Modern

• 
  Georges Braque

  Les trois oiseaux, 1961

  Mixed media, pencil, Indian ink and gouache laid on tracing paper

  77 x 55 cm / 30.3 x 21.6 in
• 
  César Baldaccini, dit César

  Moteur N°3, 1960

  Welded Iron

  36 x 57 x 27 cm / 14 1/4 x 22 1/2 x 10 5/8 in

  Signed « Cesar » on the top of the base
• 
  César Baldaccini, dit César

  Construction (Plaque), 1955

  Welded iron

  38,7 x 20 x 10,5 cm

  Signed « Cesar » on the top of the base

• 
  César Baldaccini, dit César

  Moteur, 1954-59

  Welded iron
  

  25 x 39 x 16 cm
• 
  Gaston Chaissac

  Personnage (Totem), 1960

  Installation of five wooden elements painted in oil
  The back is also painted with abstract motifs.
  

  114 x 36 x 4 cm / 44.9 x 14.2 x 1.6 in
• 
  Gaston Chaissac

  Person with Red Dog, 1947

  Gouache on mounted paper

  27 x 20,5 cm

• 
  Gaston Chaissac

  Self Portrait, 1938

  Oil on board

  27 x 21 cm
  53 x 48 cm, with frame

  Signed chaissac on lower left
• 
  Kees Van Dongen

  La Chemise ou Femme penchée sur un coussin jaune, 1905-09

  Oil on canvas

  48.5 x 55 cm
  74 x 82 cm (framed)

  Signed on the bottom right and titled and dated at the back
• 
  André Dunoyer de Segonzac

  Saint-Tropez vue de la Chapelle Saint-Anne, c. 1930

  Wash and ink on paper

  37.5 x 56.5 cm

  Signed on the lower right. Titled and situated at the back.

• 
  Max Ernst

  Untitled Collage, 1933

  Collage on paper

  12 x 12 cm
• 
  Alberto Giacometti

  Two Standing Nudes, 1963

  Blue and black ball-point on a book page belonging to the Série Noire

  H 18 x 11,6 cm / framed : 43 x 37 cm
  H 7 x 4.5 in. / framed : 17 x 14.5 in.
  
• 
  Alberto Giacometti

  Nature Morte, Vue de l'Atelier rue Hippolyte Maindron, 1935-36

  Bronze with golden brown patina

  48,5 x 69 x 2,5 cm (19 x 27 1/4 x 1 inches), without base
  53.8 x 69 x 10 cm, with base
  

  Edition of 8 + 2 artist's proof + 2 bronzes numbered 0/8 and 00/8 (confirmed by Annette Giacometti in 1987)

  Signed on the bottom right corner. « Épreuve d’artiste », Artist’s Proof

• 
  Alberto Giacometti

  Nature Morte, Vue de l'Atelier rue Hippolyte Maindron, 1935-36

  Painted plaster

  Dimensions without the base : 49,5 x 69 x 2,5 cm (19 x 27 1/4 x 1 inches)
  Dimensions with the base : 54.8 x 69 x 10 cm

  Signed on the bottom right
• 
  Alberto Giacometti

  Double Face

  Double-sided pencil drawing
  Front: « Personages », circa 1951
  Back: « Portrait of a man »

  40,3 x 33,9 cm / 15.9 x 13.3 in
  63 x 56 cm (framed)
• 
  Juan Gris

  Verre et citron, 1911-18

  Charcoal on paper

  22.5 x 17 cm

  Signed and dedicated, upper right: Juan Gris « A Louis en toute sympathie »

• 
  Auguste Herbin

  Le Chemin du Bon Ange à Vaison-la-Romaine, 1924

  Oil on canvas

  81 x 100 cm

  Signed on the lower left
• 
  Paul Klee

  Altes Maedchen, Old Spinster, (Presumed Portrait of Galka Scheyer), 1932

  Oil paint and watercolor on canvas
  

  59.7 x 41.9 cm

  Signed on the lower right: « Klee » / Inscribed on the back of the stretcher: « 1932 x 8 Maedchen Klee »
• 
  Yves Klein

  Blue Table, 1963

  Glass, plexiglas, chrome base and IKB blue pigments

  126 x 39 x 100 cm

  These works are part of an edition started in 1963, under the supervision of Rotraut Klein-Moquet, from a design by Yves Klein.

• 
  Yves Klein

  Gold Table, 1963

  Glass, plexiglas, chrome base and gold leaf.

  126 x 39 x 100 cm

  These works are part of an edition started in 1963, under the supervision of Rotraut Klein-Moquet, from a design by Yves Klein.
• 
  Yves Klein

  Pink Table, 1963

  Glass, plexiglas, chrome base and pink pigments, or gold leaf.

  126 x 39 x 100 cm

  These works are part of an edition started in 1963, under the supervision of Rotraut Klein-Moquet, from a design by Yves Klein.
• 
  Fernand Léger

  Still Life, Yellow and Blue, 1938

  Gouache and ink
  

  21,2 x 28,5 cm (Paper : 23 x 31 cm)
  58 x 65 cm (framed)
  

  Signed, with an inscription to Madame Morancé, cordial hommage/FLéger. Monogrammed and dated 38

• 
  André Masson

  Jeux d'oiseaux, c. 1965

  Felt pen on tracing paper

  35 x 35,5 cm
• 
  André Masson

  Serruriers (Locksmiths), 1946

  Pastel, charcoal and ink on paper kraft.

  60,8 x 46,3 cm.

  Stamp of the artist on the lower left. 1946.
• 
  André Masson

  Bestiaire, 1943

  Pastel on American paper

  38.5 x 48.5 cm / 15 1/8 x 19 in.

  Hand written inscriptions by the artist on the lower right corner.

• 
  André Masson

  Portrait de Peter Matisse, 1943

  Pastel on paper

  49 x 39 cm

  Signed on the lower left
• 
  André Masson

  Tête de tortue, 1941

  Ink and charcoal on paper

  28,7 x 25,5 cm / 11,3 x 10 in.
• 
  André Masson

  Ville crânienne, 1940

  Watercolor on paper laid on canvas

  48 x 62 cm / 18,9 x 24,4 in.

  Signed and dated lower left : André Masson 1940

• 
  André Masson

  Poursuite, 1933

  Oil on canvas

  81 x 116 cm

  Signed, lower left
• 
  Georges Mathieu

  Théophanie, 1967

  Oil on canvas

  97 x 195 cm / 38.18 x 76.77 in.

  Signed on the lower right "Mathieu", dated "67" on the lower right, titled on the back stretcher "Théophanie"
• 
  Joan Miro

  La Commedia dell'Arte V, 1979

  Etching and aquatint
  Full-page color print

  Sheet: 56.5 x 75.6 cm

  Published by Maeght, Barcelona
  Printed by Joan Barbara, Barcelona
  

  Signed and numbered 19/30, in pencil

• 
  Amedeo Modigliani

  La Zborowska (Hanka Zborowska), Jeune femme au chapeau et au médaillon, c. 1918

  Pencil on paper

  42,5 x 27 cm
  16 3/4 x 10 2/3 in.
• 
  Amedeo Modigliani

  Caballero, 1916

  Black lead drawing

  42,2 x 26 cm / 16.63 x 10.25 in.
• 
  Gen Paul

  Portrait d'Ernest Lajeunesse, 1928

  Oil on canvas

  100 x 65 cm / 39 ½ x 25 ½ in.

  Signed on lower right

• 
  Niki de Saint Phalle

  L'Oiseau amoureux (vase), 2000

  Painted resine

  H x L x P : 60 x 48 x 20 cm
  23.6 x 18.9 x 7.9 in.

  12/150

  Signed and numbered on the reverse 12/150, along with the stamp, Haligon (sculpture, moulage d’art)
• 
  Pablo Picasso

  Le Papillon, 1936-1942

  Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper
  

  37 × 27 cm
• 
  Pablo Picasso

  L'aveille, 1936-42

  Sugar-lift Aquatint, scraper and dry point on Montval paper

  41.5 × 31.3 cm

  Edition of 47 + 1AP

  Hand signed on the bottom right

• 
  Pablo Picasso

  Le Béilier, 1936- 1942

  Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper
  

  37 x 27 cm
• 
  Pablo Picasso

  La Puce, 1936 - 1942

  Etching and aquatint on Chinese paper

  37 x 27 cm
  

  2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
  Martin Fabiani, editor. Proof printed by Lacourière.
• 
  Pablo Picasso

  Tête de femme n° 2 (Portrait of Dora Maar), 1939

  Aquatint, scraper and drypoint in four colors

  Plate size: 29,9 x 23,7 / 11,8 x 9,3 in.

  Aquatint, scraper and drypoint in four colors on four copper plates 104 prints on Montval paper. These proofs are neither numbered nor signed.

  Dated upper right: 20/4/39

• 
  Pablo Picasso

  Jacqueline de profil à droite, 1958

  Lithograph on Arches wove paper

  Image 557 x 440 mm.
  Sheet 655 x 502 mm.

  Numbered 48/50 (there were also six proofs for the artist and printer).

  Signed in pencil
• 
  Pablo Picasso

  Le Vieux Bouffon, 1963

  Linocut on Arches paper

  75.2 x 62.2 cm

  Artist proof

  Very rare hand-signed artist proof
• 
  Pablo Picasso

  Jeune Homme couronné de feuillage, 1963

  Linoleum cut printed in colors on arches wove paper.

  Image : 35 x 27 cm
  Sheet : 63 x 44,5 cm

  A proof aside from the edition of 50 printed by Arnera, Vallauris, published by Galerie Louise Leiris, Paris.

  Signed in pencil

• 
  Pablo Picasso

  Portrait de Jacqueline de Face. I, 1963

  Linocut, printed in color on Arches paper

  Unframed 64 x 52,6 cm (25 1/4 x 20 5/8 inches)
  Framed 108 x 93 cm (42 ½ x 36 5/8 inches)
  

  Edition 48/50 (IIIe état B)
  Printed by Arnèra (Vallauris)

  Signed lower right. Numbered in pencil lower left.
• 
  Pablo Picasso

  L'Ecuyère et les Clowns, 1961

  Lithograph on Arches paper, final state

  56.1 x 76.5 cm

  Numbered 30/50 in crayon at the bottom left, Printed by Mourlot

  Signed by the artist’s hand in blue crayon « Picasso » on the bottom right
• 
  Pablo Picasso

  Peintre et son modèle au collier, 1966

  Aquatint

  37.5 x 27 cm

  Numbered on the lower left « 35/50 »

  Signed by the hand of the artist at the bottom right « Picasso »

• 
  Pablo Picasso

  Spectacle: L’Amour s’aventurant chez les femmes,, 1970

  Etching

  63 x 50.5 cm

  Numbered on the lower left « 8/50 »

  Artist’s stamp at the bottom right « Picasso »
• 
  Pierre Soulages

  Lithographie N°36, 1974

  Lithograph on paper

  73.6 × 55.7 cm

  89/95

  Signé en bas à droite