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Gen PaulMontmartre sous la neige, c. 1940Gouache on paper49 x 64 cm (19.3 x 25.2 in.)Signed on the lower right
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Afro (Afro Basaldella)Le Jardin de l'Espoir, 1958Mixed Media on paper mounted on canvas66 x 102 cm (26 x 40 1/4 in.)Signed and dated on the bottom right
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Georges BraqueLes trois oiseaux, 1961Mixed media, pencil, Indian ink and gouache laid on tracing paper77 x 55 cm (30.3 x 21.6 in.)
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Bernard BuffetL'Homme Orchestre, 1966Mixed media on paper applied to board.
64.7 x 49.5 cm (25 1/2 x 19 1/2 in.)
Framed: 86.5 x 72 cm (34 1/8 x 28 3/8 in.)Signed: "Bernard Buffet" on top right and the top left
Dated: "1966" on the lower right
Titled: "Homme Orchestre" on the upper left
Numbered: "25" on the lower right; "IV" on the upper right
Authenticity certificate by Ida Garnier and Jacques Gasbarian on March 29th 2016. -
César Baldaccini, dit CésarMoteur, 1954-59Welded iron
25 x 39 x 16 cm (10 x 15 7/8 x 6 1/4 in.) -
César Baldaccini, dit CésarMoteur n°3, 1960Welded iron36 x 57 x 27 cm (14 1/4 x 22 1/2 x 10 5/8 in.)Signed « Cesar » on the top of the base
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César Baldaccini, dit CésarConstruction (Plaque), 1955Welded iron38.7 x 20 x 10.5 cm (15 1/4 x 7 7/8 x 4 1/8 in.)Signed « Cesar » on the top of the base
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César Baldaccini, dit CésarTiroir les jumeaux, 1959-62Welded iron and painted metal sheets57.5 x 33 x 34 cm (22.6 x 13 x 13.4 in.)Signed and dated on the top, "César 1959-62"
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Gaston ChaissacPersonnage et chien rouge, 1947Gouache on mounted paper27 x 20.5 cm (10 5/8 x 8 1/8 in.)
Framed: 50.4 x 43.5 cm (19 7/8 x 17 1/8 in.) -
Gaston ChaissacSelf Portrait, 1938Oil on board27 x 21 cm (10 5/8 x 8 1/4 in.)
Framed: 53 x 48 cm (21 x 19 in.)Signed chaissac on lower left -
Robert CombasStylised Portrait of Daniel, 1987Acrylic on leopard-print fabric mounted on canvas225 x 133 cm (88 5/8 x 52 3/8 in.)Number in the Combas archives: 3152
Signed and dated : Combas 1987 -
Olivier DebréBleu et vert de Rosendal, 1996Oil on canvas100 x 100 cm (39 3/8 x 39 3/8 in.)
Framed: 107.4 x 107.4 cm (42 1/4 x 42 1/4 in.)Signed on the back: A. Debré 96 Bleu et vert de Rosendal -
André Dunoyer de SegonzacSaint-Tropez vue de la Chapelle Saint-Anne, c. 1930Wash and ink on paper37.5 x 56.5 cm (14 ¾ x 22 in.)Signed on the lower right. Titled and situated at the back.
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Max ErnstUntitled Collage, 1933Collage on paper12 x 12 cm (4 ¾ x 4 ¾ in.)
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Alberto GiacomettiDouble Face, c. 1951Double-sided pencil drawing
Front: « Personages », circa 1951
Back: « Portrait of a man »40.3 x 33.9 cm (15 7/8 x 13 3/8 in.)
Framed: 63 x 56 cm (24 ¾ x 22 in.) -
Alberto GiacomettiTwo Standing Nudes, 1963Blue and black ball-point on a book page belonging to the Série Noire18 x 11.6 cm (7 x 4 ½ in.)
Framed: 43 x 37 cm (17 x 14 ½ in.)
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Alberto GiacomettiNature Morte, Vue de l'Atelier rue Hippolyte Maindron, 1935-36Painted plasterWithout base : 49.5 x 69 x 2.5 cm (19 x 27 ¼ x 1 in.)
With base : 54.8 x 69 x 10 cm (21 ½ x 27 ¼ x 4 in.)Signed on the bottom right -
Alberto GiacomettiNature Morte, Vue de l'Atelier rue Hippolyte Maindron, 1935-36Bronze with golden brown patinaWithout base: 48.5 x 69 x 2.5 cm (19 x 27 ¼ x 1 in.)
With base: 53.8 x 69 x 10 cm (21 ½ x 27 ¼ x 4 in.)
Edition of 8 + 2 artist's proof + 2 bronzes numbered 0/8 and 00/8 (confirmed by Annette Giacometti in 1987)Signed on the bottom right corner. « Épreuve d’artiste », Artist’s Proof -
Juan GrisVerre et citron, 1911-18Charcoal on paper22.5 x 17 cm (9 x 6 ¾ in.)Signed and dedicated, upper right: Juan Gris « A Louis en toute sympathie »
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Philip GustonAccord II, 1963Gouache on paper76.8 x 101.6 cm / 30.25 x 40 in.
Signed -
Auguste HerbinLe Chemin du Bon Ange à Vaison-la-Romaine, 1924Oil on canvas81 x 100 cm / 32 x 39 3/8 in.Signed on the lower left
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Yves KleinBlue Table, 1963Glass, plexiglass, chrome base and IKB blue pigments.126 x 39 x 100 cm (49 5/8 x 15 3/8 x 39 3/8 in.)These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.
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Yves KleinGold Table, 1963Glass, plexiglass, chrome base and gold leaf.126 x 39 x 100 cm (49 5/8 x 15 3/8 x 39 3/8 in.)
These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein. -
Yves KleinPink Table, 1963Glass, plexiglass, chrome base and pink pigments.126 x 39 x 100 cm (49 5/8 x 15 3/8 x 39 3/8 in.)
These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein. -
Young-Hoon KoA Strange Book, 1988Acrylic on canvas mounted on paper112 x 160 cm (44 1/8 x 23 5/8 in.)Signed and dated bottom right
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Fernand LégerStill Life, Yellow and Blue, 1938Gouache and ink
21.2 x 28.5 cm (8 3/8 x 11 1/4 in.)
Sheet: 23 x 31 cm (9 x 12 1/4 in.)
Framed: 58 x 65 cm (22 7/8 x 25 5/8 in.)
Signed, with an inscription to Madame Morancé, cordial hommage/FLéger. Monogrammed and dated 38 -
Eugene LeroyUntitled, c. 1967-70Oil on canvas100 x 81 cm (39 3/8 x 32 in.)Signed lower right, "E.Leroy"
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Roy LichtensteinCow Triptych (Cow Going Abstract), 1982Silkscreen on paperFramed, each: 73.5 x 84.5 cm (29 x 33 1/4 in.)
The three ensemble, framed: 73.5 x 253.5 cm (29 x 100 in.)N° 34/150
Published by Fratelli Alinari, Florence, ItalySigned on lower right on the first image, "Roy Lichtenstein" and numbered "34/150" on each -
André MassonMartiniquaise, 1941Ink on paper30 x 22.6 cm (11 7/8 x 9 in.)Monogramed and signed lower right : a.m. 41
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André MassonAmoroso, 1939Bronze
Cast in 1986-8743.5 x 63.3 x 31.8 cm (17 1/8 x 25 x 12 ½ in.)Signed with initials « A M » on the right, with foundry mark "E.Brustolin, Verona” -
André MassonJeux d'oiseaux, c. 1965Felt pen on tracing paper35 x 35.5 cm (13 ¾ x 14 in.)Signed on the lower left, "André Masson"
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André MassonRouget et Chrysanthèmes, 1952Oil on canvas60 x 20 cm (23 ½ x 8 in.)This work is registered in the Comité Masson archivesSigned at the lower left: « André Masson ». Titled and dated on the reverse : « Rouget et chrysanthèmes », 1952
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André MassonSerruriers (Locksmiths), 1946Pastel, charcoal and ink on kraft paper.60.8 x 46.3 cm (24 x 18 ¼ in.)Stamp of the artist on the lower left. 1946.
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André MassonBestiaire, 1943Pastel on American paper38.5 x 48.5 cm (15 1/8 x 19 in.)Hand written inscriptions by the artist on the lower right corner.
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André MassonPortrait de Peter Matisse, 1943Pastel on paper49 x 39 cm (9 3/8 x 15 3/8 in.)
Framed: 65 x 55 cmSigned on the lower left -
André MassonTête de tortue, 1941Ink and charcoal on paper28.7 x 25.5 cm (11.3 x 10 in.)
Framed: 38.7 x 35.5 cm (15 1/4 x 14 in.) -
André MassonVille crânienne, 1940Watercolor on paper laid on canvas48 x 62 cm (18 7/8 x 24 ½ in.)Signed and dated lower left : André Masson 1940
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Georges MathieuThéophanie, 1967Oil on canvas97 x 195 cm (38 ¼ x 76 ¾ in.)
Framed: 99 x 198 cmSigned on the lower right "Mathieu", dated "67" on the lower right, titled on the back stretcher "Théophanie" -
Joan MiróLa Commedia dell'Arte V, 1979Etching and aquatint
Full-page color printSheet: 56.5 x 75.6 cm (22 ¼ x 29 ¾ in.)Published by Maeght, Barcelona
Printed by Joan Barbara, Barcelona
Signed and numbered 19/30, in pencil -
Gen PaulPortrait de jeune fille, circa 1927Oil on canvas55 x 33 cm (21 5/8 x 13 in.)
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Gen PaulPortrait d'Ernest Lajeunesse, 1928Oil on canvas100 x 65 cm (39 ½ x 25 ½ in.)Signed on lower right
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Pablo PicassoMère et enfant au fichu, 1966Lithography, outside of an edition of 60 copies75.6 x 54.9 cm (29.7 x 21.6 in.)Edition by the Crommelynck Brothers, engravers in Paris
Edition of the Picasso Museum of BarcelonaSigned "Picasso" and dedicated to Marie Cutoli and dated 13.10.66, lower right -
Pablo PicassoTête de femme n° 2 (Portrait of Dora Maar), 1939Aquatint, scraper and drypoint in four colorsPlate size: 29.9 x 23.7 cm (11 7/8 x 9 3/8 in.)
Framed: 66 x 55 cm (26 x 21 5/8 in.)Aquatint, scraper and drypoint in four colors on four copper plates 104 prints on Montval paper. These proofs are neither numbered nor signed.Dated upper right: 20/4/39 -
Pablo PicassoTête de femme n° 4 (Portrait of Dora Maar), 1939Aquatint, scraper and drypoint on Montval paper with Vollard watermarkImage: 29.9 x 23.7 cm (11.8 x 9.3 in.)
Sheet: 45 x 34 cm (17 3/4 x 13 3/8 in.)
Framed: 65.5 x 56 cm (25 3/4 X 22 in.)Numbered in pencil “50/80”. Printed by Lacourière. -
Pablo PicassoJacqueline de profil à droite, 1958Lithograph on Arches wove paperImage: 55.7 x 44 cm (22 x 17 3/8 in.)
Sheet: 65.5 x 50.2 cm (25 7/8 x 19 ¾ in.)
Framed: 93 x 92 cm (36 5/8 x 36 ¼ in.)Numbered 48/50 (there were also six proofs for the artist and printer).Signed in pencil lower right, "Picasso". -
Pablo PicassoLa Puce, 1936 - 1942Etching and aquatint on Chinese paper37 x 27 cm (14 ½ x 10 5/8 in.)2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
Martin Fabiani, editor. Proof printed by Lacourière. -
Pablo PicassoPeintre et son modèle au collier, 1966AquatintPlate: 27 x 27.5 cm (10 5/8 x 10 7/8 in.)
Sheet: 42 x 50 cm (16 1/2 x 19 3/4 in.)
Numbered on the lower left « 35/50 »Signed by the hand of the artist at the bottom right « Picasso » -
Pablo PicassoSpectacle: L’Amour s’aventurant chez les femmes, 1970Etching63 x 50.5 cm (24 ¾ x 20 in.)Numbered on the lower left, « 8/50 »Artist’s stamp at the bottom right, « Picasso »
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Pablo PicassoPetit déjeuner sur l’herbe, d’après Manet, 1962Linoleum cut printed in colors on arches wove paperImage : 35 x 27 cm (13 3/4 x 10 5/8 in.)
Sheet : 62 x 44 cm (24 1/2 x 17 3/8 in.)
Framed: 88.2 x 69.5 cm (34 3/4 x 27 3/8 in.)Printed by Arnera, Vallauris,
Published by Galerie Louise Leiris, Paris.Signed by the artist in pencil: “Pablo Picasso” and numbered “35/50” -
Pablo PicassoPortrait de Jacqueline de Face. I, 1963Linocut, printed in color on Arches paper64 x 52.6 cm (25 ¼ x 20 5/8 in.)
Framed: 108 x 93 cm (42 ½ x 36 5/8 in.)
Edition 48/50 (IIIe état B)
Printed by Arnèra (Vallauris)Signed lower right, "Picasso". Numbered in pencil lower left. -
Pablo PicassoLe Papillon, 1936-1942Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper
37 × 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.) -
Pablo PicassoLe Bélier, 1936- 1942Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper
37 x 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.) -
Pablo PicassoL'Ecuyère et les Clowns, 1961Lithograph on Arches paper, final state56.1 x 76.5 cm (22 1/8 x 30 1/8 in.)
Framed: 69 x 90 cm (27 1/8 x 35 ½ in.)Numbered 30/50 in crayon at the bottom left. Printed by Mourlot.Signed by the artist’s hand in blue crayon « Picasso » on the bottom right -
Pablo PicassoJeune Homme couronné de feuillage, 1963Linoleum cut printed in colors on arches wove paper.Image: 35 x 27 cm (13 ¾ x 10 5/8 in.)
Sheet: 63 x 44.5 cm (24 ¾ x 17 ½ in.)
Framed: 88 x 70 cm (34 5/8 x 27 5/8 in.)A proof aside from the edition of 50 printed by Arnera, Vallauris, published by Galerie Louise Leiris, Paris.Signed in pencil lower right, "Picasso" -
Pablo PicassoLe Vieux Bouffon, 1963Linocut on Arches paper75.2 x 62.2 cm (29 7/8 x 24 ½ in.)
Framed: 100 x 91 cm (39 3/8 x 35 7/8 in.)Artist proofVery rare hand-signed artist proof. Signed "Picasso" on the lower right. -
Pablo PicassoHomme au Bâton/Le Vieux Bouffon, 1963Linocut, printed in color on Arches paperImage: 64 x 53.6 cm (25 ¼ x 21 1/8 in.)
Sheet: 75.2 x 62.5 cm (29 5/8 x 24 5/8 in.)
Framed: 100 x 91 cm (39 3/8 x 35 7/8 in.)One of a rare few artist proofs
Printed by Arnèra (Vallauris)Signed « Picasso » on the lower right in pencil -
Pablo PicassoFemme (A.R. 300), 1955Pitcher in terre de faïenceH: 31 cm (12 1/4 in.)No. 44/100. Numbered under the base.Stamped: « Madoura Plein Feu » and « Edition Picasso »
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Pablo PicassoChouette (A.R. 543), 1968Vase - Terre de faïence29 x 22 X 14 cm (11 ½ x 8 5/8 x 5 ½ in.)Stamped: « Madoura Plein Feu » and « Edition Picasso »
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Pablo PicassoCorrida, 1953Faïence ceramic plateDia 42 cm (16 ½ in.)Edition outside of an edition of 200. Only a handful of plates of this exact motif.Sign carved on the back side “Madoura Plein Feu” and “Picasso's original seal”
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Pablo PicassoTête de Chèvre de Profil, 1950White earthware, terre de faïenceDia 25.5 cm (10 in.)Stamped: « Madoura Plein Feu » and « Empreinte originale de Picasso».Inscribed on the underside: « Edition Picasso Madoura »
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Germaine RichierDon Quichotte à l’aile de Moulin, 1949Bronze with golden patinaH: 56.5 x 31 x 29 cm (22 x 12 1/4 x 11 1/2 in.)Cast in 12 proofs (8 + 4 AP)
Numbered n°3 in the archives of Germaine Richier, directed by Mrs. François Guiter
Thinot FoundrySigned on the base: “G. Richier” and stamped "Thinot Fondeur" -
François RouanCoquille accoutumante N°1, 1992Acrylic on paper mounted on canvas132.5 x 102.4 cm (52 1/8 x 40 3/8 in.)
Framed: 139 x 108.5 cm (54 3/4 x 42 3/4 in.)Signed lower right, "Rouan" and signed on the back, "Rouan." Dated lower left, "...992" -
Gérard SchneiderComposition 1983Acrylic on paper mounted on canvas150.5 x 145 cm (59 1/4 x 57 in.)
Canvas: 152 x 146 cm (59 3/4 x 57 1/2 in.)Signed lower right: Schneider83 -
Michel SimaPortrait d'Alberto Giacometti dans son atelier rue des Archives, Paris, 1953, c. 2000Gelatin silver printImage: 28 x 26.5 cm (11 x 10 1/2 in.)
Sheet: 40.5 x 30.3 cm (16 x 12 in.)
Framed: 52 x 42 cm (20 1/2 x 16 1/2 in.)11/22, printed from the original negative.
Embossed "S" on the image, and embossed stamp under the image.Numbered 11/22 in pencil and stamped on the verso.