Overview

Born in 1909, Pierre Jahan was part of a generation of pioneers in photography who saw photography not as a scientific or technical practice, but as an art of pleasure and freedom. He thus joined Henri-Cartier Bresson, Man Ray, Lee Miller, Laszlo Moholy-Nagy, Dora Maar and their colleagues on the other side of the Atlantic, such as Alfred Stieglitz, in the quest for recognition of photography as an art form in its own right, with its own plastic and expressive possibilities. Pierre Jahan is a protean personality of the avant-garde, unclassifiable, considering photography as an exercise ground, the only law being the pleasure of the eye and the hand. Although he never claims to be dogmatic, preferring always to keep his freedom, fantasy nevertheless remains the guiding thread of his work. He marries the impulse of life and its springs of creation, he experiments with new techniques - rayograms, photograms, overprints, photomontage and photocollage - until the end.

Works
  • Minuit Chanson, Place Pigalle
    Pierre Jahan
    Minuit Chanson, Place Pigalle, 1932
    Photography, vintage gelatin silver print by the artist
    11,3 x 17,2 cm
  • Portrait avec fumée
    Pierre Jahan
    Portrait avec fumée, 1933
    Photography, vintage gelatin-silver print by the artist
    36,2x 28,2 cm
  • Aux Folies Bergères
    Pierre Jahan
    Aux Folies Bergères, 1934
    Photography, vintage gelatin-silver print by the artist
    19 x 17,5 cm
  • Le Pont Neuf
    Pierre Jahan
    Le Pont Neuf, 1934
    Photography, vintage gelatin-silver print by the artist
    20, 5 x 26,5 cm
  • Rue de la Gaîté
    Pierre Jahan
    Rue de la Gaîté, 1934
    Photography, vintage gelatin-silver print by the artist
    21,9 x 16,1 cm
  • Boucherie des Halles
    Pierre Jahan
    Boucherie des Halles, 1935
    Photography, vintage gelatin-silver print by the artist
    18,5 x 17,6 cm
  • Paris, Bière
    Pierre Jahan
    Paris, Bière, 1935
    Photography, vintage gelatin-silver print by the artist
    26,6 x 23,7 cm
  • Le repos du guerrier, Coiffeur
    Pierre Jahan
    Le repos du guerrier, Coiffeur, 1936
    Photography, vintage gelatin-silver print by the artist
    32,5 x 29,5 cm
  • Paris
    Pierre Jahan
    Paris, 1936
    Photography, vintage gelatin-silver print by the artist
    16,7 x 18,6 cm
  • Sur les Grands Boulevards
    Pierre Jahan
    Sur les Grands Boulevards, 1936
    Photography, vintage gelatin-silver print by the artist
    21,5 x 29,5 cm
  • Exposition Universelle, Clôture
    Pierre Jahan
    Exposition Universelle, Clôture, 1937
    Photography, vintage gelatin-silver print by the artist
    14.3 × 10.2 cm
  • 14 juillet
    Pierre Jahan
    14 juillet, 1938
    Photography, vintage gelatin-silver print by the artist
    25 x 19,3 cm
  • Affiche déchirée sur une palissade, la première affiche de la loterie nationale
    Pierre Jahan
    Affiche déchirée sur une palissade, la première affiche de la loterie nationale, 1938
    Photography, vintage gelatin silver print by the artist
    26 x 20 cm
  • Faites votre choix
    Pierre Jahan
    Faites votre choix, 1938
    Photomontage
    17 x 23 cm
    Dédicacé en 1947
    Photomontage tiré par l'artiste
  • Illustration d'un livre sur le maquillage de Raymon Gid
    Pierre Jahan
    Illustration d'un livre sur le maquillage de Raymon Gid, 1938
    Photography, vintage gelatin-silver print by the artist
    38,9 x 28,1 cm
  • Paris la nuit
    Pierre Jahan
    Paris la nuit, 1938
    Photography, vintage gelatin-silver print by the artiste
    23 x 28,4 cm
  • Poisson
    Pierre Jahan
    Poisson, 1938
    Epreuve gélatino argentique
    21 x 27 cm
    Monotype
  • Un 14 juillet à Saint-Germain-des-Prés
    Pierre Jahan
    Un 14 juillet à Saint-Germain-des-Prés, 1938
    Photography, vintage gelatin-silver print by the artist
    18,7 x 24 cm
  • Venue des souverains anglais à Paris
    Pierre Jahan
    Venue des souverains anglais à Paris, 1938
    Photography, vintage gelatin-silver print by the artist
    22,6 x 26,7 cm
  • Le départ du Débarquement de la Reine Marie de Médicis à Marseille, de Rubens
    Pierre Jahan
    Le départ du Débarquement de la Reine Marie de Médicis à Marseille, de Rubens, 1939
    Photography, vintage gelatin-silver print by the artist
    20 × 17.8 cm
  • Marchande de saucisses
    Pierre Jahan
    Marchande de saucisses, 1939
    Photography, vintage gelatin-silver print by the artist
    20,5 x 17,8 cm
  • Un certain 14 juillet
    Pierre Jahan
    Un certain 14 juillet, 1939
    Photography, vintage gelatin silver print by the artiste
    18,6 x 16,5 cm
  • Le Havre
    Pierre Jahan
    Le Havre, 1940
    Photography, gelatin-silver print, printed by the artist in 1960
    19,5 x 18,2 cm
  • Deux demi violons
    Pierre Jahan
    Deux demi violons, 1942
    Photography, vintage gelatin-silver print by the artist
    36,5 x 29,3 cm
  • Homme politique et alligator
    Pierre Jahan
    Homme politique et alligator, 1942
    Photography, vintage gelatin-silver print by the artist
    19 x 18 cm
  • M. Thiers
    Pierre Jahan
    M. Thiers, 1942
    Photography, vintage gelatin-silver print by the artist
    23,5 x 19,3 cm
  • Style
    Pierre Jahan
    Style, 1942
    Photography, vintage gelatin-silver print by the artist
    20.4 × 19.6 cm
  • Cette seringue elle peut aussi tuer, ca.
    Pierre Jahan
    Cette seringue elle peut aussi tuer, ca., 1943
    20,5 x 15 cm
  • Emplacement de l'actuel Beaubourg
    Pierre Jahan
    Emplacement de l'actuel Beaubourg, 1943
    Vintage gelatin silver print by the artist
    17.6 x 23 cm
  • Le Pendu des puces
    Pierre Jahan
    Le Pendu des puces, 1943
    Photography, vintage gelatin-silver print by the artist
    36,5 x 28 cm
  • Canon anti-aérien devant l'Arc de Triomphe
    Pierre Jahan
    Canon anti-aérien devant l'Arc de Triomphe, 1944
    Photography, vintage gelatin-silver print by the artist
    16,2 x 17,2 cm
  • La Libération, Place de la Concorde, Les allemands des toits tirent sur la foule
    Pierre Jahan
    La Libération, Place de la Concorde, Les allemands des toits tirent sur la foule, 1944
    Photography, vintage gelatin-silver print by the artist
    21 x 29,7 cm
  • Libération de Paris
    Pierre Jahan
    Libération de Paris, 1944
    Photography, vintage gelatin-silver print by the artist
    23,6 x 17,5 cm
  • Maquisards en Corrèze
    Pierre Jahan
    Maquisards en Corrèze, 1944
    Photography, vintage gelatin-silver print by the artist
    26 x 18,6 cm
  • Tanks en batterie en direction du Sénat, que l'on assiège, libération de Paris
    Pierre Jahan
    Tanks en batterie en direction du Sénat, que l'on assiège, libération de Paris, 1944
    Photography, vintage gelatin-silver print by the artist
    16,6 x 17,4 cm
  • La basilique de Montmartre vue des toits d'un immeuble rue Andrieux
    Pierre Jahan
    La basilique de Montmartre vue des toits d'un immeuble rue Andrieux, 1945
    Photography, vintage gelatin-silver print by the artist
    24,5 x 22,6 cm
  • Sans titre (Horloge)
    Pierre Jahan
    Sans titre (Horloge), 1945
    photomontage
    29.5 x 39 cm
    Monotype
    photomontage tiré par l'artiste, with studio stamp on the back.
  • Vendredi 25 août 1944, Place de la Concorde
    Pierre Jahan
    Vendredi 25 août 1944, Place de la Concorde , 1945
    Photography, vintage gelatin-silver print by the artist
    32 x 25,4 cm
  • L'Herbier surréaliste (Arrehenathrum Elatius)
    Pierre Jahan
    L'Herbier surréaliste (Arrehenathrum Elatius), 1945-1948
    Gelatin-silver print, photogram and burnt edges
    40 × 31 cm
  • L'Herbier surréaliste (Artemisia Estracunculus)
    Pierre Jahan
    L'Herbier surréaliste (Artemisia Estracunculus), 1945-1948
    Gelatin silver print, photogram, burnt edges
    40 × 31 cm
  • L'Herbier surréaliste (Carduus Nutans)
    Pierre Jahan
    L'Herbier surréaliste (Carduus Nutans), 1945-1948
    Gelatin silver print, photogram, burnt edges
    40 × 31 cm
  • L'Herbier surréaliste (Cirsium Palustre)
    Pierre Jahan
    L'Herbier surréaliste (Cirsium Palustre), 1945-1948
    Gelatin silver print, photogram and burnt edges
    40 × 31 cm
  • L'Herbier surréaliste (Lotus Corniculatus)
    Pierre Jahan
    L'Herbier surréaliste (Lotus Corniculatus), 1945-1948
    Gelatin silver print, photogram, burnt edges
    40 × 31 cm
  • L'Herbier surréaliste (Urtica Dioïca)
    Pierre Jahan
    L'Herbier surréaliste (Urtica Dioïca), 1945-1948
    Gelatin silver print, photogram, burnt edges
    40 × 31 cm
  • Sans titre
    Pierre Jahan
    Sans titre , 1945-1948
    Gelatin silver print, photomontage, burnt edges.
    40 × 30 cm
  • Sans titre (Herbier)
    Pierre Jahan
    Sans titre (Herbier), 1945-1948
    Gelatin-silver print, photogram (unique)
    40 × 30 cm
    Signed on the lower left.
  • Sans titre (Herbier)
    Pierre Jahan
    Sans titre (Herbier), 1945-1948
    Gelatin silver print, photogram, burnt edges
    40 × 31 cm
  • Sans titre (Herbier)
    Pierre Jahan
    Sans titre (Herbier), 1945-1948
    Gelatin silver print, photogram
    40 × 30 cm
    Signed by the artist on the lower left-corner
  • Sans titre (Masque)
    Pierre Jahan
    Sans titre (Masque), 1945-1948
    Gelatin-silver print, burnt edges
    39 × 30 cm
  • Sans titre (Nu à l'épi)
    Pierre Jahan
    Sans titre (Nu à l'épi), 1945-1948
    Gelatin-silver print, photogram, burnt edges
    40 × 31 cm
  • Sans titre (photogramme)
    Pierre Jahan
    Sans titre (photogramme), 1945-1948
    Gelatin silver print, photogram and burnt edges
    40 × 30 cm
  • Sans titre (Statue)
    Pierre Jahan
    Sans titre (Statue), 1945-1948
    Gelatin silver print, photomontage, burnt edges
    40 × 30 cm
  • A coeur perdu
    Pierre Jahan
    A coeur perdu, 1946
    Photogramme
    30 x 40 cm
    Partially hand coloured monotype
    Developed by the artist, with the studio stamp on the back. Dated by the artist.
  • Sans titre (Herbier)
    Pierre Jahan
    Sans titre (Herbier), 1946
    Gelatin silver print, photomontage, photogram
    40 × 31 cm
    Signed on the right, inside the hand silhouette
  • Tour Eiffel en fête
    Pierre Jahan
    Tour Eiffel en fête, 1946
    Photogram and collage
    36 x 28,7 cm
  • Photographie publicitaire pour le parfum Brigand de Robert Piguet
    Pierre Jahan
    Photographie publicitaire pour le parfum Brigand de Robert Piguet, 1946-1947
    Photography, vintage gelatin-silver print by the artist
    29 x 23,5 cm
  • Cliché publicitaire pour Piguet
    Pierre Jahan
    Cliché publicitaire pour Piguet, 1947
    Photography, vintage gelatin-silver print by the artist
    29,5 x 23,9 cm
  • Nu, Plain-Chant
    Pierre Jahan
    Nu, Plain-Chant, 1947
    Photography, vintage gelatin-silver print by the artist
    30 x 23 cm
  • Nu, Plain-Chant
    Pierre Jahan
    Nu, Plain-Chant, 1947
    Photography, vintage gelatin-silver print by the artist
    23 x 28 cm
  • Publicité pour la cristallerie Daum
    Pierre Jahan
    Publicité pour la cristallerie Daum, 1947
    24 x 31 cm
    Unique
  • Publicité pour la cristallerie Daum
    Pierre Jahan
    Publicité pour la cristallerie Daum, 1947
    Photomontage
    31 x 24 cm
    Unique
  • Les Gisants de Saint-Denis, Tombeau de Henri II et Catherine de Médicis
    Pierre Jahan
    Les Gisants de Saint-Denis, Tombeau de Henri II et Catherine de Médicis, 1948
    Photography, vintage gelatin-silver print by the artist
    29,6 x 37 cm
  • La main aux yeux
    Pierre Jahan
    La main aux yeux, 1948
    Photomontage
    23.5 x 29 cm
    One of a few photographs developed by the artist himself.
    Signed with the studio stamp and dated on the verso.
  • Les Gisants de Saint-Denis, Anne de Bretagne
    Pierre Jahan
    Les Gisants de Saint-Denis, Anne de Bretagne, 1948
    Photography, vintage gelatin-silver print by the artist
    30 x 20,8 cm
  • Photographie de l'incendie de l'appartement
    Pierre Jahan
    Photographie de l'incendie de l'appartement , 1948
    Photographie
    29 x 24 cm
    One of only a few existing photos, developped at the time.
  • Photographie publicitaire pour un produit pharmaceutique contre l'angoisse, Double distorsion
    Pierre Jahan
    Photographie publicitaire pour un produit pharmaceutique contre l'angoisse, Double distorsion, 1948
    Photography, vintage gelatin-silver print by the artist
    29,3 x 23,3 cm
  • Portrait d'un ange
    Pierre Jahan
    Portrait d'un ange, 1948
    photomontage
    30x40 cm
    One of few editions of this image, from the lifetime of the artist.
    épreuve tirée par l'artiste
  • Sans titre (L'Incéndie de l'atelier)
    Pierre Jahan
    Sans titre (L'Incéndie de l'atelier), 1948
    Gelatin-silver print
    40 × 31 cm
    Signed on the lower right
  • Post-Mortem
    Pierre Jahan
    Post-Mortem, 1950
    Photomontage
    23 x 29 cm
    Monotype
    Photomontage tiré par l'artiste, signé avec le cachet de l'atelier sur le verso et daté.
  • Feux d'artifices
    Pierre Jahan
    Feux d'artifices, 1951
    Photogramme
    35,5 x 28 cm
    One of only a few proofs ever developped by the artist.
    Photogramme tiré par l'artiste, signed with the studio stamp, titled and dated "Juillet 1951" on the back.
  • Surimpression d'une photo de feux d'artifice et de plumes d'oiseaux
    Pierre Jahan
    Surimpression d'une photo de feux d'artifice et de plumes d'oiseaux, 1951
    Photogram
    35,5 x 28 cm
  • Nu au chardon
    Pierre Jahan
    Nu au chardon, 1952
    Gelatin silver print, photogram and photo-collage
    40 × 30 cm
    Signed by the artist on the lower-left corner.
  • Ma tête, Le masque de la mort
    Pierre Jahan
    Ma tête, Le masque de la mort , 1957
    Photography, vintage gelatin-silver print by the artist
    28,5 x 20,2 cm
  • Couverts Ravinet Denfert (dans un aquarium)
    Pierre Jahan
    Couverts Ravinet Denfert (dans un aquarium), 1958
    Photography, vintage gelatin-silver print by the artist
    30,3 x 24 cm
  • Avec Krups vous maigrirez
    Pierre Jahan
    Avec Krups vous maigrirez, 1960
    Photomontage
    31 x 21 cm
    Unique
    photomontage tiré par l'artiste et inscrit à la main
  • L'Operette
    Pierre Jahan
    L'Operette, 1970
    Photo-collage sur décalcomanie.
    25,5 x 19,5 cm
    Unique
    Signed by the artist on the lower right
  • Le Cinéma
    Pierre Jahan
    Le Cinéma, 1970
    Photo-collage sur décalcomanie.
    22 x 30 cm
    Unique
    Signed by the artist on the lower left, titled on the back.
  • Le Travail et l'art à l'usine
    Pierre Jahan
    Le Travail et l'art à l'usine, 1970
    photo collage sur décalcomanie.
    24 x 28 cm
    Unique
    Titled by the artist on the back.
  • On arrête pas le progrès
    Pierre Jahan
    On arrête pas le progrès, 1970
    Photo collage sur décalcomanie
    20 x 25,5 cm
    Unique
    Signed on the lower left and titled by the artist on the back.
  • En rêve.
    Pierre Jahan
    En rêve., 1980
    Photo-collage
    30 x 39 cm
    Unique work
    Signed and titled by the artist on the lower bord. Dated by the artist on the back.
  • Normandie Etretat
    Pierre Jahan
    Normandie Etretat, c.1930
    Photography, vintage gelatin-silver print by the artist
    38 x 29 cm
  • Sans titre (nature morte)
    Pierre Jahan
    Sans titre (nature morte), c.1932
    Photography, vintage gelatin-silver print by the artist
    29 x 38 cm
  • Halles, Les sacs
    Pierre Jahan
    Halles, Les sacs, c.1938
    Photography, vintage gelatin-silver print by the artist
    20,3 x 17,5 cm
  • Les Halles
    Pierre Jahan
    Les Halles, c.1938
    Photography, vintage gelatin-silver print by the artist
    22,5 x 17,7 cm
  • Mistinguett
    Pierre Jahan
    Mistinguett, c.1938
    Photography, vintage gelatin-silver print by the artist
    18 x 19 cm
  • Paris la nuit
    Pierre Jahan
    Paris la nuit, c.1938
    Photography, vintage gelatin-silver print by the artist
    17,7 x 20,1 cm
  • Contre-jour à Auteuil
    Pierre Jahan
    Contre-jour à Auteuil, c.1940
    Photography, vintage gelatin-silver print by the artist
    20 x 17,2 cm
  • Untitled
    Pierre Jahan
    Untitled, c.1940
    Photography, vintage gelatin-silver print by the artist
    38,6 x 30,3 cm
  • Nu
    Pierre Jahan
    Nu, c.1955
    Photography, vintage gelatin-silver print by the artist
    29,3 x 22,3 cm
  • Portrait d'un ange
    Pierre Jahan
    Portrait d'un ange , ca 1943
    Photography
    31,5 x 23,5 cm
    Epreuve tirée par l'artiste
  • Sans titre
    Pierre Jahan
    Sans titre, ca. 1950
    Photomontage
    21 x 30 cm
    Monotype
    Photomontage tiré par l'artiste
  • 1944....
    Pierre Jahan
    1944...., ca. 1970
    Photo collage sur décalcomanie.
    22,5 x 20,5 cm
    Unique
    Signed on the lower left and titled by the artist on the back.
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Biography

Pierre Jahan was a French photographer born in 1909 in Amboise and died in 2003 in Paris. His affinity for photography was evident from childhood, when he would borrow his sister's Kodak camera. Even before settling in Paris in 1933 and becoming part of the artistic scene, Jahan participated in various amateur exhibitions and competitions between 1925 and 1930. It was Emmanuel Sougez, director of the photography department at L’Illustration, who encouraged him to pursue a career in professional photography upon his arrival in Paris.
He developed a career as both an advertising photographer and a freelance photographer. He began as an advertising photographer through Raymond Gid, head of an advertising agency, who entrusted him with his first projects. As a freelance photographer, he produced numerous views of Paris at night, which remained for him an “inexhaustible source of photographs.” His unique perspective on the city brought him renown: his first solo exhibition took place in 1934 at the École Boulle; that same year, he began a collaboration with the magazine Plaisirs de France that would last until 1976.

In 1936, he and Sougez founded the group Le Rectangle, dedicated to the defense and recognition of French photography. Close to Surrealist circles, Jahan simultaneously developed a style of photography in which strangeness, subversion, and poetry played a central role. Also very close to Jean Cocteau, they collaborated on the book La Mort et les Statues (Death and the Statues), which presents photographs from a series Jahan had created documenting the removal of certain statues by the Vichy regime.
After the war, Pierre Jahan pursued a remarkably diverse career, encompassing artistic photography, portraiture, reportage, and advertising. He collaborated with companies such as Piguet, Renault, Daum, and Dupont, developing a concept of advertising photography based on surprise and invention rather than simply a faithful representation of the product. A member of the Groupe des XV from 1950, he actively campaigned for the recognition of photography as an artistic discipline and for the defense of photographers' rights. His work, influenced by Surrealism as much as by documentary and advertising photography, thus testifies to a constant desire to explore the creative possibilities of the photographic medium.