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Wifredo LamFemme assise , 1942Tempéra on Kraft paper101,4 x 76,7 cm
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T'ang HaywenSans titre, 1970Ink on Kyro board70 x 100 cm
27 1/2 x 39 3/8 in.
Diptych -
T'ang HaywenSans titre, 1972Ink on Kyro board70 x 100 cm
27 1/2 x 39 3/8 in.Signed in red ink by the artist in the lower right hand corner -
T'ang HaywenSans titre, 1972Ink on Kyro board70 x 100 cm
27 1/2 x 39 3/8 in
Diptych
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T'ang HaywenSans titre, 1972-3Ink on Kyro board
70 x 100 cm
27 1/2 x 39 3/8 in.
Diptych -
T'ang HaywenSans titre, 1975Ink on Kyro board70 x 100 cm
27 1/2 x 39 3/8 in.
Diptych -
Pablo PicassoFemme au fauteuil II, 1949Zinc Lithograph on cream paperImage: 69 x 56 cm
Sheet: 76.3 x 56.1 cmOne of only 7 or 8 proofs of the second state.
Edition of 50, Edited by Galerie Louise Leiris, Paris.
Printed by Fernand Mourlot, Paris. -
Pablo PicassoBacchanale, 1955Eau-forte et aquatinte en couleurs sur vélin de RivesImage: 47, 4 x 56,3 cm
Feuille: 56 x 76,5 cmEdité par Crommelynck, Paris.
Une des rares épreuves d’artistes signées, réservées à Picasso, à l’imprimeur et à l’éditeur, à part de l’édition à 300 exemplaires numérotés et signés.
Signé au crayon en bas à droite -
Pablo PicassoLes Ménines, 1959Dessin aux crayons de couleur32 x 24 cmSigné au crayon "Picasso", daté "le 28.1.59"
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Pablo PicassoPortrait de femme à la fraise et au chapeau , 1962Colour linocutImage: 53 x 40 cm
Sheet: 62.3 x 44 cmEdition of 50, Artist's proof outside the edition, one of eight Picasso kept for himself.
Printed by Arnera, Vallauris and published by Galerie Louise Leiris.Signed and dedicated by Picasso on the lower right corner, "Pour Inès/Picasso" -
Pablo PicassoThéâtre ou télévision: cape et épée , 1968Aquatint and etching on Rives vellum paperImage: 29.5 x 34.5 cm
Sheet: 45.5 x 52 cmN° 18/50
From an edition of 50.
Printed by the Atelier Crommelynck, Paris
Edited by Galerie Louise Leiris, ParisSigned on the lower right corner -
Marcel GromaireNu, 1944Ink on paper20 x 15 cmSigned and dated by the artist "Gromaire 1944"
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Henri MatisseComposition for the Centenary of the Mourlot printing studio, 195265 x 50 cmRare and beautiful artist’s proof signed, dated '53 and dedicated by the artist to Maurice Operiol.
One of only two known impressions of the final state before the letter, hand-signed by the artist. The lithographic poster with the letter and some other rare prints without the letter bear only the date and the artist's signature printed in stone. The other proof signed at the lower left had been offered to Fernand Mourlot.Signed, dated and dedicated by the artist "à Maurice Operiol/H. Matisse 53" on the lower left corner. -
Afro (Afro Basaldella)Le Jardin de l'Espoir, 1958Mixed Media on paper mounted on canvas66 x 102 cm (26 x 40 1/4 in.)Signed and dated on the bottom right
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Georges BraqueLes trois oiseaux, 1961Mixed media, pencil, Indian ink and gouache laid on tracing paper77 x 55 cm (30.3 x 21.6 in.)
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Gaston ChaissacSelf Portrait, 1938Oil on board27 x 21 cm (10 5/8 x 8 1/4 in.)
Framed: 53 x 48 cm (21 x 19 in.)Signed chaissac on lower left -
Olivier DebréSigne, Musicien, 1948Oil on canvas147 x 89 cm (57 7/8 x 35 in.)Signed on the lower right, « DEBRE 1948 »
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André Dunoyer de SegonzacSaint-Tropez vue de la Chapelle Saint-Anne, c. 1930Wash and ink on paper37.5 x 56.5 cm (14 ¾ x 22 in.)Signed on the lower right. Titled and situated at the back.
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Max ErnstUntitled Collage, 1933Collage on paper12 x 12 cm (4 ¾ x 4 ¾ in.)
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Ladislas KijnoMonogramme, 1960Oil on canvas130 x 97 cm (51 1/8 x 38 1/8 in.)Signed and dated lower left, signed and titled on the back
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Yves KleinBlue Table, 1963Glass, plexiglass, chrome base and IKB blue pigments.126 x 39 x 100 cm (49 5/8 x 15 3/8 x 39 3/8 in.)These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.
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Yves KleinGold Table, 1963Glass, plexiglass, chrome base and gold leaf.126 x 37 x 100 cm (49 5/8 x 14 1/4 x 39 3/8 in.)
These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein. -
Yves KleinPink Table, 1963Glass, plexiglass, chrome base and pink pigments.126 x 39 x 100 cm (49 5/8 x 15 3/8 x 39 3/8 in.)
These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein. -
Young-Hoon KoA Strange Book, 1988Acrylic and collage on paper, mounted on canvas112 x 160 cm (44 1/8 x 23 5/8 in.)Signed and dated bottom right
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Fernand LégerStill Life, Yellow and Blue, 1938Gouache and ink
21.2 x 28.5 cm (8 3/8 x 11 1/4 in.)
Sheet: 23 x 31 cm (9 x 12 1/4 in.)
Framed: 58 x 65 cm (22 7/8 x 25 5/8 in.)
Signed, with an inscription to Madame Morancé, cordial hommage/FLéger. Monogrammed and dated 38 -
André MassonLa ville abandonnée, 1923-24Pastel62.2 x 47 cm (24 1/2 x 18 1/2 in.)
Framed: 98.5 x 83.3 cm ( 38 3/4 x 32 3/4 in.)Signed on the lower left, "André Masson" -
André MassonMartiniquaise, 1941Ink on paper30 x 22.6 cm (11 7/8 x 9 in.)Monogramed and signed lower right : a.m. 41
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André MassonAmoroso, 1939Bronze
Cast in 1986-8743.5 x 63.3 x 31.8 cm (17 1/8 x 25 x 12 ½ in.)Signed with initials « A M » on the right, with foundry mark "E.Brustolin, Verona” -
André MassonJeux d'oiseaux, c. 1965Felt pen on tracing paper35 x 35.5 cm (13 ¾ x 14 in.)Signed on the lower left, "André Masson"
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André MassonRouget et Chrysanthèmes, 1952Oil on canvas60 x 20 cm (23 ½ x 8 in.)This work is registered in the Comité Masson archivesSigned at the lower left: « André Masson ». Titled and dated on the reverse : « Rouget et chrysanthèmes », 1952
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André MassonSerruriers (Locksmiths), 1946Pastel, charcoal and ink on kraft paper.60.8 x 46.3 cm (24 x 18 ¼ in.)Stamp of the artist on the lower left. 1946.
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André MassonPortrait de Peter Matisse, 1943Pastel on paper49 x 39 cm (9 3/8 x 15 3/8 in.)
Framed: 65 x 55 cmSigned on the lower left -
André MassonTête de tortue, 1941Ink and charcoal on paper28.7 x 25.5 cm (11.3 x 10 in.)
Framed: 38.7 x 35.5 cm (15 1/4 x 14 in.) -
André MassonVille crânienne, 1940Watercolor on paper laid on canvas48 x 62 cm (18 7/8 x 24 ½ in.)Signed and dated lower left : André Masson 1940
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Gen PaulMontmartre sous la neige, c. 1940Gouache on paper49 x 64 cm (19.3 x 25.2 in.)Signed on the lower right
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Gen PaulPortrait de jeune fille, circa 1927Oil on canvas55 x 33 cm (21 5/8 x 13 in.)
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Gen PaulPortrait d'Ernest Lajeunesse, 1928Oil on canvas100 x 65 cm (39 ½ x 25 ½ in.)Signed on lower right
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Pablo PicassoFemme assise en tailleur: Geneviève Laporte, 1951Etching and drypoint on Japon nacre paperImage: 14.4 x 10 cm (5 3/4 x 3 7/8 in.)
Sheet: 30.8 x 23.2 cm (12 1/8 X 9 1/8 in.)Numbered in pencil, " 156/180 ", on the lower left.
There were 12 artist's proofs.
Published by B. Gili, Barcelona.Signed on the lower right in pencil, "Picasso" -
Pablo PicassoMère et enfant au fichu, 1966Lithography, outside of an edition of 60 copies75.6 x 54.9 cm (29.7 x 21.6 in.)Edition by the Crommelynck Brothers, engravers in Paris
Edition of the Picasso Museum of BarcelonaSigned "Picasso" and dedicated to Marie Cutoli and dated 13.10.66, lower right -
Pablo PicassoTête de femme n° 2 (Portrait of Dora Maar), 1939Aquatint, scraper and drypoint in four colorsPlate size: 29.9 x 23.7 cm (11 7/8 x 9 3/8 in.)
Framed: 66 x 55 cm (26 x 21 5/8 in.)Aquatint, scraper and drypoint in four colors on four copper plates 104 prints on Montval paper. These proofs are neither numbered nor signed.Dated upper right: 20/4/39 -
Pablo PicassoTête de femme n° 4 (Portrait of Dora Maar), 1939Aquatint, scraper and drypoint on Montval paper with Vollard watermarkImage: 29.9 x 23.7 cm (11.8 x 9.3 in.)
Sheet: 45 x 34 cm (17 3/4 x 13 3/8 in.)
Framed: 65.5 x 56 cm (25 3/4 X 22 in.)Numbered in pencil “50/80”. Printed by Lacourière. -
Pablo PicassoJacqueline de profil à droite, 1958Lithograph on Arches wove paperImage: 55.7 x 44 cm (22 x 17 3/8 in.)
Sheet: 65.5 x 50.2 cm (25 7/8 x 19 ¾ in.)
Framed: 93 x 92 cm (36 5/8 x 36 ¼ in.)Numbered 48/50 (there were also six proofs for the artist and printer).Signed in pencil lower right, "Picasso". -
Pablo PicassoLa Puce, 1936 - 1942Etching and aquatint on Chinese paper37 x 27 cm (14 ½ x 10 5/8 in.)2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
Martin Fabiani, editor. Proof printed by Lacourière. -
Pablo PicassoPeintre et son modèle au collier, 1966Aquatint, etching, scraper and drypoint
Image: 27.2 x 37.6 cm (10 3/4 x 14 7/8 in.)
Sheet: 41 x 50 cm (16 1/8 x 19 3/4 in.)
Numbered on the lower left « 35/50 »Signed by the hand of the artist at the bottom right « Picasso » -
Pablo PicassoPortrait de Jacqueline de Face. I, 1963Linocut, printed in color on Arches paper64 x 52.6 cm (25 ¼ x 20 5/8 in.)
Framed: 108 x 93 cm (42 ½ x 36 5/8 in.)
Edition 48/50 (IIIe état B)
Printed by Arnèra (Vallauris)Signed lower right, "Picasso". Numbered in pencil lower left. -
Pablo PicassoLe Papillon, 1936-1942Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.
37 × 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)One of the rare titled 35 prints on Imperial Japanese paper.
Print Roger Lacourière workshop, Paris. -
Pablo PicassoLe Bélier, 1936-1942Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.
37 x 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)One of the rare titled 35 prints on Imperial Japanese paper.
Print Roger Lacourière workshop, Paris. -
Pablo PicassoHomme au Bâton/Le Vieux Bouffon, 1963Linocut, printed in color on Arches paperImage: 64 x 53.6 cm (25 ¼ x 21 1/8 in.)
Sheet: 75.2 x 62.5 cm (29 5/8 x 24 5/8 in.)
Framed: 100 x 91 cm (39 3/8 x 35 7/8 in.)One of a rare few artist proofs
Printed by Arnèra (Vallauris)Signed « Picasso » on the lower right in pencil -
Pablo PicassoLe Faune, 1962Linocut printed on Arches paperImage : 64 x 52.8 cm (25 3/8 x 20 3/4 in.)
Sheet : 75.2 x 62 cm (29 3/8 x 24 3/8 in.)
Framed : 103.5 x 91 cmN° 43/50
Printed by Arnèra (Vallauris)Signed « Picasso » on the lower right in pencil and numbered «43/50 » on the bottom right. -
Pablo PicassoFemme (A.R. 300), 1955Pitcher in terre de faïenceH 31 (12 1/4 in.) x vers Diam 9.5 cm (3 3/4 in.)No. 44/100. Numbered under the baseStamped: « Madoura Plein Feu » and « Edition Picasso »
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Pablo PicassoCorrida (A.R. 182), 1953Faïence ceramic plateDia 42 cm (16 ½ in.)Edition outside of an edition of 200. Only a handful of plates of this exact motif.Sign carved on the back side “Madoura Plein Feu” and “Picasso's original seal”
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T'ang HaywenSans titre, c. 1976Ink on board, diptych70 x 100 cm (27 1/2 x 39 3/8 in.)
94.5 x 124.3 cm, framedThis work will be included in the catalog raisonné T'ANG Haywen in preparation by T'ang Haywen Archives and Mr. Philippe Koutouzis under the number: LDI - KY - 85.Inscribed on the back by T'ang, "7611PJ" -
T'ang HaywenSans titre, c. 1975Ink on paper75 x 105 cm (29 1/2 x 41 1/4 in.)This work will be included in the catalog raisonné T'ANG Haywen in preparation by T'ang Haywen Archives and Mr. Philippe Koutouzis under the number: XLMI - KW - 11.
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T'ang HaywenSans titre, c. 1976Ink on Kyro paper; dyptich70 x 100 cm (27 1/2 x 39 3/8 in.)
94.5 x 124.7 cm, framedThis work will be included in the catalog raisonné T'ANG Haywen in preparation by T'ang Haywen Archives and Mr. Philippe Koutouzis under the number: LDI - KY - 88.Inscribed on the back by T'ang, "7612PJ"