From early 20th-century modernism to the diverse expressions of the School of Paris, and on to the new directions that emerged after 1945, the gallery brings together artists who played a part in the profound transformations of painting, sculpture, and drawing in France.
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Victor VasarelyEG-2, 1965Acrylic on canvas160 x 160 cm
63 × 63 inHand-signed by artist, Signed on the center Counter-signed, titled and dated on the reverse -
T'ang HaywenSans titre, 1975Gouache on paper (diptych)
70 × 100 cm
27 3/5 × 39 2/5 inSigned on the right side -
T'ang HaywenSans titre, 1970Ink on Kyro board70 x 100 cm
27 1/2 x 39 3/8 in.
Diptych -
T'ang HaywenSans titre, 1972-3Ink on Kyro board70 x 100 cm
27 1/2 x 39 3/8 in.
Diptych -
T'ang HaywenSans titre, 1975Ink on Kyro board70 x 100 cm
27 1/2 x 39 3/8 in.
Diptych -
Sol LeWittTwo Asymmetrical Pyramids , 1986Gouache and pencil on paper51 x 71 cm (20 x 28 in.)Signed and dated on the lower right corner
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Robert DelaunayStudy for "L'équipe de Cardiff" and "Football", 1915-16Pastel on paper10 2/5 × 8 1/10 in
26.5 × 20.5 cmMonogrammed on the lower right -
Pablo PicassoSalomé , 1905EtchingImage: 34.8 x 40 cm
Sheet: 44.8 x 55 cmOne of 27 proofs printed by Fort with background tinting on old Japon for Ambroise Vollard, before the run of 250 on Van Gelder laid paper.Unsigned and un-numbered by the hand of the artist.Signed and dated in the plate -
Pablo PicassoLes Saltimbanques, 1905Etching on Van Gelder vellum paper28.8 x 33 cmEdition à 250 exemplaires, Editée par Ambroise Vollard. Imprimée par Louis Fort, ParisFiligrane VollardSigned and dated on the plate
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Pablo PicassoAu Bain, 1930Etching on Montval wove-paper with the "Vollard" filigree.Image: 22 x 31.2 cm
Feuille: 34 x 44.5 cmEdition of 260Printed by Lacourière, ParisEdited by Ambroise Vollard, Paris -
Pablo PicassoProfil sculptural de Marie-Thérèse, 1933Etching and dry-point on Montval paper, "Picasso" filigree31,8 x 22.8 cm (image)
45 x 34 cm (sheet)Edition of 55, printed by Lacourière, Paris, in 1942. This edition was printed on the same paper as was used for the Vollard Suite.Unsigned -
Pablo PicassoLa Grande Corrida, 1934Etching on copper-plate, on Montval "vergé" paper.Image: 48.7 x 69.7 cm
Sheet: 56.8 x 77.5 cmEdition of 50. The edition, planned by Vollard at 50 examples, was never delivered or paid for due to the death of the great Parisian dealer. The proofs were bought in 1960 by a Parisian dealer. Only a few (four or five) prints, sold by Lacourière, were signed by Picasso.Non-signed -
Pablo PicassoFemme Torero I, 1934Etching on copper-plate printed on Montval "vergé" paper.Image: 49.7 x 69.7 cm
Sheet: 57.1 x 77.5 cmEdition of 50. The edition, of which Vollard planned 50 proofs, was never delivered or paid for due to the death of the great Parisian art dealer. Only a few (four or five) proofs, sold by Lacourière, were signed by Picasso.Unsigned. -
Pablo PicassoMinotaure aveugle guidé dans la nuit par une petite fille au pigeon , 1934Etching and drypoint on copper plateImage: 24 x 30 cm
Papier: 34 x 43.7 cmEdition of 260 on Montval paper, filigree "Picasso". Printed by Lacourière, Paris. Edited by Ambroise Vollard, Paris.Signed by the artist on the lower-right corner -
Pablo PicassoLe Bélier, 1936-1942Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.37 x 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)One of the rare titled 35 prints on Imperial Japanese paper.Print Roger Lacourière workshop, Paris. -
Pablo PicassoHomme au Bâton/Le Vieux Bouffon, 1963Linocut, printed in color on Arches paperImage: 64 x 53.6 cm (25 ¼ x 21 1/8 in.)
Sheet: 75.2 x 62.5 cm (29 5/8 x 24 5/8 in.)
Framed: 100 x 91 cm (39 3/8 x 35 7/8 in.)One of a rare few artist proofsPrinted by Arnèra (Vallauris)Signed « Picasso » on the lower right in pencil -
Pablo PicassoThéâtre ou télévision: cape et épée , 1968Aquatint and etching on Rives vellum paperImage: 29.5 x 34.5 cm
Sheet: 45.5 x 52 cmN° 18/50From an edition of 50. Printed by the Atelier Crommelynck, ParisEdited by Galerie Louise Leiris, ParisSigned on the lower right corner -
Michel MacréauCible, 1962Oil on canvas52 4/5 × 78 1/2 in / 134 × 199.5 cmHand-signed by artist
Signed and dates on the center-right Signed, titled and dated 1962 on the reverse -
Michel MacréauVendredi 14 novembre - Nous allons Corneille et moi essayer de travailler ensemble - A toi Cérès, 1968Oil on canvas39 2/5 × 78 7/10 in / 100 × 200 cmHand-signed by artist
Signed Marceau M et Corneille, inscribed by the two artists on the canvas -
Marcel GromaireNu, 1944Ink on paper20 x 15 cmSigned and dated by the artist "Gromaire 1944"
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Leonor FiniRéflexion dans la fenêtre d'un trainInk and wash on paper27 x 22 cmSigned on the lower-right corner
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Jean FautrierSans titre, 1954Oil, ink and pastel on paper mounted on canvas35 × 30 cm with frame included
13 4/5 × 11 4/5 inUnisgned, inventoried by the Succession of the artist in his studio in 1964, inv. n°22 , not signed. -
Henri MatisseComposition for the Centenary of the Mourlot printing studio, 195265 x 50 cmRare and beautiful artist’s proof signed, dated '53 and dedicated by the artist to Maurice Operiol.
One of only two known impressions of the final state before the letter, hand-signed by the artist. The lithographic poster with the letter and some other rare prints without the letter bear only the date and the artist's signature printed in stone. The other proof signed at the lower left had been offered to Fernand Mourlot.Signed, dated and dedicated by the artist "à Maurice Operiol/H. Matisse 53" on the lower left corner. -
Germaine RichierL'Homme-forêt, 1945Bronze with dark patina43 × 14.5 × 10.5 cm
16 9/10 × 5 7/10 × 4 1/10 in6/8Signed and numbered on the base: G. Richier, 6/8 -
Gen PaulNu, 1927Oil on canvas
65 × 54 cmSigned upper left: Gen Paul -
Gen PaulScène de café, 1929Gouache on paper24 3/5 × 16 7/10 in / 62.5 × 42.5 cmHand-signed by artist
Signed and dated on the lower right -
Eugene LeroyValentine, 1955Oil on board
90 × 40 cm
35 2/5 × 15 7/10 inSigned and dated "55" on the lower right -
Chu Teh-ChunComposition (N°230), 1965Gouache on paper laid on canvas
50 x 65 cm
19 7/10 × 25 3/5 inSigned and dated in French and in pinyin on the lower right -
ArmanLa Grande Nuit, 1994Acrylic and paintbrushes on canvas, in eight panels115 × 162 3/5 × 2 in / 292 × 413 × 5 cmHand-signed by artist
Signed on the bord by the artist -
André MassonPoursuite, 1933Oil on canvas81 x 116 cm (32 x 45 ¾ in.)Signed, lower left
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André MassonLa Légende de Thésée, 1939Oil on canvas61 x 50 cm
24 × 19 7/10 inHand-signed by artist, Signed on the lower left -
André MassonLa Ville crânienne, 1940Ink and watercolour on paper.18 9/10 × 24 2/5 in / 48 × 62 cmHand-signed by artist
Signed by the artist on the lower-left corner. -
André MassonFête, 1956Oil on canvas35 2/5 × 31 9/10 in / 90 × 81 cmHand-signed by artist
Signed on the lower-left corner "André Masson" -
Amedeo ModiglianiCaballero, 1916Black lead drawing42.2 x 26 cm (16 5/8 x 10 ¼ in.)
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Afro (Afro Basaldella)Le Jardin de l'Espoir, 1958Mixed Media on paper mounted on canvas66 x 102 cm (26 x 40 1/4 in.)Signed and dated on the bottom right
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César Baldaccini, dit CésarConstruction (Plaque), 1955Welded iron38.7 x 20 x 10.5 cm (15 1/4 x 7 7/8 x 4 1/8 in.)Signed « Cesar » on the top of the base
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Yves KleinTable IKB® , 1961Glass, plexiglass, chrome base and IKB blue pigments.37 x 100 x 125 cmEdition de la Fondation Yves KleinSignée par Rotraut Klein-Moquay et référencée sur son cartel d'identification sous le plateau
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Yves KleinTable Monogold ™, Créée en 19613000 feuilles d’or, plexiglas, verre et pieds en acier chromé37 x 100 x 125 cm
Cette pièce fait partie d’une édition commencée en 1963, sous la supervision de Rotraut Klein-Moquay et basée sur un modèle de Yves Klein.Signée par Rotraut Klein-Moquay et référencée sur son cartel d'identification sous le plateau -
Yves KleinTable Monopink™ , Créée en 1961Pigment rose, Plexiglas, verre et pieds en acier chromé
37 x 100 x 125 cm (49 5/8 x 15 3/8 x 39 3/8 in.)
Cette pièce fait partie d’une édition commencée en 1963, sous la supervision de Rotraut Klein-Moquay et basée sur un modèle de Yves Klein.Signée par Rotraut Klein-Moquay et référencée sur son cartel d'identification sous le plateau
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Young-Hoon KoA Strange Book, 1988Acrylic and collage on paper, mounted on canvas112 x 160 cm (44 1/8 x 23 5/8 in.)Signed and dated bottom right
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André MassonAmoroso, 1939Bronze
Cast in 1986-8743.5 x 63.3 x 31.8 cm (17 1/8 x 25 x 12 ½ in.)Edition of 8, 0/8Signed with initials « A M » on the right, with foundry mark "E.Brustolin, Verona” -
André MassonJeux d'oiseaux, c. 1965Felt pen on tracing paper35 x 35.5 cm (13 ¾ x 14 in.)Signed on the lower left, "André Masson"
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André MassonPortrait de Peter Matisse, 1943Pastel on paper49 x 39 cm (9 3/8 x 15 3/8 in.)
Framed: 65 x 55 cmSigned on the lower left -
Gen PaulPortrait de jeune fille, circa 1927Oil on canvas55 x 33 cm (21 5/8 x 13 in.)
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Gen PaulPortrait d'Ernest Lajeunesse, 1928Oil on canvas100 x 65 cm (39 ½ x 25 ½ in.)Signed on lower right
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Pablo PicassoLe Papillon, 1936-1942Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.37 × 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)One of the rare titled 35 prints on Imperial Japanese paper.
Print Roger Lacourière workshop, Paris. -
T'ang HaywenSans titre, c. 1976Ink on board, diptych70 x 100 cm (27 1/2 x 39 3/8 in.)
94.5 x 124.3 cm, framedThis work will be included in the catalog raisonné T'ANG Haywen in preparation by T'ang Haywen Archives and Mr. Philippe Koutouzis under the number: LDI - KY - 85.Inscribed on the back by T'ang, "7611PJ" -
T'ang HaywenSans titre, c. 1975Ink on paper75 x 105 cm (29 1/2 x 41 1/4 in.)This work will be included in the catalog raisonné T'ANG Haywen in preparation by T'ang Haywen Archives and Mr. Philippe Koutouzis under the number: XLMI - KW - 11.
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T'ang HaywenSans titre, c. 1976Ink on Kyro paper; dyptich70 x 100 cm (27 1/2 x 39 3/8 in.)
94.5 x 124.7 cm, framedThis work will be included in the catalog raisonné T'ANG Haywen in preparation by T'ang Haywen Archives and Mr. Philippe Koutouzis under the number: LDI - KY - 88.Inscribed on the back by T'ang, "7612PJ"
