Pablo Picasso Spanish, 1881-1973
Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist who became a naturalized French citizen in 1901. He settled in Paris in the early 20th century and quickly became a major figure in modern art.
His body of work spans numerous periods, including the Blue and Rose periods, followed by Cubism—a style he developed notably alongside Georges Braque. Throughout his career, Picasso experimented with various media and constantly reinvented his artistic language, moving between painting, sculpture, printmaking, drawing, and ceramics.
After settling in the south of France following World War II, he continued his creative work until his death in 1973.
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Pablo PicassoLa Danse barbare, 1905Drypoint on Van Gelder vellum paper13 × 20 in | 33 × 50.7 cmLimited edition, edition of 250Not signed -
Pablo PicassoLes Saltimbanques, 1905Etching on Van Gelder vellum paper28.8 x 33 cmEdition à 250 exemplaires, Editée par Ambroise Vollard. Imprimée par Louis Fort, ParisFiligrane VollardSigned and dated on the plate -
Pablo PicassoSalomé , 1905EtchingImage: 34.8 x 40 cm
Sheet: 44.8 x 55 cmOne of 27 proofs printed by Fort with background tinting on old Japon for Ambroise Vollard, before the run of 250 on Van Gelder laid paper.Unsigned and un-numbered by the hand of the artist.Signed and dated in the plate -
Pablo PicassoGuitare au guéridon / Pomme, 1916Gouache and watercolour (recto)/ Graphite on paper (verso)29 x 22.5 cmSigned on the lower right -
Pablo PicassoTrois femmes, 1924-25Drypoint on Zinc plate printed on Arches vellum paper33 × 20 cmEdition of 60 on ArchesSigned on the lower right -
Pablo PicassoAu Bain, 1930Etching on Montval wove-paper with the "Vollard" filigree.Image: 22 x 31.2 cm
Feuille: 34 x 44.5 cmEdition of 260Printed by Lacourière, ParisEdited by Ambroise Vollard, Paris -
Pablo PicassoPeintre et son modèle, 1930Lithograph22 × 15 in | 56 × 38 cmWith the Henri-Marie Petiet Collection stamp on the lower right, not signed -
Pablo PicassoMinotaure caressant du mufle la main d’une dormeuse, 1933Drypoint on Montval paper with large margins15 1/5 × 19 9/10 in | 38.5 × 50.5 cmEdition of 50Hand-signed by artist, Signed on the lower right -
Pablo PicassoProfil sculptural de Marie-Thérèse, 1933Etching and dry-point on Montval paper, "Picasso" filigree31,8 x 22.8 cm (image)
45 x 34 cm (sheet)Edition of 55, printed by Lacourière, Paris, in 1942. This edition was printed on the same paper as was used for the Vollard Suite.Unsigned -
Pablo PicassoFemme Torero I, 1934Etching on copper-plate printed on Montval "vergé" paper.Image: 49.7 x 69.7 cm
Sheet: 57.1 x 77.5 cmEdition of 50. The edition, of which Vollard planned 50 proofs, was never delivered or paid for due to the death of the great Parisian art dealer. Only a few (four or five) proofs, sold by Lacourière, were signed by Picasso.Unsigned. -
Pablo PicassoFemmes entre elles avec un voyeur sculpté. Clin d’oeil au Bain Turc,, 1934Etching, gratter and burin on Montval vellum paper with large margins15 1/5 × 19 9/10 in | 38.5 × 50.5 cmEdition of 50Hand-signed by artist, Signed on the lower right. -
Pablo PicassoLa Grande Corrida, 1934Etching on copper-plate, on Montval "vergé" paper.Image: 48.7 x 69.7 cm
Sheet: 56.8 x 77.5 cmEdition of 50. The edition, planned by Vollard at 50 examples, was never delivered or paid for due to the death of the great Parisian dealer. The proofs were bought in 1960 by a Parisian dealer. Only a few (four or five) prints, sold by Lacourière, were signed by Picasso.Non-signed -
Pablo PicassoMinotaure aveugle guidé dans la nuit par une petite fille au pigeon , 1934Etching and drypoint on copper plateImage: 24 x 30 cm
Papier: 34 x 43.7 cmEdition of 260 on Montval paper, filigree "Picasso". Printed by Lacourière, Paris. Edited by Ambroise Vollard, Paris.Signed by the artist on the lower-right corner -
Pablo PicassoFaune dévoilant un dormeuse (Jupiter et Antiope, d’après Rembrandt), 1936Aquatint with sugar and varnish, scraper and burin on copper with rounded corners, on Montval paper.Image : 31.6 x 41.7 cm
Sheet : 34.5 x 45 cmEdition of 260Signed by the artist on the lower right corner -
Pablo PicassoLe Hibou Noir, 1947Lithograph24 4/5 × 18 9/10 in / 63 × 48 cmSigned on the lower left -
Pablo PicassoTête de chèvre de profil, 1950White faïence10 1/5 in diameter | 26 cm diameterEdition of 50With the stamps of "Picasso edition" and "Madoura plein feu" -
Pablo PicassoFemme chouette , 1951Turned ceramic vase30 x 22.5 cmEdition de 500With the stamps «Edition Picasso Madoura»; «Madoura Plein Feu» and «Edition Picasso». -
Pablo PicassoCavalier et cheval, 1952Ceramic (terre de faïence, decorated with engobes)8 1/2 × 5 9/10 × 7 3/10 in
21.5 × 15 × 18.5 cmEdition of 300, numbered 232/300Inscribed “Édition Picasso,” with the marks “Madoura Plein feu” and “Éditions Picasso.” -
Pablo PicassoFemme à barbe, 1953Ceramic (terre de faïence, decorated with engobes)14 4/5 × 8 1/10 in | 37.5 × 20.5 cmEdition of 500Inscribed “Édition Picasso,” with the marks “Madoura Plein feu” and “Éditions Picasso.” -
Pablo PicassoPichet anse prise, 1953Turned ceramic pitcher19 x 11.5 x 28 cmEdition of 200, numbered 6/200.With the stamps «Edition Picasso Madoura»; «Madoura Plein Feu» et «Edition Picasso». -
Pablo PicassoHibou mat, 1955Rectangular plate (white earthenware, decorated with engobes, engraved)
32 x 39 cmStamped and marked Madoura Plein Feu/Edition Picasso (underneath) -
Pablo PicassoVisage, 1955Turned ceramic pitcher (white faïence, painted engobe glazes )31.5 × 10.5 × 10.5 cmEdition of 500Stamped "Edition Picasso/Madoura Plein Feu" on the base. -
Pablo PicassoVase aztèque aux quatre visages, 1957Turned ceramic vase (white earthenware, decorated with engobes, engraved)53 × 27 cm
20 9/10 × 10 3/5 inEdition of 100, 39/100With the Madoura Plein Feu and Editions Picasso stamps. Inscribed Editions Picasso Madoura -
Pablo PicassoChouette mate, 1958Ceramic (terre de faïence, decorated with engobes)11 × 8 3/10 in
28 × 21 cmEdition of 200Inscribed “Édition Picasso,” with the marks “Madoura Plein feu” and “Éditions Picasso.” -
Pablo PicassoPortrait de la jeune fille, d'après Cranach, 1958Linocut on Arches vellum paper35 2/5 × 27 3/5 × 1 3/5 in | 90 × 70 × 4 cm with frame includedEdition of 4 or 5With the drystamp of the Arnera workshop on the verso. -
Pablo PicassoBanderillero, 1959Original linocut in colours
24 2/5 × 29 1/2 in
62 × 75 cm
Edition of 4Stamped by artist's estate, Marina Picasso Collection with her stamp and the inventory number (52968) of the Picasso archive on reverse
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Pablo PicassoLe Banderillero, 1959Linocut in colours62 × 75 cm
24 2/5 × 29 1/2 inEdition of 50Hand-signed by artist, Signed and numbered «40/50» -
Pablo PicassoScène de tauromachie , 1959Round plate
Original impression in white earthenware, engobe decoration under partial glaze with a brush - ivory, patinated black, dull reddish brownD: 42.5 cmEdition of 100Dated on the marli
Stamped "Empreinte Originale de Picasso", "Madoura Plein Feu". -
Pablo PicassoSujet Colombe (AR 435), 1959Terre de faïence vase with engobes decoration, engraved on enamel
16 × 23 × 11 cm
6 3/10 × 9 1/10 × 4 3/10 inEdition of 500Inscribed 'Edition Picasso', with the Edition Picasso and Madoura Plein Feu stamps on the underside. -
Pablo PicassoHommage à Bacchus, 1960Lithograph on paper53.5 × 70 cmEdition of 50, 16/50Signed in crayon by the artist on the bottom right; Dated on the lower right. -
Pablo PicassoVisage, 1960Ceramic (terre de faïence, decorated with engobes)Diameter : 42 cmEdition of 100Inscribed “Édition Picasso,” with the marks “Madoura Plein feu” and “Éditions Picasso.” -
Pablo PicassoGrande tête de femme au chapeau orné, 1962Linocut on Arches paper64.1 x 53. 3 cm (image)
75.3 x 62.2 cm (sheet)Edition of 50 and around 20 Artist's proofsSigned by the artist on the lower right and numbered 41/50. -
Pablo PicassoNature morte à la lampe (à la suspension), 1962Linocut in colours on Arches paper63 x 53 (image)
75 x 62 (sheet) -
Pablo PicassoYan Bandeau noir, 1963Turned ceramic pitcher (red faïence, black engobe engraved decor)28 × 13 cmEdition of 300 by Madoura, Vallauris.Incised Edition Picasso and Madoura, with the Edition Picasso and Madoura stamps. Numbered 233/300. -
Pablo PicassoLe Déjeuner sur l'herbe, 1964Large rectangular tile (red earthenware, with black engobes)50 × 60 cmEdition of 50With the Empreinte Originale de Picasso and Madoura stamps -
Pablo PicassoDans l'atelier , 1965Aquatint and drypoint on Auvergne paper13 1/5 × 17 4/5 in | 33.5 × 45.2 cm18/50Hand-signed by artist, Signed on the lower right -
Pablo PicassoNature morte au verre d'absinthe, 1965Etching, aquatint and collotype in colour on BFK Rives paper61 cm x 49,5cmArtist proof signed bottom right -
Pablo PicassoEn pensant à Goya: Femmes en prison, 1968Sugar-lift aquatint and drypoint on greased copper-plate31.6 x 39.5 cm (image)Edition of 50Signed on the lower-right corner, numbered 35/50 -
Pablo PicassoThéâtre ou télévision: cape et épée , 1968Aquatint and etching on Rives vellum paperImage: 29.5 x 34.5 cm
Sheet: 45.5 x 52 cmN° 18/50From an edition of 50. Printed by the Atelier Crommelynck, ParisEdited by Galerie Louise Leiris, ParisSigned on the lower right corner -
Pablo PicassoChouette, 1969Turned ceramic vase30 x 22.5 cmEdition of 200, numbered 97/200With the stamps «Edition Picasso Madoura»; «Madoura Plein Feu» and «Edition Picasso». -
Pablo PicassoLe Papillon, 1936-1942Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.37 × 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)One of the rare titled 35 prints on Imperial Japanese paper.
Print Roger Lacourière workshop, Paris. -
Pablo PicassoLe Bélier, 1936-1942Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.37 x 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)One of the rare titled 35 prints on Imperial Japanese paper.Print Roger Lacourière workshop, Paris. -
Pablo PicassoHomme au Bâton/Le Vieux Bouffon, 1963Linocut, printed in color on Arches paperImage: 64 x 53.6 cm (25 ¼ x 21 1/8 in.)
Sheet: 75.2 x 62.5 cm (29 5/8 x 24 5/8 in.)
Framed: 100 x 91 cm (39 3/8 x 35 7/8 in.)One of a rare few artist proofsPrinted by Arnèra (Vallauris)Signed « Picasso » on the lower right in pencil
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