Nicolas Lefeuvre French, 1975
Site P10, 2022
Ink and linen on paper laid on canvas
90 x 65 cm
Signed in pencil on the lower-right corner.
A departure from his more lyrical "Landscapes", the Self-archeology series marks a more conceptual turn in the artist's work. The colour become deeper indigos, and the use of gold-powder, the artist's signature, dissapears.
The ink-dipped linen, one of the "tools" used to paint the work, holds sewn inside of it the preparatory drawings for the painting. Now, it has become part of the final work itself...
The ink-dipped linen, one of the "tools" used to paint the work, holds sewn inside of it the preparatory drawings for the painting. Now, it has become part of the final work itself...
A departure from his more lyrical "Landscapes", the Self-archeology series marks a more conceptual turn in the artist's work. The colour become deeper indigos, and the use of gold-powder, the artist's signature, dissapears.
The ink-dipped linen, one of the "tools" used to paint the work, holds sewn inside of it the preparatory drawings for the painting. Now, it has become part of the final work itself...
The ink-dipped linen, one of the "tools" used to paint the work, holds sewn inside of it the preparatory drawings for the painting. Now, it has become part of the final work itself...
Provenance
Artist's studio.
Galerie Jean-François Cazeau, Paris