Pablo Picasso Spanish, 1881-1973

Works
  • Les Saltimbanques
    Pablo Picasso
    Les Saltimbanques, 1905
    Etching on Van Gelder vellum paper
    28.8 x 33 cm
    Edition à 250 exemplaires, Editée par Ambroise Vollard.
    Imprimée par Louis Fort, Paris
    Filigrane Vollard
    Signed and dated on the plate
  • Salomé
    Pablo Picasso
    Salomé , 1905
    Etching
    Image: 34.8 x 40 cm
    Sheet: 44.8 x 55 cm
    One of 27 proofs printed by Fort with background tinting on old Japon for Ambroise Vollard, before the run of 250 on Van Gelder laid paper.
    Unsigned and un-numbered by the hand of the artist.
    Signed and dated in the plate
  • Trois femmes
    Pablo Picasso
    Trois femmes, 1924-25
    Drypoint on Zinc plate printed on Arches vellum paper
    33 × 20 cm
    Edition of 60 on Arches
    Signed on the lower right
  • Profil sculptural de Marie-Thérèse
    Pablo Picasso
    Profil sculptural de Marie-Thérèse, 1933
    Etching and dry-point on Montval paper, "Picasso" filigree
    31,8 x 22.8 cm (image)
    45 x 34 cm (sheet)
    Edition of 55, printed by Lacourière, Paris, in 1942. This edition was printed on the same paper as was used for the Vollard Suite.
    Unsigned
  • Chez la Pythie-Harpye : Personnages masqués et femme oiseau
    Pablo Picasso
    Chez la Pythie-Harpye : Personnages masqués et femme oiseau, 1934
    Aquatint and etching on copper-plate
    Image: 24.5 x 34.3 cm
    Sheet: 34.3 x 44.8 cm
    Edition of 260
  • Femme Torero I
    Pablo Picasso
    Femme Torero I, 1934
    Etching on copper-plate printed on Montval "vergé" paper.
    Image: 49.7 x 69.7 cm
    Sheet: 57.1 x 77.5 cm
    Edition of 50.

    The edition, of which Vollard planned 50 proofs, was never delivered or paid for due to the death of the great Parisian art dealer. Only a few (four or five) proofs, sold by Lacourière, were signed by Picasso.
    Unsigned.
  • La Grande Corrida
    Pablo Picasso
    La Grande Corrida, 1934
    Etching on copper-plate, on Montval "vergé" paper.
    Image: 48.7 x 69.7 cm
    Sheet: 56.8 x 77.5 cm
    Edition of 50.

    The edition, planned by Vollard at 50 examples, was never delivered or paid for due to the death of the great Parisian dealer. The proofs were bought in 1960 by a Parisian dealer. Only a few (four or five) prints, sold by Lacourière, were signed by Picasso.
    Non-signed
  • Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée
    Pablo Picasso
    Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée, 1934
    Aquatint treated with a scraper as a manière noire, drypoint and burin on copper, on Montval paper
    24.7 x 34.8 cm (image)
    34 x 44.4 cm (sheet)
    260
    Signed by the artist on the lower-right
  • Femme chouette
    Pablo Picasso
    Femme chouette , 1951
    Turned ceramic vase
    30 x 22.5 cm
    Edition de 500
    With the stamps «Edition Picasso Madoura»; «Madoura Plein Feu» and «Edition Picasso».
  • Cavalier et cheval
    Pablo Picasso
    Cavalier et cheval, 1952
    Turned ceramic pitcher (earthenware, partially glazed and painted).
    H: 23.5 cm
    Edition of 300, 33/300
    Stamped « Edition Picasso » and « Madoura plein feu » on the base.
  • Pichet anse prise
    Pablo Picasso
    Pichet anse prise, 1953
    Turned ceramic pitcher
    19 x 11.5 x 28 cm
    Edition of 200, numbered 6/200.
    With the stamps «Edition Picasso Madoura»; «Madoura Plein Feu» et «Edition Picasso».
  • Bacchanale
    Pablo Picasso
    Bacchanale, 1955
    Eau-forte et aquatinte en couleurs sur vélin de Rives
    Image: 47, 4 x 56,3 cm
    Feuille: 56 x 76,5 cm
    Edité par Crommelynck, Paris.
    Une des rares épreuves d’artistes signées, réservées à Picasso, à l’imprimeur et à l’éditeur, à part de l’édition à 300 exemplaires numérotés et signés.
    Signé au crayon en bas à droite
  • Visage
    Pablo Picasso
    Visage, 1955
    Turned ceramic pitcher (white faïence, painted engobe glazes )
    31.5 × 10.5 × 10.5 cm
    Edition of 500
    Stamped "Edition Picasso/Madoura Plein Feu" on the base.
  • Les Ménines
    Pablo Picasso
    Les Ménines, 1959
    Dessin aux crayons de couleur
    32 x 24 cm
    Signé au crayon "Picasso", daté "le 28.1.59"
  • Scène de tauromachie
    Pablo Picasso
    Scène de tauromachie , 1959
    Round plate
    Original impression in white earthenware, engobe decoration under partial glaze with a brush - ivory, patinated black, dull reddish brown
    D: 42.5 cm
    Edition of 100
    Dated on the marli
    Stamped "Empreinte Originale de Picasso", "Madoura Plein Feu".
  • Grande tête de femme au chapeau orné
    Pablo Picasso
    Grande tête de femme au chapeau orné, 1962
    Linocut on Arches paper
    64.1 x 53. 3 cm (image)
    75.3 x 62.2 cm (sheet)
    Edition of 50 and around 20 Artist's proofs
    Signed by the artist on the lower right and numbered 41/50.
  • Nature morte à la lampe (à la suspension)
    Pablo Picasso
    Nature morte à la lampe (à la suspension), 1962
    Linocut in colours on Arches paper
    63 x 53 (image)
    75 x 62 (sheet)
  • Femme nue à a source
    Pablo Picasso
    Femme nue à a source, 1963
    Linocut in colours on Arches vellum paper
    Image: 53.4 x 64 cm
    Sheet: 62.5 x 75.5 cm
    Edition of 50, n°48/50 Printed by Arnera, vallaurisEdited by Louise Leiris, Paris
    Signed on the lower right cornr and numbered by the artist
  • Yan Bandeau noir
    Pablo Picasso
    Yan Bandeau noir, 1963
    Turned ceramic pitcher (red faïence, black engobe engraved decor)
    28 × 13 cm
    Edition of 300 by Madoura, Vallauris.
    Incised Edition Picasso and Madoura, with the Edition Picasso and Madoura stamps. Numbered 233/300.
  • Nature morte au verre d'absinthe
    Pablo Picasso
    Nature morte au verre d'absinthe, 1965
    Etching, aquatint and collotype in colour on BFK Rives paper
    61 cm x 49,5cm
    Artist proof signed bottom right
  • Théâtre ou télévision: cape et épée
    Pablo Picasso
    Théâtre ou télévision: cape et épée , 1968
    Aquatint and etching on Rives vellum paper
    Image: 29.5 x 34.5 cm
    Sheet: 45.5 x 52 cm
    N° 18/50
    From an edition of 50.
    Printed by the Atelier Crommelynck, Paris
    Edited by Galerie Louise Leiris, Paris
    Signed on the lower right corner
  • Chouette
    Pablo Picasso
    Chouette, 1969
    Turned ceramic vase
    30 x 22.5 cm
    Edition of 200, numbered 97/200
    With the stamps «Edition Picasso Madoura»; «Madoura Plein Feu» and «Edition Picasso».
  • Visage au nez noir
    Pablo Picasso
    Visage au nez noir, 1969
    Turned ceramic pitcher
    33.7 x 23 cm
    Edition of 200 plus 3 editor's proofs.
    With the stamps «Edition Picasso Exemplaire Editeur Madoura»; «Madoura Plein Feu» and «Edition Picasso» on the underside.
  • Femmes à leur toilette avec Degas rêvant
    Pablo Picasso
    Femmes à leur toilette avec Degas rêvant, 1971
    Etching on copper-plate
    22.9 x 30.5 cm (image)
    36.2 x 45.1 cm (sheet)
    Edition of 50
    Signée au cachet "Picasso"
  • Tête de femme n° 4 (Portrait of Dora Maar)
    Pablo Picasso
    Tête de femme n° 4 (Portrait of Dora Maar), 1939
    Aquatint, scraper and drypoint on Montval paper with Vollard watermark
    Image: 29.9 x 23.7 cm (11.8 x 9.3 in.)
    Sheet: 45 x 34 cm (17 3/4 x 13 3/8 in.)
    Framed: 65.5 x 56 cm (25 3/4 X 22 in.)
    Numbered in pencil “50/80”. Printed by Lacourière.
  • Tête de femme n° 2 (Portrait of Dora Maar)
    Pablo Picasso
    Tête de femme n° 2 (Portrait of Dora Maar), 1939
    Aquatint, scraper and drypoint in four colors
    Plate size: 29.9 x 23.7 cm (11 7/8 x 9 3/8 in.)
    Framed: 66 x 55 cm (26 x 21 5/8 in.)
    Aquatint, scraper and drypoint in four colors on four copper plates 104 prints on Montval paper. These proofs are neither numbered nor signed.
    Dated upper right: 20/4/39
  • Peintre et son modèle au collier
    Pablo Picasso
    Peintre et son modèle au collier, 1966
    Aquatint, etching, scraper and drypoint
    Image: 27.2 x 37.6 cm (10 3/4 x 14 7/8 in.)
    Sheet: 41 x 50 cm (16 1/8 x 19 3/4 in.)
    Numbered on the lower left « 35/50 »
    Signed by the hand of the artist at the bottom right « Picasso »
  • La Puce
    Pablo Picasso
    La Puce, 1936 - 1942
    Etching and aquatint on Chinese paper
    37 x 27 cm (14 ½ x 10 5/8 in.)
    2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
    Martin Fabiani, editor. Proof printed by Lacourière.
  • Le Papillon
    Pablo Picasso
    Le Papillon, 1936-1942
    Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.
    37 × 27 cm (14 ½ x 10 5/8 in.)
    Framed: 62 x 53 cm (24 ½ x 21 in.)
    One of the rare titled 35 prints on Imperial Japanese paper.
    Print Roger Lacourière workshop, Paris.
  • Le Bélier
    Pablo Picasso
    Le Bélier, 1936-1942
    Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.
    37 x 27 cm (14 ½ x 10 5/8 in.)
    Framed: 62 x 53 cm (24 ½ x 21 in.)
    One of the rare titled 35 prints on Imperial Japanese paper.
    Print Roger Lacourière workshop, Paris.
Video
Exhibitions
Events
Press
Related content