Modern

Gen Paul, Montmartre sous la neige, c. 1940

Afro (Afro Basaldella)

Le Jardin de l'Espoir, 1958

Mixed Media on paper mounted on canvas

66 x 102 cm (26 x 40 1/4 in.)

Signed and dated on the bottom right

Georges Braque

Les trois oiseaux, 1961

Mixed media, pencil, Indian ink and gouache laid on tracing paper

77 x 55 cm (30.3 x 21.6 in.)

Bernard Buffet

L'Homme Orchestre, 1966

Mixed media on paper applied to board.

64.7 x 49.5 cm (25 1/2 x 19 1/2 in.)
Framed: 86.5 x 72 cm (34 1/8 x 28 3/8 in.)

Signed: "Bernard Buffet" on top right and the top left
Dated: "1966" on the lower right
Titled: "Homme Orchestre" on the upper left
Numbered: "25" on the lower right; "IV" on the upper right
Authenticity certificate by Ida Garnier and Jacques Gasbarian on March 29th 2016.

César Baldaccini, dit César

Moteur, 1954-59

Welded iron

25 x 39 x 16 cm (10 x 15 7/8 x 6 1/4 in.)

César Baldaccini, dit César

Moteur n°3, 1960

Welded iron

36 x 57 x 27 cm (14 1/4 x 22 1/2 x 10 5/8 in.)

Signed « Cesar » on the top of the base

César Baldaccini, dit César

Construction (Plaque), 1955

Welded iron

38.7 x 20 x 10.5 cm (15 1/4 x 7 7/8 x 4 1/8 in.)

Signed « Cesar » on the top of the base

César Baldaccini, dit César

Tiroir les jumeaux, 1959-62

Welded iron and painted metal sheets

57.5 x 33 x 34 cm (22.6 x 13 x 13.4 in.)

Signed and dated on the top, "César 1959-62"

Gaston Chaissac

Personnage et chien rouge, 1947

Gouache on mounted paper

27 x 20.5 cm (10 5/8 x 8 1/8 in.)
Framed: 50.4 x 43.5 cm (19 7/8 x 17 1/8 in.)

Gaston Chaissac

Self Portrait, 1938

Oil on board

27 x 21 cm (10 5/8 x 8 1/4 in.)
Framed: 53 x 48 cm (21 x 19 in.)

Signed chaissac on lower left

Robert Combas

Stylised Portrait of Daniel, 1987

Acrylic on leopard-print fabric mounted on canvas

225 x 133 cm (88 5/8 x 52 3/8 in.)

Number in the Combas archives: 3152

Signed and dated : Combas 1987

Olivier Debré

Bleu et vert de Rosendal, 1996

Oil on canvas

100 x 100 cm (39 3/8 x 39 3/8 in.)
Framed: 107.4 x 107.4 cm (42 1/4 x 42 1/4 in.)

Signed on the back: A. Debré 96 Bleu et vert de Rosendal

André Dunoyer de Segonzac

Saint-Tropez vue de la Chapelle Saint-Anne, c. 1930

Wash and ink on paper

37.5 x 56.5 cm (14 ¾ x 22 in.)

Signed on the lower right. Titled and situated at the back.

Max Ernst

Untitled Collage, 1933

Collage on paper

12 x 12 cm (4 ¾ x 4 ¾ in.)

Alberto Giacometti

Double Face, c. 1951

Double-sided pencil drawing
Front: « Personages », circa 1951
Back: « Portrait of a man »

40.3 x 33.9 cm (15 7/8 x 13 3/8 in.)
Framed: 63 x 56 cm (24 ¾ x 22 in.)

Alberto Giacometti

Two Standing Nudes, 1963

Blue and black ball-point on a book page belonging to the Série Noire

18 x 11.6 cm (7 x 4 ½ in.)
Framed: 43 x 37 cm (17 x 14 ½ in.)

Alberto Giacometti

Nature Morte, Vue de l'Atelier rue Hippolyte Maindron, 1935-36

Painted plaster

Without base : 49.5 x 69 x 2.5 cm (19 x 27 ¼ x 1 in.)
With base : 54.8 x 69 x 10 cm (21 ½ x 27 ¼ x 4 in.)

Signed on the bottom right

Alberto Giacometti

Nature Morte, Vue de l'Atelier rue Hippolyte Maindron, 1935-36

Bronze with golden brown patina

Without base: 48.5 x 69 x 2.5 cm (19 x 27 ¼ x 1 in.)
With base: 53.8 x 69 x 10 cm (21 ½ x 27 ¼ x 4 in.)

Edition of 8 + 2 artist's proof + 2 bronzes numbered 0/8 and 00/8 (confirmed by Annette Giacometti in 1987)

Signed on the bottom right corner. « Épreuve d’artiste », Artist’s Proof

Juan Gris

Verre et citron, 1911-18

Charcoal on paper

22.5 x 17 cm (9 x 6 ¾ in.)

Signed and dedicated, upper right: Juan Gris « A Louis en toute sympathie »

Philip Guston

Accord II, 1963

Gouache on paper

76.8 x 101.6 cm / 30.25 x 40 in.

Signed

Auguste Herbin

Le Chemin du Bon Ange à Vaison-la-Romaine, 1924

Oil on canvas

81 x 100 cm / 32 x 39 3/8 in.

Signed on the lower left

Yves Klein

Blue Table, 1963

Glass, plexiglass, chrome base and IKB blue pigments.

126 x 39 x 100 cm (49 5/8 x 15 3/8 x 39 3/8 in.)

These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.

Yves Klein

Gold Table, 1963

Glass, plexiglass, chrome base and gold leaf.

126 x 39 x 100 cm (49 5/8 x 15 3/8 x 39 3/8 in.)

These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.

Yves Klein

Pink Table, 1963

Glass, plexiglass, chrome base and pink pigments.

126 x 39 x 100 cm (49 5/8 x 15 3/8 x 39 3/8 in.)

These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.

Young-Hoon Ko

A Strange Book, 1988

Acrylic on canvas mounted on paper

112 x 160 cm (44 1/8 x 23 5/8 in.)

Signed and dated bottom right

Fernand Léger

Still Life, Yellow and Blue, 1938

Gouache and ink

21.2 x 28.5 cm (8 3/8 x 11 1/4 in.)
Sheet: 23 x 31 cm (9 x 12 1/4 in.)
Framed: 58 x 65 cm (22 7/8 x 25 5/8 in.)

Signed, with an inscription to Madame Morancé, cordial hommage/FLéger. Monogrammed and dated 38

Eugene Leroy

Untitled, c. 1967-70

Oil on canvas

100 x 81 cm (39 3/8 x 32 in.)

Signed lower right, "E.Leroy"

Roy Lichtenstein

Cow Triptych (Cow Going Abstract), 1982

Silkscreen on paper

Framed, each: 73.5 x 84.5 cm (29 x 33 1/4 in.)
The three ensemble, framed: 73.5 x 253.5 cm (29 x 100 in.)

N° 34/150
Published by Fratelli Alinari, Florence, Italy

Signed on lower right on the first image, "Roy Lichtenstein" and numbered "34/150" on each

André Masson

Martiniquaise, 1941

Ink on paper

30 x 22.6 cm (11 7/8 x 9 in.)

Monogramed and signed lower right : a.m. 41

André Masson

Amoroso, 1939

Bronze
Cast in 1986-87

43.5 x 63.3 x 31.8 cm (17 1/8 x 25 x 12 ½ in.)

Signed with initials « A M » on the right, with foundry mark "E.Brustolin, Verona”

André Masson

Jeux d'oiseaux, c. 1965

Felt pen on tracing paper

35 x 35.5 cm (13 ¾ x 14 in.)

Signed on the lower left, "André Masson"

André Masson

Rouget et Chrysanthèmes, 1952

Oil on canvas

60 x 20 cm (23 ½ x 8 in.)

This work is registered in the Comité Masson archives

Signed at the lower left: « André Masson ». Titled and dated on the reverse : « Rouget et chrysanthèmes », 1952

André Masson

Serruriers (Locksmiths), 1946

Pastel, charcoal and ink on kraft paper.

60.8 x 46.3 cm (24 x 18 ¼ in.)

Stamp of the artist on the lower left. 1946.

André Masson

Bestiaire, 1943

Pastel on American paper

38.5 x 48.5 cm (15 1/8 x 19 in.)

Hand written inscriptions by the artist on the lower right corner.

André Masson

Portrait de Peter Matisse, 1943

Pastel on paper

49 x 39 cm (9 3/8 x 15 3/8 in.)
Framed: 65 x 55 cm

Signed on the lower left

André Masson

Tête de tortue, 1941

Ink and charcoal on paper

28.7 x 25.5 cm (11.3 x 10 in.)
Framed: 38.7 x 35.5 cm (15 1/4 x 14 in.)

André Masson

Ville crânienne, 1940

Watercolor on paper laid on canvas

48 x 62 cm (18 7/8 x 24 ½ in.)

Signed and dated lower left : André Masson 1940

Georges Mathieu

Théophanie, 1967

Oil on canvas

97 x 195 cm (38 ¼ x 76 ¾ in.)
Framed: 99 x 198 cm

Signed on the lower right "Mathieu", dated "67" on the lower right, titled on the back stretcher "Théophanie"

Joan Miró

La Commedia dell'Arte V, 1979

Etching and aquatint
Full-page color print

Sheet: 56.5 x 75.6 cm (22 ¼ x 29 ¾ in.)

Published by Maeght, Barcelona
Printed by Joan Barbara, Barcelona

Signed and numbered 19/30, in pencil

Gen Paul

Portrait de jeune fille, circa 1927

Oil on canvas

55 x 33 cm (21 5/8 x 13 in.)

Gen Paul

Portrait d'Ernest Lajeunesse, 1928

Oil on canvas

100 x 65 cm (39 ½ x 25 ½ in.)

Signed on lower right

Pablo Picasso

Mère et enfant au fichu, 1966

Lithography, outside of an edition of 60 copies

75.6 x 54.9 cm (29.7 x 21.6 in.)

Edition by the Crommelynck Brothers, engravers in Paris
Edition of the Picasso Museum of Barcelona

Signed "Picasso" and dedicated to Marie Cutoli and dated 13.10.66, lower right

Pablo Picasso

Tête de femme n° 2 (Portrait of Dora Maar), 1939

Aquatint, scraper and drypoint in four colors

Plate size: 29.9 x 23.7 cm (11 7/8 x 9 3/8 in.)
Framed: 66 x 55 cm (26 x 21 5/8 in.)

Aquatint, scraper and drypoint in four colors on four copper plates 104 prints on Montval paper. These proofs are neither numbered nor signed.

Dated upper right: 20/4/39

Pablo Picasso

Tête de femme n° 4 (Portrait of Dora Maar), 1939

Aquatint, scraper and drypoint on Montval paper with Vollard watermark

Image: 29.9 x 23.7 cm (11.8 x 9.3 in.)
Sheet: 45 x 34 cm (17 3/4 x 13 3/8 in.)
Framed: 65.5 x 56 cm (25 3/4 X 22 in.)

Numbered in pencil “50/80”. Printed by Lacourière.

Pablo Picasso

Jacqueline de profil à droite, 1958

Lithograph on Arches wove paper

Image: 55.7 x 44 cm (22 x 17 3/8 in.)
Sheet: 65.5 x 50.2 cm (25 7/8 x 19 ¾ in.)
Framed: 93 x 92 cm (36 5/8 x 36 ¼ in.)

Numbered 48/50 (there were also six proofs for the artist and printer).

Signed in pencil lower right, "Picasso".

Pablo Picasso

La Puce, 1936 - 1942

Etching and aquatint on Chinese paper

37 x 27 cm (14 ½ x 10 5/8 in.)

2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
Martin Fabiani, editor. Proof printed by Lacourière.

Pablo Picasso

Peintre et son modèle au collier, 1966

Aquatint

Plate: 27 x 27.5 cm (10 5/8 x 10 7/8 in.)
Sheet: 42 x 50 cm (16 1/2 x 19 3/4 in.)

Numbered on the lower left « 35/50 »

Signed by the hand of the artist at the bottom right « Picasso »

Pablo Picasso

Spectacle: L’Amour s’aventurant chez les femmes, 1970

Etching

63 x 50.5 cm (24 ¾ x 20 in.)

Numbered on the lower left, « 8/50 »

Artist’s stamp at the bottom right, « Picasso »

Pablo Picasso

Petit déjeuner sur l’herbe, d’après Manet, 1962

Linoleum cut printed in colors on arches wove paper

Image : 35 x 27 cm (13 3/4 x 10 5/8 in.)
Sheet : 62 x 44 cm (24 1/2 x 17 3/8 in.)
Framed: 88.2 x 69.5 cm (34 3/4 x 27 3/8 in.)

Printed by Arnera, Vallauris,
Published by Galerie Louise Leiris, Paris.

Signed by the artist in pencil: “Pablo Picasso” and numbered “35/50”

Pablo Picasso

Portrait de Jacqueline de Face. I, 1963

Linocut, printed in color on Arches paper

64 x 52.6 cm (25 ¼ x 20 5/8 in.)
Framed: 108 x 93 cm (42 ½ x 36 5/8 in.)

Edition 48/50 (IIIe état B)
Printed by Arnèra (Vallauris)

Signed lower right, "Picasso". Numbered in pencil lower left.

Pablo Picasso

Le Papillon, 1936-1942

Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper

37 × 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)

Pablo Picasso

Le Bélier, 1936- 1942

Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper

37 x 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)

Pablo Picasso

L'Ecuyère et les Clowns, 1961

Lithograph on Arches paper, ﬁnal state

56.1 x 76.5 cm (22 1/8 x 30 1/8 in.)
Framed: 69 x 90 cm (27 1/8 x 35 ½ in.)

Numbered 30/50 in crayon at the bottom left. Printed by Mourlot.

Signed by the artist’s hand in blue crayon « Picasso » on the bottom right

Pablo Picasso

Jeune Homme couronné de feuillage, 1963

Linoleum cut printed in colors on arches wove paper.

Image: 35 x 27 cm (13 ¾ x 10 5/8 in.)
Sheet: 63 x 44.5 cm (24 ¾ x 17 ½ in.)
Framed: 88 x 70 cm (34 5/8 x 27 5/8 in.)

A proof aside from the edition of 50 printed by Arnera, Vallauris, published by Galerie Louise Leiris, Paris.

Signed in pencil lower right, "Picasso"

Pablo Picasso

Le Vieux Bouffon, 1963

Linocut on Arches paper

75.2 x 62.2 cm (29 7/8 x 24 ½ in.)
Framed: 100 x 91 cm (39 3/8 x 35 7/8 in.)

Artist proof

Very rare hand-signed artist proof. Signed "Picasso" on the lower right.

Pablo Picasso

Homme au Bâton/Le Vieux Bouffon, 1963

Linocut, printed in color on Arches paper

Image: 64 x 53.6 cm (25 ¼ x 21 1/8 in.)
Sheet: 75.2 x 62.5 cm (29 5/8 x 24 5/8 in.)
Framed: 100 x 91 cm (39 3/8 x 35 7/8 in.)

One of a rare few artist proofs
Printed by Arnèra (Vallauris)

Signed « Picasso » on the lower right in pencil

Pablo Picasso

Femme (A.R. 300), 1955

Pitcher in terre de faïence

H: 31 cm (12 1/4 in.)

No. 44/100. Numbered under the base.

Stamped: « Madoura Plein Feu » and « Edition Picasso »

Pablo Picasso

Chouette (A.R. 543), 1968

Vase - Terre de faïence

29 x 22 X 14 cm (11 ½ x 8 5/8 x 5 ½ in.)

Stamped: « Madoura Plein Feu » and « Edition Picasso »

Pablo Picasso

Corrida, 1953

Faïence ceramic plate

Dia 42 cm (16 ½ in.)

Edition outside of an edition of 200. Only a handful of plates of this exact motif.

Sign carved on the back side “Madoura Plein Feu” and “Picasso's original seal”

Pablo Picasso

Tête de Chèvre de Profil, 1950

White earthware, terre de faïence

Dia 25.5 cm (10 in.)

Stamped: « Madoura Plein Feu » and « Empreinte originale de Picasso».

Inscribed on the underside: « Edition Picasso Madoura »

Germaine Richier

Don Quichotte à l’aile de Moulin, 1949

Bronze with golden patina

H: 56.5 x 31 x 29 cm (22 x 12 1/4 x 11 1/2 in.)

Cast in 12 proofs (8 + 4 AP)
Numbered n°3 in the archives of Germaine Richier, directed by Mrs. François Guiter
Thinot Foundry

Signed on the base: “G. Richier” and stamped "Thinot Fondeur"

François Rouan

Coquille accoutumante N°1, 1992

Acrylic on paper mounted on canvas

132.5 x 102.4 cm (52 1/8 x 40 3/8 in.)
Framed: 139 x 108.5 cm (54 3/4 x 42 3/4 in.)

Signed lower right, "Rouan" and signed on the back, "Rouan." Dated lower left, "...992"

Gérard Schneider

Composition 1983

Acrylic on paper mounted on canvas

150.5 x 145 cm (59 1/4 x 57 in.)
Canvas: 152 x 146 cm (59 3/4 x 57 1/2 in.)

Signed lower right: Schneider83

Michel Sima

Portrait d'Alberto Giacometti dans son atelier rue des Archives, Paris, 1953, c. 2000

Gelatin silver print

Image: 28 x 26.5 cm (11 x 10 1/2 in.)
Sheet: 40.5 x 30.3 cm (16 x 12 in.)
Framed: 52 x 42 cm (20 1/2 x 16 1/2 in.)

11/22, printed from the original negative.
Embossed "S" on the image, and embossed stamp under the image.

Numbered 11/22 in pencil and stamped on the verso.