Pablo Picasso Espagnol, 1881-1973
Les Deux Saltimbanques, Suite des Saltimbanques, planche n°5, 1905
Drypoint on copper ; Van Gelder laid paper
Image : 12.2 × 9.1 cm
Sheet : 51 x 33.1 cm
Sheet : 51 x 33.1 cm
Edition de 250
Signed and dated on the top left corner in copper
Copyright The Artist
Sheet size: 51 x 33.1 cm One of Pablo Picasso's earliest etchings, The Two Saltimbanques, is distinguished by a striking economy of line that reveals, despite his young age, an...
Sheet size: 51 x 33.1 cm
One of Pablo Picasso's earliest etchings, The Two Saltimbanques, is distinguished by a striking economy of line that reveals, despite his young age, an extraordinarily sophisticated vision. The figures appear almost like a mirage, suspended between hallucination and tangible reality. Mysterious, captivating, and yet somewhat unsettling, this work is a timeless example of Picasso's naturalistic portraiture, whose depth and tone are a rarity within his nascent practice of printmaking.Created in 1905, this work is part of the famous Saltimbanques series, which takes its name from the marginalized poor and street acrobats of Parisian society. The first impressions of the series went unnoticed until the dealer Ambroise Vollard rediscovered them six years after their creation. By publishing them in print runs of 250 copies -- which all sold successfully -- Vollard recognized the extraordinary artistic vision of the young, still inexperienced Picasso, long before he achieved general renown.
One of Pablo Picasso's earliest etchings, The Two Saltimbanques, is distinguished by a striking economy of line that reveals, despite his young age, an extraordinarily sophisticated vision. The figures appear almost like a mirage, suspended between hallucination and tangible reality. Mysterious, captivating, and yet somewhat unsettling, this work is a timeless example of Picasso's naturalistic portraiture, whose depth and tone are a rarity within his nascent practice of printmaking.Created in 1905, this work is part of the famous Saltimbanques series, which takes its name from the marginalized poor and street acrobats of Parisian society. The first impressions of the series went unnoticed until the dealer Ambroise Vollard rediscovered them six years after their creation. By publishing them in print runs of 250 copies -- which all sold successfully -- Vollard recognized the extraordinary artistic vision of the young, still inexperienced Picasso, long before he achieved general renown.
Provenance
Ambroise VollardGalerie Ambroise Vollard Paris
Collection Henri-Marie Petiet
Collection particulière Londres
Literature
Bloch n°5Baer n°6 IIIB2