A major pioneer of Lyrical Abstraction, a gestural and personal form of
abstraction, along with Hans Hartung and Pierre Soulages, Gérard
Schneider was shown in Paris at the Galerie Louis Carré as early as 1950.
From 1955 to 1960, Schneider's work was exhibited at the Kootz Gallery in
New York where an exclusivity contract connected the artist and the
American dealer Samuel Kootz.
From gesture, "the shape is born, whether lyrical or dramatic, with its colour
and technical means, without any reference to external nature" according to
Schneider.
Eugène Ionesco spoke of "the original, eruptive, richness" of his work.
From nervous gesture and volcanic composition, full of tension, of the 1950s
followed "the light years" from Michel Ragon's expression, which were
marked by the balance of forms reflecting each other and the explosion of
colour. "Painting should be looked in the same way as music is listened to",
as Schneider enjoyed saying.
Musical, his work is to be understood like "an orchestra" which expresses
"passion, fury, romanticism" according to Michel Ragon.
The works of Schneider are in museums including the Centre Pompidou in
Paris, MoMa in New York, the Phillips Collection in Washington, the
Museum of Fine Arts of Montréal and the Modern Art Museum of Rio de
Janeiro, as well as private collections and foundations such as the Fondation
Gandur pour l'Art in Geneva.