Pablo Picasso Spanish, 1881-1973

Works

Pablo Picasso
Les Saltimbanques, 1905
Etching on Van Gelder vellum paper
28.8 x 33 cm
Edition à 250 exemplaires, Editée par Ambroise Vollard.
Imprimée par Louis Fort, Paris
Filigrane Vollard
Signed and dated on the plate
Pablo Picasso
Salomé , 1905
Etching
Image: 34.8 x 40 cm
Sheet: 44.8 x 55 cm
One of 27 proofs printed by Fort with background tinting on old Japon for Ambroise Vollard, before the run of 250 on Van Gelder laid paper.
Unsigned and un-numbered by the hand of the artist.
Signed and dated in the plate
Pablo Picasso
Saltimbanque au repos, 1905
Drypoint on Van Gelder vellum paper.
Image : 12 x 8.5 cm
Sheet : 33 x 51 cm
Printed by Louis Fort, Paris, and edited in 250 proofs by Ambroise Vollard, Paris.
Pablo Picasso
Profil sculptural de Marie-Thérèse, 1933
Etching and dry-point on Montval paper, "Picasso" filigree
31,8 x 22.8 cm (image)
45 x 34 cm (sheet)
Edition of 55, printed by Lacourière, Paris, in 1942. This edition was printed on the same paper as was used for the Vollard Suite.
Unsigned
Pablo Picasso
Chez la Pythie-Harpye : Personnages masqués et femme oiseau, 1934
Aquatint and etching on copper-plate
Image: 24.5 x 34.3 cm
Sheet: 34.3 x 44.8 cm
Edition of 260
Pablo Picasso
Femme Torero I, 1934
Etching on copper-plate printed on Montval "vergé" paper.
Image: 49.7 x 69.7 cm
Sheet: 57.1 x 77.5 cm
Edition of 50.

The edition, of which Vollard planned 50 proofs, was never delivered or paid for due to the death of the great Parisian art dealer. Only a few (four or five) proofs, sold by Lacourière, were signed by Picasso.
Unsigned.
Pablo Picasso
La Grande Corrida, 1934
Etching on copper-plate, on Montval "vergé" paper.
Image: 48.7 x 69.7 cm
Sheet: 56.8 x 77.5 cm
Edition of 50.

The edition, planned by Vollard at 50 examples, was never delivered or paid for due to the death of the great Parisian dealer. The proofs were bought in 1960 by a Parisian dealer. Only a few (four or five) prints, sold by Lacourière, were signed by Picasso.
Non-signed
Pablo Picasso
Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée, 1934
Aquatint treated with a scraper as a manière noire, drypoint and burin on copper, on Montval paper
24.7 x 34.8 cm (image)
34 x 44.4 cm (sheet)
260
Signed by the artist on the lower-right
Pablo Picasso
Faune dévoilant un dormeuse (Jupiter et Antiope, d’après Rembrandt), 1936
Aquatint with sugar and varnish, scraper and burin on copper with rounded corners, on Montval paper.
Image : 31.6 x 41.7 cm
Sheet : 34.5 x 45 cm
Edition of 260
Signed by the artist on the lower right corner
Pablo Picasso
Bacchanale, 1955
Eau-forte et aquatinte en couleurs sur vélin de Rives
Image: 47, 4 x 56,3 cm
Feuille: 56 x 76,5 cm
Edité par Crommelynck, Paris.
Une des rares épreuves d’artistes signées, réservées à Picasso, à l’imprimeur et à l’éditeur, à part de l’édition à 300 exemplaires numérotés et signés.
Signé au crayon en bas à droite
Pablo Picasso
Les Ménines, 1959
Dessin aux crayons de couleur
32 x 24 cm
Signé au crayon "Picasso", daté "le 28.1.59"
Pablo Picasso
Femme nue à a source, 1963
Linocut in colours on Arches vellum paper
Image: 53.4 x 64 cm
Sheet: 62.5 x 75.5 cm
Edition of 50, n°48/50 Printed by Arnera, vallaurisEdited by Louise Leiris, Paris
Signed on the lower right cornr and numbered by the artist
Pablo Picasso
Portrait-charge d'un personnage en larmes, 1968
Etching on copper-plate
Image: 20.6 x 15 cm
Sheet : 32.4 x 25 cm
Edition of 50
Signée au cachet "Picasso"
Pablo Picasso
Souvenirs: Cirque, avec El Gigante et autoportrait en bébé-vieillard, 1968
Etching, aquatint and drypoint on copper-plate
Image: 49 x 33.5 cm
Sheet: 65.4 x 46.3 cm
Edition of 50 by Galerie Louise LeirisPrinted by Crommelynck.
Signed on the lower-right corner
Pablo Picasso
Théâtre ou télévision: cape et épée , 1968
Aquatint and etching on Rives vellum paper
Image: 29.5 x 34.5 cm
Sheet: 45.5 x 52 cm
N° 18/50
From an edition of 50.
Printed by the Atelier Crommelynck, Paris
Edited by Galerie Louise Leiris, Paris
Signed on the lower right corner
Pablo Picasso
Femmes à leur toilette avec Degas rêvant, 1971
Etching on copper-plate
22.9 x 30.5 cm (image)
36.2 x 45.1 cm (sheet)
Edition of 50
Signée au cachet "Picasso"
Pablo Picasso
Tête de femme n° 4 (Portrait of Dora Maar), 1939
Aquatint, scraper and drypoint on Montval paper with Vollard watermark
Image: 29.9 x 23.7 cm (11.8 x 9.3 in.)
Sheet: 45 x 34 cm (17 3/4 x 13 3/8 in.)
Framed: 65.5 x 56 cm (25 3/4 X 22 in.)
Numbered in pencil “50/80”. Printed by Lacourière.
Pablo Picasso
Tête de femme n° 2 (Portrait of Dora Maar), 1939
Aquatint, scraper and drypoint in four colors
Plate size: 29.9 x 23.7 cm (11 7/8 x 9 3/8 in.)
Framed: 66 x 55 cm (26 x 21 5/8 in.)
Aquatint, scraper and drypoint in four colors on four copper plates 104 prints on Montval paper. These proofs are neither numbered nor signed.
Dated upper right: 20/4/39
Pablo Picasso
Peintre et son modèle au collier, 1966
Aquatint, etching, scraper and drypoint
Image: 27.2 x 37.6 cm (10 3/4 x 14 7/8 in.)
Sheet: 41 x 50 cm (16 1/8 x 19 3/4 in.)
Numbered on the lower left « 35/50 »
Signed by the hand of the artist at the bottom right « Picasso »
Pablo Picasso
La Puce, 1936 - 1942
Etching and aquatint on Chinese paper
37 x 27 cm (14 ½ x 10 5/8 in.)
2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
Martin Fabiani, editor. Proof printed by Lacourière.
Pablo Picasso
Le Papillon, 1936-1942
Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.
37 × 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)
One of the rare titled 35 prints on Imperial Japanese paper.
Print Roger Lacourière workshop, Paris.
Pablo Picasso
Le Bélier, 1936-1942
Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.
37 x 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)
One of the rare titled 35 prints on Imperial Japanese paper.
Print Roger Lacourière workshop, Paris.

Video

Exhibitions

Pablo PICASSO: MasterPrints
10 Nov - 23 Dec 2023 Paris
A master painter of the 20th century, Pablo Picasso created throughout his career a vast body of graphic work, producing around 2,400 drypoints, aquatints, lithographs and linocuts between 1905 and his death. He practiced and experimented with all etching techniques, often breaking new ground in the artistic ﬁeld of printmaking....
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Events

Press

À Strasbourg, la foire d’art contemporain St-Art 2021 en version réduite mais en pleine forme
Guy Boyer, Connaissance des Arts, November 26, 2021
Art Paris au Grand Palais Ephémère : nos coups de coeur
Guy Boyer, Connaissance des Arts, September 8, 2021
ARTE.IT
July 9, 2019
RIVIERAEVENTI.IT
June 29, 2019
IlNazionale
June 19, 2019
REDAZIONECORSARA
June 18, 2019
FIDEST
June 17, 2019
RIVIERA24.IT
June 17, 2019
LUSSOSTYLE.IT
June 14, 2019
MONACO MADAME
April 27, 2018
PARISCOPE
December 14, 2014
PARISCOPE
December 10, 2014
GAZETTE DROUOT
November 28, 2014
LE JOURNAL DES ARTS
November 13, 2014
CONNAISSANCE DE L'ART
November 12, 2014
Humanité
November 10, 2014
CONNAISSANCE DES ARTS
November 10, 2014
CONNAISSANCE DES ARTS
November 10, 2014
Humanité
October 24, 2014
Humanité
October 24, 2014

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