Pablo Picasso Spanish, 1881-1973

Works

Pablo Picasso
La Femme à la résille , 1949
Coloured lithograph on vellum paper

66 x 50 cm
4th state of the black, Zinc retouch of the green.
Edition of 50.
One of the 5 Artist's proofs, inscribed "Epreuve d'artiste" on the lower left corner.
Printed by Mourlot.
Signed in red pencil by the artist on the lower-right corner
Pablo Picasso
Bacchanale, 1955
Eau-forte et aquatinte en couleurs sur vélin de Rives
Image: 47, 4 x 56,3 cm
Feuille: 56 x 76,5 cm
Edité par Crommelynck, Paris.
Une des rares épreuves d’artistes signées, réservées à Picasso, à l’imprimeur et à l’éditeur, à part de l’édition à 300 exemplaires numérotés et signés.

Signé au crayon en bas à droite
Pablo Picasso
Les Ménines, 1959
Dessin aux crayons de couleur
32 x 24 cm
Signé au crayon "Picasso", daté "le 28.1.59"
Pablo Picasso
Le Vieux Bouffon, 1963
Linocut printed in colour on Arches vellum paper.
Image: 64 x 53.5 cm
Sheet: 75.2 x 62.2 cm
From an edition of 50, numbered "13/50".
Printed by Arnèra, Vallauris.
Published by Galerie Louise Leiris, Paris.

One Artist's proof signed and dedicated to Sabartés is kept at the Picasso Museum in Barcelona.
Signed in pencil by the artist in the lower-left corner
Pablo Picasso
Tête de femme n° 4 (Portrait of Dora Maar), 1939
Aquatint, scraper and drypoint on Montval paper with Vollard watermark
Image: 29.9 x 23.7 cm (11.8 x 9.3 in.)
Sheet: 45 x 34 cm (17 3/4 x 13 3/8 in.)
Framed: 65.5 x 56 cm (25 3/4 X 22 in.)
Numbered in pencil “50/80”. Printed by Lacourière.
Pablo Picasso
Tête de femme n° 2 (Portrait of Dora Maar), 1939
Aquatint, scraper and drypoint in four colors
Plate size: 29.9 x 23.7 cm (11 7/8 x 9 3/8 in.)
Framed: 66 x 55 cm (26 x 21 5/8 in.)
Aquatint, scraper and drypoint in four colors on four copper plates 104 prints on Montval paper. These proofs are neither numbered nor signed.
Dated upper right: 20/4/39
Pablo Picasso
Jacqueline de profil à droite, 1958
Lithograph on Arches wove paper
Image: 55.7 x 44 cm (22 x 17 3/8 in.)
Sheet: 65.5 x 50.2 cm (25 7/8 x 19 ¾ in.)
Framed: 93 x 92 cm (36 5/8 x 36 ¼ in.)
Numbered 48/50 (there were also six proofs for the artist and printer).
Signed in pencil lower right, "Picasso".
Pablo Picasso
Portrait de Jacqueline de Face. I, 1963
Linocut, printed in color on Arches paper
64 x 52.6 cm (25 ¼ x 20 5/8 in.)
Framed: 108 x 93 cm (42 ½ x 36 5/8 in.)

Edition 48/50 (IIIe état B)
Printed by Arnèra (Vallauris)
Signed lower right, "Picasso". Numbered in pencil lower left.
Pablo Picasso
Femme assise en tailleur: Geneviève Laporte, 1951
Etching and drypoint on Japon nacre paper
Image: 14.4 x 10 cm (5 3/4 x 3 7/8 in.)
Sheet: 30.8 x 23.2 cm (12 1/8 X 9 1/8 in.)
Numbered in pencil, " 156/180 ", on the lower left.
There were 12 artist's proofs.
Published by B. Gili, Barcelona.
Signed on the lower right in pencil, "Picasso"
Pablo Picasso
Peintre et son modèle au collier, 1966
Aquatint, etching, scraper and drypoint

Image: 27.2 x 37.6 cm (10 3/4 x 14 7/8 in.)
Sheet: 41 x 50 cm (16 1/8 x 19 3/4 in.)

Numbered on the lower left « 35/50 »
Signed by the hand of the artist at the bottom right « Picasso »
Pablo Picasso
Corrida (A.R. 182), 1953
Faïence ceramic plate
Dia 42 cm (16 ½ in.)
Edition outside of an edition of 200. Only a handful of plates of this exact motif.
Sign carved on the back side “Madoura Plein Feu” and “Picasso's original seal”
Pablo Picasso
La Puce, 1936 - 1942
Etching and aquatint on Chinese paper
37 x 27 cm (14 ½ x 10 5/8 in.)
2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
Martin Fabiani, editor. Proof printed by Lacourière.
Pablo Picasso
Le Papillon, 1936-1942
Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.

37 × 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)
One of the rare titled 35 prints on Imperial Japanese paper.
Print Roger Lacourière workshop, Paris.
Pablo Picasso
Le Bélier, 1936-1942
Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.

37 x 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)
One of the rare titled 35 prints on Imperial Japanese paper.
Print Roger Lacourière workshop, Paris.
Pablo Picasso
Le Faune, 1962
Linocut printed on Arches paper
Image : 64 x 52.8 cm (25 3/8 x 20 3/4 in.)
Sheet : 75.2 x 62 cm (29 3/8 x 24 3/8 in.)
Framed : 103.5 x 91 cm
N° 43/50
Printed by Arnèra (Vallauris)
Signed « Picasso » on the lower right in pencil and numbered «43/50 » on the bottom right.
Pablo Picasso
Femme (A.R. 300), 1955
Pitcher in terre de faïence
H 31 (12 1/4 in.) x vers Diam 9.5 cm (3 3/4 in.)
No. 44/100. Numbered under the base
Stamped: « Madoura Plein Feu » and « Edition Picasso »
Pablo Picasso
Homme au Bâton/Le Vieux Bouffon, 1963
Linocut, printed in color on Arches paper
Image: 64 x 53.6 cm (25 ¼ x 21 1/8 in.)
Sheet: 75.2 x 62.5 cm (29 5/8 x 24 5/8 in.)
Framed: 100 x 91 cm (39 3/8 x 35 7/8 in.)
One of a rare few artist proofs
Printed by Arnèra (Vallauris)
Signed « Picasso » on the lower right in pencil
Pablo Picasso
Mère et enfant au fichu, 1966
Lithography, outside of an edition of 60 copies
75.6 x 54.9 cm (29.7 x 21.6 in.)
Edition by the Crommelynck Brothers, engravers in Paris
Edition of the Picasso Museum of Barcelona
Signed "Picasso" and dedicated to Marie Cutoli and dated 13.10.66, lower right

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