, 1963
    Yves Klein
    Blue Table, 1963
    Glass, plexiglass, chrome base and IKB blue pigments.
    126 x 39 x 100 cm (49 5/8 x 15 3/8 x 39 3/8 in.)
    These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.
  • Yves Klein , Gold Table, 1963
    Yves Klein
    Gold Table, 1963
    Glass, plexiglass, chrome base and gold leaf.
    126 x 39 x 100 cm (49 5/8 x 15 3/8 x 39 3/8 in.)
    These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.
  • Yves Klein , Pink Table, 1963
    Yves Klein
    Pink Table, 1963
    Glass, plexiglass, chrome base and pink pigments.
    126 x 39 x 100 cm (49 5/8 x 15 3/8 x 39 3/8 in.)
    These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.
  • Young-Hoon Ko, A Strange Book, 1988
    Young-Hoon Ko
    A Strange Book, 1988
    Acrylic on canvas mounted on paper
    112 x 160 cm (44 1/8 x 23 5/8 in.)
    Signed and dated bottom right
  • Fernand Léger, Still Life, Yellow and Blue, 1938
    Fernand Léger
    Still Life, Yellow and Blue, 1938
    Gouache and ink
    21.2 x 28.5 cm (8 3/8 x 11 1/4 in.)
    Sheet: 23 x 31 cm (9 x 12 1/4 in.)
    Framed: 58 x 65 cm (22 7/8 x 25 5/8 in.)
    Signed, with an inscription to Madame Morancé, cordial hommage/FLéger. Monogrammed and dated 38
  • Eugene Leroy, Untitled, c. 1967-70
    Eugene Leroy
    Untitled, c. 1967-70
    Oil on canvas
    100 x 81 cm (39 3/8 x 32 in.)
    Signed lower right, "E.Leroy"
  • Roy Lichtenstein, Cow Triptych (Cow Going Abstract), 1982
    Roy Lichtenstein
    Cow Triptych (Cow Going Abstract), 1982
    Silkscreen on paper
    Framed, each: 73.5 x 84.5 cm (29 x 33 1/4 in.)
    The three ensemble, framed: 73.5 x 253.5 cm (29 x 100 in.)
    N° 34/150
    Published by Fratelli Alinari, Florence, Italy
    Signed on lower right on the first image, "Roy Lichtenstein" and numbered "34/150" on each
  • André Masson, Martiniquaise, 1941
    André Masson
    Martiniquaise, 1941
    Ink on paper
    30 x 22.6 cm (11 7/8 x 9 in.)
    Monogramed and signed lower right : a.m. 41
  • André Masson, Amoroso, 1939
    André Masson
    Amoroso, 1939
    Bronze
    Cast in 1986-87
    43.5 x 63.3 x 31.8 cm (17 1/8 x 25 x 12 ½ in.)
    Signed with initials « A M » on the right, with foundry mark "E.Brustolin, Verona”
  • André Masson, Jeux d'oiseaux, c. 1965
    André Masson
    Jeux d'oiseaux, c. 1965
    Felt pen on tracing paper
    35 x 35.5 cm (13 ¾ x 14 in.)
    Signed on the lower left, "André Masson"
  • André Masson, Rouget et Chrysanthèmes, 1952
    André Masson
    Rouget et Chrysanthèmes, 1952
    Oil on canvas
    60 x 20 cm (23 ½ x 8 in.)
    This work is registered in the Comité Masson archives
    Signed at the lower left: « André Masson ». Titled and dated on the reverse : « Rouget et chrysanthèmes », 1952
  • André Masson, Serruriers (Locksmiths), 1946
    André Masson
    Serruriers (Locksmiths), 1946
    Pastel, charcoal and ink on kraft paper.
    60.8 x 46.3 cm (24 x 18 ¼ in.)
    Stamp of the artist on the lower left. 1946.
  • André Masson , Bestiaire, 1943
    André Masson
    Bestiaire, 1943
    Pastel on American paper
    38.5 x 48.5 cm (15 1/8 x 19 in.)
    Hand written inscriptions by the artist on the lower right corner.
  • André Masson , Portrait de Peter Matisse, 1943
    André Masson
    Portrait de Peter Matisse, 1943
    Pastel on paper
    49 x 39 cm (9 3/8 x 15 3/8 in.)
    Framed: 65 x 55 cm
    Signed on the lower left
  • André Masson, Tête de tortue, 1941
    André Masson
    Tête de tortue, 1941
    Ink and charcoal on paper
    28.7 x 25.5 cm (11.3 x 10 in.)
    Framed: 38.7 x 35.5 cm (15 1/4 x 14 in.)
  • André Masson, Ville crânienne, 1940
    André Masson
    Ville crânienne, 1940
    Watercolor on paper laid on canvas
    48 x 62 cm (18 7/8 x 24 ½ in.)
    Signed and dated lower left : André Masson 1940
  • Georges Mathieu, Théophanie, 1967
    Georges Mathieu
    Théophanie, 1967
    Oil on canvas
    97 x 195 cm (38 ¼ x 76 ¾ in.)
    Framed: 99 x 198 cm
    Signed on the lower right "Mathieu", dated "67" on the lower right, titled on the back stretcher "Théophanie"
  • Joan Miró, La Commedia dell'Arte V, 1979
    Joan Miró
    La Commedia dell'Arte V, 1979
    Etching and aquatint
    Full-page color print
    Sheet: 56.5 x 75.6 cm (22 ¼ x 29 ¾ in.)
    Published by Maeght, Barcelona
    Printed by Joan Barbara, Barcelona
    Signed and numbered 19/30, in pencil
  • Gen Paul, Portrait de jeune fille, circa 1927
    Gen Paul
    Portrait de jeune fille, circa 1927
    Oil on canvas
    55 x 33 cm (21 5/8 x 13 in.)
  • Gen Paul, Portrait d'Ernest Lajeunesse, 1928
    Gen Paul
    Portrait d'Ernest Lajeunesse, 1928
    Oil on canvas
    100 x 65 cm (39 ½ x 25 ½ in.)
    Signed on lower right
  • Pablo Picasso, Mère et enfant au fichu, 1966
    Pablo Picasso
    Mère et enfant au fichu, 1966
    Lithography, outside of an edition of 60 copies
    75.6 x 54.9 cm (29.7 x 21.6 in.)
    Edition by the Crommelynck Brothers, engravers in Paris
    Edition of the Picasso Museum of Barcelona
    Signed "Picasso" and dedicated to Marie Cutoli and dated 13.10.66, lower right
  • Pablo Picasso, Tête de femme n° 2 (Portrait of Dora Maar), 1939
    Pablo Picasso
    Tête de femme n° 2 (Portrait of Dora Maar), 1939
    Aquatint, scraper and drypoint in four colors
    Plate size: 29.9 x 23.7 cm (11 7/8 x 9 3/8 in.)
    Framed: 66 x 55 cm (26 x 21 5/8 in.)
    Aquatint, scraper and drypoint in four colors on four copper plates 104 prints on Montval paper. These proofs are neither numbered nor signed.
    Dated upper right: 20/4/39
  • Pablo Picasso, Tête de femme n° 4 (Portrait of Dora Maar), 1939
    Pablo Picasso
    Tête de femme n° 4 (Portrait of Dora Maar), 1939
    Aquatint, scraper and drypoint on Montval paper with Vollard watermark
    Image: 29.9 x 23.7 cm (11.8 x 9.3 in.)
    Sheet: 45 x 34 cm (17 3/4 x 13 3/8 in.)
    Framed: 65.5 x 56 cm (25 3/4 X 22 in.)
    Numbered in pencil “50/80”. Printed by Lacourière.
  • Pablo Picasso, Jacqueline de profil à droite, 1958
    Pablo Picasso
    Jacqueline de profil à droite, 1958
    Lithograph on Arches wove paper
    Image: 55.7 x 44 cm (22 x 17 3/8 in.)
    Sheet: 65.5 x 50.2 cm (25 7/8 x 19 ¾ in.)
    Framed: 93 x 92 cm (36 5/8 x 36 ¼ in.)
    Numbered 48/50 (there were also six proofs for the artist and printer).
    Signed in pencil lower right, "Picasso".
  • Pablo Picasso, La Puce, 1936 - 1942
    Pablo Picasso
    La Puce, 1936 - 1942
    Etching and aquatint on Chinese paper
    37 x 27 cm (14 ½ x 10 5/8 in.)
    2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
    Martin Fabiani, editor. Proof printed by Lacourière.
  • Pablo Picasso, Peintre et son modèle au collier, 1966
    Pablo Picasso
    Peintre et son modèle au collier, 1966
    Aquatint
    Plate: 27 x 27.5 cm (10 5/8 x 10 7/8 in.)
    Sheet: 42 x 50 cm (16 1/2 x 19 3/4 in.)
    Numbered on the lower left « 35/50 »
    Signed by the hand of the artist at the bottom right « Picasso »
  • Pablo Picasso, Spectacle: L’Amour s’aventurant chez les femmes, 1970
    Pablo Picasso
    Spectacle: L’Amour s’aventurant chez les femmes, 1970
    Etching
    63 x 50.5 cm (24 ¾ x 20 in.)
    Numbered on the lower left, « 8/50 »
    Artist’s stamp at the bottom right, « Picasso »
  • Pablo Picasso, Petit déjeuner sur l’herbe, d’après Manet, 1962
    Pablo Picasso
    Petit déjeuner sur l’herbe, d’après Manet, 1962
    Linoleum cut printed in colors on arches wove paper
    Image : 35 x 27 cm (13 3/4 x 10 5/8 in.)
    Sheet : 62 x 44 cm (24 1/2 x 17 3/8 in.)
    Framed: 88.2 x 69.5 cm (34 3/4 x 27 3/8 in.)
    Printed by Arnera, Vallauris,
    Published by Galerie Louise Leiris, Paris.
    Signed by the artist in pencil: “Pablo Picasso” and numbered “35/50”
  • Pablo Picasso , Portrait de Jacqueline de Face. I, 1963
    Pablo Picasso
    Portrait de Jacqueline de Face. I, 1963
    Linocut, printed in color on Arches paper
    64 x 52.6 cm (25 ¼ x 20 5/8 in.)
    Framed: 108 x 93 cm (42 ½ x 36 5/8 in.)
    Edition 48/50 (IIIe état B)
    Printed by Arnèra (Vallauris)
    Signed lower right, "Picasso". Numbered in pencil lower left.
  • Pablo Picasso, Le Papillon, 1936-1942
    Pablo Picasso
    Le Papillon, 1936-1942
    Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper
    37 × 27 cm (14 ½ x 10 5/8 in.)
    Framed: 62 x 53 cm (24 ½ x 21 in.)
  • Pablo Picasso, Le Bélier, 1936- 1942
    Pablo Picasso
    Le Bélier, 1936- 1942
    Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper
    37 x 27 cm (14 ½ x 10 5/8 in.)
    Framed: 62 x 53 cm (24 ½ x 21 in.)
  • Pablo Picasso, L'Ecuyère et les Clowns, 1961
    Pablo Picasso
    L'Ecuyère et les Clowns, 1961
    Lithograph on Arches paper, final state
    56.1 x 76.5 cm (22 1/8 x 30 1/8 in.)
    Framed: 69 x 90 cm (27 1/8 x 35 ½ in.)
    Numbered 30/50 in crayon at the bottom left. Printed by Mourlot.
    Signed by the artist’s hand in blue crayon « Picasso » on the bottom right
  • Pablo Picasso , Jeune Homme couronné de feuillage, 1963
    Pablo Picasso
    Jeune Homme couronné de feuillage, 1963
    Linoleum cut printed in colors on arches wove paper.
    Image: 35 x 27 cm (13 ¾ x 10 5/8 in.)
    Sheet: 63 x 44.5 cm (24 ¾ x 17 ½ in.)
    Framed: 88 x 70 cm (34 5/8 x 27 5/8 in.)
    A proof aside from the edition of 50 printed by Arnera, Vallauris, published by Galerie Louise Leiris, Paris.
    Signed in pencil lower right, "Picasso"
  • Pablo Picasso, Le Vieux Bouffon, 1963
    Pablo Picasso
    Le Vieux Bouffon, 1963
    Linocut on Arches paper
    75.2 x 62.2 cm (29 7/8 x 24 ½ in.)
    Framed: 100 x 91 cm (39 3/8 x 35 7/8 in.)
    Artist proof
    Very rare hand-signed artist proof. Signed "Picasso" on the lower right.
  • Pablo Picasso, Homme au Bâton/Le Vieux Bouffon, 1963
    Pablo Picasso
    Homme au Bâton/Le Vieux Bouffon, 1963
    Linocut, printed in color on Arches paper
    Image: 64 x 53.6 cm (25 ¼ x 21 1/8 in.)
    Sheet: 75.2 x 62.5 cm (29 5/8 x 24 5/8 in.)
    Framed: 100 x 91 cm (39 3/8 x 35 7/8 in.)
    One of a rare few artist proofs
    Printed by Arnèra (Vallauris)
    Signed « Picasso » on the lower right in pencil
  • Pablo Picasso, Femme (A.R. 300), 1955
    Pablo Picasso
    Femme (A.R. 300), 1955
    Pitcher in terre de faïence
    H: 31 cm (12 1/4 in.)
    No. 44/100. Numbered under the base.
    Stamped: « Madoura Plein Feu » and « Edition Picasso »
  • Pablo Picasso, Chouette (A.R. 543), 1968
    Pablo Picasso
    Chouette (A.R. 543), 1968
    Vase - Terre de faïence
    29 x 22 X 14 cm (11 ½ x 8 5/8 x 5 ½ in.)
    Stamped: « Madoura Plein Feu » and « Edition Picasso »
  • Pablo Picasso, Corrida, 1953
    Pablo Picasso
    Corrida, 1953
    Faïence ceramic plate
    Dia 42 cm (16 ½ in.)
    Edition outside of an edition of 200. Only a handful of plates of this exact motif.
    Sign carved on the back side “Madoura Plein Feu” and “Picasso's original seal”
  • Pablo Picasso, Tête de Chèvre de Profil, 1950
    Pablo Picasso
    Tête de Chèvre de Profil, 1950
    White earthware, terre de faïence
    Dia 25.5 cm (10 in.)
    Stamped: « Madoura Plein Feu » and « Empreinte originale de Picasso».
    Inscribed on the underside: « Edition Picasso Madoura »
  • Germaine Richier, Don Quichotte à l’aile de Moulin, 1949
    Germaine Richier
    Don Quichotte à l’aile de Moulin, 1949
    Bronze with golden patina
    H: 56.5 x 31 x 29 cm (22 x 12 1/4 x 11 1/2 in.)
    Cast in 12 proofs (8 + 4 AP)
    Numbered n°3 in the archives of Germaine Richier, directed by Mrs. François Guiter
    Thinot Foundry
    Signed on the base: “G. Richier” and stamped "Thinot Fondeur"
  • François Rouan, Coquille accoutumante N°1, 1992
    François Rouan
    Coquille accoutumante N°1, 1992
    Acrylic on paper mounted on canvas
    132.5 x 102.4 cm (52 1/8 x 40 3/8 in.)
    Framed: 139 x 108.5 cm (54 3/4 x 42 3/4 in.)
    Signed lower right, "Rouan" and signed on the back, "Rouan." Dated lower left, "...992"
  • Gérard Schneider, Composition 1983
    Gérard Schneider
    Composition 1983
    Acrylic on paper mounted on canvas
    150.5 x 145 cm (59 1/4 x 57 in.)
    Canvas: 152 x 146 cm (59 3/4 x 57 1/2 in.)
    Signed lower right: Schneider83
  • Michel Sima, Portrait d'Alberto Giacometti dans son atelier rue des Archives, Paris, 1953, c. 2000
    Michel Sima
    Portrait d'Alberto Giacometti dans son atelier rue des Archives, Paris, 1953, c. 2000
    Gelatin silver print
    Image: 28 x 26.5 cm (11 x 10 1/2 in.)
    Sheet: 40.5 x 30.3 cm (16 x 12 in.)
    Framed: 52 x 42 cm (20 1/2 x 16 1/2 in.)
    11/22, printed from the original negative.
    Embossed "S" on the image, and embossed stamp under the image.
    Numbered 11/22 in pencil and stamped on the verso.

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+33 (0)1 48 04 06 92

+33 (0)6 03 79 76 26

jfc@galeriejfcazeau.com

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